Good Morning Don - If you have not received any feedback regarding your inquiry, or are still looking for help, we would be more than happy to provide you a few recommendations and suggestions off-line. Best, Diane Nighswander IMAGING4ART
On Tue, Mar 26, 2013 at 7:11 PM, Don Ross <dross at sfmoma.org> wrote: > Hi-can you please post this? (below) > Many thanks > -Don Ross > > _________________________________________________________________ > We're polling our colleagues.... > > ...The Best Medium-Format Equipment outfitting a new studio today? > <or> "If you had to do it all over again, what would you choose?" > > We're about join the medium-format digital ranks... We have the EOS, a > BetterLight, but need the middle ground, too. > > > 1. Would you now choose Hasselblad, Mamiya Leaf (or another system) > for medium-format digital? > > > 2. For the the best compatible lights with said system above, would > you choose strobes such as Broncolor, or continuous lights such as > NorthLights (or others?) > > I understand that using continuous lighting systems, or strobes, are a > matter of a photographer's experience & personal taste... > > But, given that Hasselblad and Broncolor have recently joined to form > Hassel-Bron (at least for their distribution) I've heard the Broncolor > strobes are more consistent with color between multi-shots. Is this true, > or are there different viewpoints? Are the continuous lights just as > reliable between passes i.e does color temp fluctuate, or have Hasselblad > and Broncolor really worked it out? > > Side question: Is it still too early in the photo art-repro world to > consider LEDs being a viable and affordable continuous lighting system? > I've heard they're currently popular in the movie industry, but what's the > word in studio art-reproduction, or in-gallery views? > > Any and all input appreciated--- Many thanks! > > Don > -- -- > Don Ross > Photographer / Imaging Specialist > SFMOMA | 151 3rd Street | San Francisco, California, 94103 | 415.357.4167P | > 415.548.0758 C | 415.357.4038 F | > The San Francisco Museum of Modern Art > > > > > > > > > This message, together with any and all attachments, is intended only for > the use of the recipient(s) named above. It may contain information that is > privileged and confidential. If you are not the intended recipient, you may > not review, copy or distribute this communication. If you have received > this communication in error, please notify the original sender by email and > delete the message, along with any attachments. > > _______________________________________________ > You are currently subscribed to mcn-l, the listserv of the Museum Computer > Network (http://www.mcn.edu) > > To post to this list, send messages to: mcn-l at mcn.edu > > To unsubscribe or change mcn-l delivery options visit: > http://mcn.edu/mailman/listinfo/mcn-l > > The MCN-L archives can be found at: > http://toronto.mediatrope.com/pipermail/mcn-l/ > > -- > > > > -- > > FOLLOW TIM ON > <http://toronto.mediatrope.com/pipermail/mcn-l/>ARTSY!<http://artsy.net/imaging4art> > -- > Diane P. Nighswander > Partner > *IMAGING4ART > *Digital Imaging and Archiving Solutions for Fine Art > > 338 Still Hill Road . Hamden, CT 06518 > 203-215-2148 o 203-288-5505 f > diane at imaging4art.com > > * > IMAGING4ART <http://www.imaging4art.com/clients.php>* in: > Artsy,<http://artsy.net/imaging4art> The > Barnes Foundation Collection of > Paintings<http://www.barnesfoundation.org/collections/art-collection/object/5324/mr.-loulou-louis-le-ray?pkgID=2112&rNo=55>, > Dan Flavin/Donald > Judd<http://www.davidzwirner.com/exhibition/dan-flavin-donald-judd-ny/> > > -- > Important: If you have received this message in error, please notify the > sender immediately. Any further review, distribution, duplication, > downloading or disclosure is strictly prohibited. > >
