Hello MCN members and friends,

I'm writing to announce a new consortium project aimed at the
problems of collecting, documenting, and preserving digital art,
net.art, and other variable media art forms. Details on this project,
"Archiving the Avant Garde: Documenting and Preserving Variable Media
Art" can be found at:
http://www.bampfa.berkeley.edu/ciao/avant_garde.html

A general summary of the project is included below. I'm writing in
particular because this project is consortial in nature; and thus
includes mechanisms for broad input from artists and other
professionals (those on this list for instance). I would also be very
curious to hear of other current efforts relating to these same
problems that anyone on this list may be engaged in or know about.
Thanks for sharing any feedback or information you may have to share;
and we hope to engage this community further with this project as it
unfolds.

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ARCHIVING THE AVANT GARDE: DOCUMENTING AND PRESERVING VARIABLE MEDIA ART

Works of variable media art, such as performance, installation,
conceptual, and digital art, represent some of the most compelling
and significant artistic creation of our time. These works are key to
understanding contemporary art practice and scholarship, but because
of their ephemeral, technical, multimedia, or otherwise variable
natures, they also present significant obstacles to accurate
documentation, access, and preservation. The works were in many cases
created to challenge traditional methods of art description and
preservation, but now, lacking such description, they often comprise
the more obscure aspects of institutional collections, virtually
inaccessible to present day researchers. Without strategies for
cataloging and preservation, many of these vital works will
eventually be lost to art history. Description of and access to art
collections promote new scholarship and artistic production. By
developing ways to catalog and preserve these collections, we will
both provide current and future generations the opportunity to learn
from and be inspired by the works and ensure the perpetuation and
accuracy of art historical records. It is to achieve these goals that
we are initiating the consortium project Archiving the Avant Garde:
Documenting and Preserving Variable Media Art. The collaboration
includes of the Berkeley Art Museum and Pacific Film Archive
(BAM/PFA), the Solomon R. Guggenheim Museum, the Walker Art Center,
Rhizome.org, the Franklin Furnace Archive, and the Cleveland
Performance Art Festival and Archive.
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Richard Rinehart
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Digital Media Director, Berkeley Art Museum/Pacific Film Archive
www.bampfa.berkeley.edu
---------------
Instructor, Department of Art Practice
art.berkeley.edu
---------------
University of California, Berkeley

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