Excellent article on an extremely difficult point of US copyright law (even 
more difficult when viewed from abroad).  Thanks for posting.



The publication doctrine creates, depressingly, yet another class of “orphan 
works:”  orphans who might have parents, but are trapped in archives with 
little hope for release within a reasonable timeframe.   Peter Hirtle has, 
appropriately, called them “zombie” works:



“Archival collections are perhaps the purest representation of the “orphan 
works”‖ problem -- those works still protected by copyright whose current 
rights owners cannot be found because they either can’t be identified or can’t 
be located.  As an early speaker at this conference noted, they might better be 
called “zombie”‖ works. They are the living dead that nevertheless threaten us 
all with ruin. Archivists live every day with billions of “zombie”‖ copyrighted 
works created by the “life plus seventy”‖ term. 12 Consider this: I was 
recently told that the oldest work still protected by copyright in the U.K., 
which has a “life plus seventy”‖ term for published works, was published in 
1859. 13 (The author died in 1940.) That means, conceivably, any work created 
since 1859 could be protected by copyright. But we can assume that one is at 
least in young adulthood when the first publication appears (seventeen in the 
case of this poem), whereas an unpublished work could easily be from someone 
even younger. Furthermore, published authors have some degree of prominence and 
it may be possible to trace them; authors of unpublished works may be 
incredibly anonymous…”


Peter B. 
Hirtle<http://academiccommons.columbia.edu/catalog?f%5bauthor_facet%5d%5b%5d=Hirtle,%20Peter%20B.>,
 2010, Undue Diligence?, Columbia University Academic 
Commons,http://hdl.handle.net/10022/AC:P:10457





Now there’s a legal term I can relate to.   For more on zombies and the public 
domain:

http://www.mymodernmet.com/profiles/blogs/pride-and-prejudice-and?context=tag-literature





Amalyah Keshet

Head of Image Resources & Copyright Management

The Israel Museum, Jerusalem













-----Original Message-----
From: mcn-l-boun...@mcn.edu [mailto:mcn-l-boun...@mcn.edu] On Behalf Of Deborah 
Wythe
Sent: 27 July, 2015 3:09 PM
To: mcn-l@mcn.edu; mu...@yahoogroups.com
Subject: [MCN-L] Copyright at the Museum: Using the Publication Doctrine to 
Free Art and History.



Worth a read:



Copyright at the Museum: Using the Publication Doctrine to Free Art and History.







Deborah R. Gerhardt University of North Carolina (UNC) at Chapel Hill - School 
of Law; University of North Carolina (UNC) at Chapel Hill, September 5, 2014



http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2505041



Peter Hirtle commented on the article on the Archives and Archivists listserv:



There is an excellent discussion of the issue in Deborah Gerhardt's  recent 
article, "Copyright at the Museum: Using the Publication Doctrine to Free Art 
and History" 61 J.

Copyright Soc'y U.S.A. 393 (2014), available at SSRN: 
http://ssrn.com/abstract=2505041.



Gerhardt cites the opinion of the leading copyright treatise (Nimmer on 
Copyright):

[p]lacing  a work in a public file on or after January 1, 1978, clearly does 
not constitute an act of publication . . . . Some pre-1978 cases held that 
filing in a governmental office constitutes a publication. However, the better 
view was that such filing did not constitute a publication.



Gerhardt then looks at the actual cases involving publication.  Her discussion 
of "Works Deposited in Government Archives" begins on p. 431.  She confirms 
that in most cases, the Nimmer conclusion is correct.  Her finding: "the public 
availability of the work in the government archive was not enough to constitute 
publication."



(An aside: in the rest of the article, Gerhardt wants to argue that deposit of 
unpublished material in a non-governmental archives or library does constitute 
publication.  Hence, by donating material to an archives, copyright owners 
"published" that material - and abandoned all copyright in the process.  It is 
an argument that I think would be very bad for archives if adopted.)



Deb Wythe Brooklyn Museum

deborahwy...@hotmail.com<mailto:deborahwy...@hotmail.com>
_______________________________________________
You are currently subscribed to mcn-l, the listserv of the Museum Computer 
Network (http://www.mcn.edu)

To post to this list, send messages to: mcn-l@mcn.edu

To unsubscribe or change mcn-l delivery options visit:
http://mcn.edu/mailman/listinfo/mcn-l

The MCN-L archives can be found at:
http://www.mail-archive.com/mcn-l@mcn.edu/

Reply via email to