Thank you for the responses I've received so far. It is very helpful. I have a 
related question: 

We have old black and white photography, but now, any new photography that we 
have taken is in color, mostly digital. All previously existing slides, prints, 
negatives, etc. have been digitized. We have some faculty members that do not 
want color photography for their research purposes, particularly when it comes 
to Classical Archaeology objects such as Greek pottery. If we have all new 
photography done in color, and offer to give them grayscale files created from 
the original color photography, would they be receiving as much information as 
they would if we had the photography done in black and white? They are 
suggesting that we continue to have black and white photography done in some 
cases but I'm hoping that careful conversion of color photography to grayscale 
would contain as much, or more information than having separate black and white 
photography done. 


Marianne Weldon 
Fellow, The American Institute for Conservation 
Collections Manager of Art and Artifacts 
202 Canaday 
Bryn Mawr College 
101 North Merion Avenue 
Bryn Mawr, PA 19010 
office 610-526-5022 
mweldon at brynmawr.edu 

See our collection online at: Triarte.brynmawr.edu and at emuseum.net 



----- Original Message -----

From: mcn-l-requ...@mcn.edu 
To: mcn-l at mcn.edu 
Sent: Wednesday, May 1, 2013 8:00:01 AM 
Subject: mcn-l Digest, Vol 93, Issue 1 

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Today's Topics: 

1. Color to Grayscale (Stephen Petegorsky) 
2. Re: Color to Grayscale (Frank Kennedy) 
3. Re: Color to Grayscale (Frank E. Thomson) 


---------------------------------------------------------------------- 

Message: 1 
Date: Tue, 30 Apr 2013 08:44:26 -0400 
From: Stephen Petegorsky <petegor...@external.umass.edu> 
To: mcn-l at mcn.edu 
Subject: [MCN-L] Color to Grayscale 
Message-ID: <517FBCAA.1080303 at external.umass.edu> 
Content-Type: text/plain; charset="iso-8859-1"; Format="flowed" 

Marianne - it depends how you convert from color to grayscale and how 
you save the converted file. If you are using Photoshop and you use a 
black and white adjustment layer to convert to grayscale, the bottom (or 
background layer) will still have the color information, and it will 
stay there if you save the file and all its layers as a .psd file. 

However, if you flatten the image, or use Mode - Grayscale from the 
Image menu, or use Convert to Profile from the Edit menu to change the 
file and then save it as a grayscale file, the color information will be 
lost. I think it's always best to make a copy of the original file and 
save that one as a grayscale file if you may need to retain the color 
information. 

-- 
*Stephen Petegorsky Photography* 

172 North Farms Rd. 
Florence, MA 01062 
413.586.3257 
www.spphoto.com <http://www.spphoto.com> 

Studio hours: By appointment, Monday through Wednesday, 8:30 - 5 


------------------------------ 

Message: 2 
Date: Tue, 30 Apr 2013 16:08:20 +0000 
From: Frank Kennedy <fkenn...@nrm.org> 
To: "mcn-l at mcn.edu" <mcn-l at mcn.edu> 
Subject: Re: [MCN-L] Color to Grayscale 
Message-ID: 
<8BEC32D79947D046A6770AB52A0FE68A38558E8F at srv-mail.nrm.org> 
Content-Type: text/plain; charset="us-ascii" 

In my experience with a large archives colletion, it *does* make a difference. 
Greyscale is typically 256 shades of grey. Basic color at 8 bits per channel is 
almost 17 million shades. Where this becomes apparent is in wide areas of 
gradation, like a photo with the sky showing, or an expanse of wall. With 256 
shades of grey, "banding" can become visible in the sky where one shade changes 
abruptly to the next shade - I'm sure you've seen this happen. Also, sometimes 
the color of the paper, ink, stains and other things can become important at an 
unknown future date, so maybe you want to keep that information. 

Once you toss the color information and detail, you can never get it back. 

When trying to save hard drive space, consider using 8 bits per channel rather 
than 16 bits per channel in color images. Makes a huge difference in file size 
and I personally cannot detect a visible difference, even on very high-end 
reproductions. 

-frank 

------------------------------ 

Message: 3 
Date: Tue, 30 Apr 2013 15:23:15 -0400 
From: "Frank E. Thomson" <fthom...@ashevilleart.org> 
To: Museum Computer Network Listserv <mcn-l at mcn.edu> 
Subject: Re: [MCN-L] Color to Grayscale 
Message-ID: 
<6905D9194DC5B6489FA18E7E0763D974C63F4880D4 at server4.ashart.local> 
Content-Type: text/plain; charset="utf-8" 

In PhotoShop you can convert to a gray scale in a manner that keeps maximum 
tonal range. After saving you cannot convert back to color so that information 
is lost. 

Frank Thomson 
Asheville Art Museum 
Mailing address: PO Box 1717, Asheville, NC 28802 
Street address: 2 South Pack Square, Asheville, NC 28801 
828.253.3227 t 
828.257.4503 f 
fthomson at ashevilleart.org 
www.ashevilleart.org 

Our Vision: to transform lives through art 

-----Original Message----- 
From: mcn-l-bounces at mcn.edu [mailto:mcn-l-boun...@mcn.edu] On Behalf Of 
Marianne Weldon 
Sent: Tuesday, April 30, 2013 7:42 AM 
To: mcn-l at mcn.edu 
Subject: [MCN-L] Color to Grayscale 

I've been led to believe that converting color images to grayscale digitally 
does not loose information, but have no actual 'proof' of this. Is anyone aware 
of any documentation or publications on this topic? Additionally, I know many 
people that choose to scan black and white images in color then convert to 
greyscale.....again...any useful data or discussions on this out there? 

Thank you! 


Marianne Weldon 
Fellow, The American Institute for Conservation Collections Manager of Art and 
Artifacts 
202 Canaday 
Bryn Mawr College 
101 North Merion Avenue 
Bryn Mawr, PA 19010 
office 610-526-5022 
mweldon at brynmawr.edu 

See our collection online at: Triarte.brynmawr.edu and at emuseum.net 




------------------------------ 

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