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Computers and the History of Art (CHArt)
21st Annual Conference
Thursday 10 - Friday 11 November 2005
The British Academy, 10 Carlton House Terrace, London, SW1Y 5AH
THEORY AND PRACTICE
PROGRAMME
Since its foundation in 1985 CHArt has closely followed the
extraordinary developments in arts computing that have taken place over
nearly two decades. The twenty-first CHArt conference will reflect upon
the relationship between theory and practice in all areas of digital
media and technology in the visual arts including: new media art; the
development of scholarly and art historical resources; visual resources
management; ICT in museums, libraries and galleries; the Internet, the
World Wide Web and the Semantic Web; art and art history teaching; and
new media theory.
KEYNOTE ADDRESS Jemima Rellie, Head of Digital Programmes, Tate
THURSDAY 10 NOVEMBER
SESSION 1
RELOCATING THE FRAME: OBJECT-ORIENTED AND LOCATIVE ART ENVIRONMENTS.
Elizabeth Coulter-Smith, Birmingham Institute of Art and Design; Colin
Price, University College Worcester.
OBSERVING 'SYSTEMS-ART' FROM A SYSTEMS-THEORETICAL PERSPECTIVE.
Francis Halsall, School of Art and Design, Limerick, Republic of Ireland.
SESSION 2
PAPER-LIKE DISPLAYS AND PAPER-LIKE BOOKS. Simon Downs, Loughborough
University School of Art & Design.
PROBLEMATICS OF MAKING AMBIGUITY EXPLICIT IN VIRTUAL RECONSTRUCTIONS: A
CASE STUDY OF THE MAUSOLEUM OF AUGUSTUS.
John Pollini. University of Southern California, Los Angeles,
California, USA.
SESSION 3
LES CYCLISTES.
David Furnham, Middlesex University.
DIGITAL ARCHIVING AS AN ART PRACTICE.
Dew Harrison, Robert Gordon University, Aberdeen, Scotland.
SESSION 4
TO TAKE PLACE AT THE INSTITUTE OF CONTEMPORARY ARTS (ICA)
DEMOCRATIZING THE IMAGE: CREATING A GLOBAL LEARNING COMMUNITY
Round-table Discussion chaired by David Ehrenpreis, James Madison
University, Virginia, USA.(Details to follow)
FRIDAY 11 NOVEMBER
SESSION 5
THE REPRESENTATION OF ARTISTIC PRACTICE IN DIGITAL VISUAL CULTURE.
Ann-Sophie Lehmann, Utrecht University.
DO YOU COPY? - ART AND QUESTIONS OF DIGITAL RIGHTS
Jacob Lillemose and Mogens Jacobsen, Copenhagen, Denmark.
SESSION 6
ARTSTOR, A DIGITAL LIBRARY FOR THE HISTORY OF ART AND THE HUMANITIES.
Max Marmor, ARTstor, USA.
MDID: SHARING DIGITAL CONTENT IN A GLOBAL, OPEN-SOURCE COMMUNITY.
David Ehrenpreis, James Madison University, Virginia, USA.
SESSION 7
CONVERGENCE; UNITING, OR MERGING TENDENCIES THAT WERE ORIGINALLY OPPOSED
OR VERY DIFFERENT. Stephen Partridge, University of Dundee, Scotland.
A COMMANDO RAID INTO SOCIETY: TOWARDS A TRANSDISCIPLINARY ART-PRACTICE
IN REAL-TIME.
Morten Søndergaard, Museum of Contemporary Art Roskilde, Denmark.
SESSION 8
FROM UNCAGED TO CYBER-SPATIALISM. Ralf Nuhn, London.
THE DIGITAL IMAGE AND THE PLEASURE PRINCIPLE: THE CONSUMPTION OF REALISM
IN THE AGE OF SIMULATION.
Hamid van Koten, University of Dundee, Scotland.
DEMONSTRATIONS -
To be announced
The booking form is available online on www.chart.ac.uk. Bookings made
before 14 October 2005 will be entitled to a discount. Conference Fees
(pounds sterling) - include coffee/tea breaks and lunch. Send bookings
to: Hazel Gardiner, CHArt, CCH, Kings College London, Kay House, 7
Arundel Street, WC2R 3DX, tel: +44 (0)20 7848 2013, fax: +44 (0)20 7848
2980, [email protected] (please use the subject heading CHArt
Conference 2005 in any email queries).
BOOKING FEES (in pounds)
CHArt Member: TWO DAYS 100 (80 before 14 Oct 2005)
ONE DAY 60 (50 before 14 Oct 2005)
Non-member: TWO DAYS 130 (110 before 14 Oct 2005)
ONE DAY 80 (70 before 14 Oct 2005)
CHArt Student Member:
TWO DAYS 60 (40 before 14Oct 2005)
ONE DAY 40 (30 before 14 Oct 2005)
Student Non-member: TWO DAYS 80 (60 before 14 Oct 2005)
ONE DAY 50 (40 before 14 Oct 2005)
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Marlene Gordon
Visual Resources and Music Curator
University of Michigan-Dearborn
313-593-5463
313-593-1902 (fax)
[email protected]
CHArt committee
VRA-IPR Committee, Chair
IS, co-editor
www.vraweb.org
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