Apologies for multiple postings!

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CALL FOR PAPERS

8th International Workshop on Personalized Access to Cultural Heritage (PATCH 
2015)

http://patch2015.wordpress.com

co-located with ACM IUI 2015,  the 20th annual conference on the intelligent 
interfaces Atlanta, GA, USA March 29 - April 1, 2015 
===================================================================================

January 31, 2015: Submission deadline (23:59 PM Hawaiian time)

Follow us on twitter: @PATCH_workshop
Spread the news: #patch2015
===================================================================================

PATCH workshop series are the meeting point between state of the art cultural 
heritage research and personalization using technology to enhance the personal 
experience in cultural heritage sites. We aim at building a research agenda for 
personalization in CH in order to make the individual CH experience a link in a 
chain of a lifelong CH experience which builds on past experience, is linked to 
daily life and provides the foundation for future experiences. The workshop 
aims to be multi-disciplinary. It is intended for researchers, practitioners, 
and students of information and communication technologies (ICT), cultural 
heritage domains (museums, archives, libraries, and more), and personalization.

This full-day workshop is aimed at bringing together researchers & 
practitioners who are working on various aspects of cultural heritage and are 
interested in exploring the potential of state of the art technology (onsite as 
well as online) to enhance the CH visit experience. The expected result of the 
workshop is a multidisciplinary research agenda that will inform future 
research directions and hopefully, forge some research collaborations.

Motivation
===========
Cultural heritage (CH) is a privileged area for personalization research 
because CH sites are rich in objects and information, far more than the visitor 
can absorb during the limited time of a single visit. Moreover, the convergence 
between CH and the Internet has made huge amounts of information about CH 
readily available in electronic format. Two important challenges to be 
addressed are thus:

      - how to provide an engaging experience for the digital, mobile and 
traditional CH visitor before, during and after a visit, by exploiting 
information from previous interactions on CH sites and elsewhere on the 
ubiquitous Web?
      - can this kind of support can be a basis for maintaining a lifelong 
chain of personalized CH experiences, linked to broader lifelong learning?

Not only traditional CH sites, but also cities are excellent test-beds for 
personalization research: modern urban planning shows an avalanche of diverse 
initiatives focused on creative urban development. 
Consequently, it has become fashionable to regard the many forms of cultural 
expression, like art, festivals, exhibitions, media, design, digital expression 
and research as signposts for urban individuality and identity and departures 
for a new urban cultural industry.

Personalization  also has a role to play in supporting  collaboration that 
enables groups of people to take part in the preservation, enrichment and 
access to cultural heritage. This is because it can be an 
enabler for   people to be both information consumers and producers, and 
actively involve them in the management of cultural heritage information. 
Methodologies and technological utilities for online communities can help them 
to become actively engaged in the publishing process, contribute their 
knowledge, and partake in a dynamic creation and conceptualization of the 
cultural resources will be thus central to the workshop themes.


Moreover during the workshop we aim to identify the typical user groups, tasks 
and roles in order to achieve an adequate personalization for cultural heritage 
applications. Important aspects to discuss evolve around:
      - In-door localization, navigation and browsing patterns;
      - Interaction concepts with personal (mobile or desktop) and group 
(on-site public or desktop) displays;
      - Collaboration, communication and sharing aspects in the process of 
cultural heritage production and  consumption. The sense of presence 
computer-mediated environmentsÕ
      - Information needs, information access (including visualization for 
various sources of information, not only textual, but also 2D and 3D
objects) and search pattern;
      - Exploiting data from various sources, i.e., catalogues, Linked Open 
Data, and usage logs;
      - Digital storytelling, narratives, smart summaries and recommendation 
explanations;
      - Novel ICT and their impact on CH organizations and their longer-term 
strategies.
Finally, we aim at identifying a set of requirements for personalized 
interaction and interfaces in the cultural heritage domain, and provide 
practical guidelines for deploying such personalization techniques in this 
domain.


Topics
========
1. User interaction and interface concepts for personalized access of 
digital and on     -site cultural heritage, e.g.:
      - Museum collections
      - Digital multimedia archives
      - Digital Humanities
      - Integrated tourist information services
      - The ÔInternet of ThingsÕ in CH
      - Cloud-based technologies and their application in CH 2. Personalized 
interfaces for single users and (small) groups of users
      - Group user profile presentation
      - Interactive user profiles
      - Contextualized user profiles
      - Cross-context user data presentation
      - Sense of presence computer-mediated environments and use of avatars 3. 
Contextualized and context-aware navigation/browsing interfaces, e.g.:
      - For interactive museum guides
      - For public displays of visitors in a museum 4. Presentation of and 
interaction with personalized narratives in digital collections, e.g.:
      - Historical timelines
      - Collection perspectives
      - UserÕs real world perspective (3D interfaces)
      - Augmented perspective in CH fruition (i.e. Google glass, ÔInternet of 
thingsÕ, etc.) 5. Intelligent interfaces for semantically enriched collections, 
e.g.:
      - Interaction with large conceptual knowledge
      - Interaction with structured knowledge
      - Technologies extracting contextual knowledge and linking to sources if 
information 6. Personalized explanations and feedback of recommender systems 7. 
Various interaction devices and interfaces in museums and cultural heritage 
institutions, e.g.:
      - Mobile personal devices (such as smart phones and tables)
      - Tabletops
      - Multi-touch interfaces
      - Information booths
      - Public and shared displays
      - Automatic identification and data capture 8. Evaluation or real life 
use cases of cultural heritage applications,
e.g.:
      - Web-based
      - Mobile
      - Other interactive applications
9. (Cultural Heritage) User Data integration
      - User combined sources (tweets, tags, ratings, etc.) for modeling the 
user of the cultural heritage and personalizing the interface
      - Multi-Domain User Profiles for optimizing Cultural Heritage fruition
      - Integration of big user data coming from different applications/domains 
(which is expressive, which can be shared, how can we involve and inform users) 
for application in the CH domain


Important dates
============
Submission: January 31, 2015
Author notification: February 13, 2015
Camera-ready: March 6, 2015

Submissions
==========

Paper submissions should follow the general ACM SigCHI format (i.e. the same as 
the IUI paper format, please see http://iui.acm.org/2015/authors.html for more 
details) submission guidelines and must comply with the formatting instructions:

Full papers: max. 10 pages
Position papers: max. 4 pages
Short papers: max. 4 pages
Demo papers: max. 4 pages

All papers should be submitted in PDF format via the online submission system. 
(https://www.easychair.org/conferences/?conf=patch2014iui2015).

An international panel of experts will review all submissions.

Demos need to provide links to the systems presented. Work that has already 
been published should not be submitted unless it introduces a significant 
addition to the previously published work.

Program Committee
==================
David Bearman, Archives & Museum Informatics, Canada
Marco Bertini, Universita’ di Firenze, Italy
Lizzy Jongma, Rijksmuseum, the Netherlands
Torsten Hartmann, Avantgarde Labs, Germany
Susan Hazan, Israel Museum Jerusalem, Israel
Monica Landoni, University of Lugano, Switzerland
Andreas Nuernberger, Otto-von-Guericke-University Magdeburg, Germany
E. Roman Rangel, Idiap, Switzerland
Raffaella Santucci, University of Rome “La Sapienza”, Italy
Natalia Stash, Eindhoven University of Technology, the Netherlands
Martijn Stevens, Radbout Universiteit Nijmegen, the Netherlands
Mohammad Soleymani, Imperial College, UK

KEYNOTE SPEAKER
TBD

Organizers
==========
Liliana Ardissono - University of Torino Lora Aroyo - VU University Amsterdam 
Cristina Gena Ð Universitˆ di Torino, Italy Tsvi Kuflik - University of Haifa 
Johan Oomen Ð Netherlands Institute for Sound and Vision, Netherlands Alan J. 
Wecker Ð University of Haifa, Israel Oliviero Stock - FBK, Italy



For more information:
================
Visit workshop website: http://patch2015.wordpress.com Contact the organizers 
at: [email protected]



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