We have 100% standardized on the Panasonic PT-RZ470 series projectors. They
are only rated at 3000 lumens, but because of being the LED/Laser hybrid
they actually are much brighter. I would guess around the 4000 range. They
are rated for 20,000 hours of use before needing any sort of factory
service for the light source. I would guess I'm over 50 of these units in
the building now or on the road with our traveling shows.

The newest version the PT-RZ670 series gives you interchangeable lenses and
a 6500 lumen rating. Again the rating system is for lamps and doesn't
translate directly to the laser models. I saw a demo of this unit last week
and it looks great. Another benefit is that they have a HDBaseT receiver
built in to the projector so you can do control and video via a single CAT6
cable.

My only complaint about them is that they don't have a filter. The light
source is sealed so it doesn't impact the output, but in a museum setting
they can build up with dust and overheat. We just make sure to have a
regular cleaning schedule set for them.

-------
Patrick Davis | Exhibitions AV Specialist | The Field Museum
1400 S Lake Shore Drive, Chicago, IL 60605
312-665-7968

On Thu, Nov 19, 2015 at 11:05 AM, George Scharoun <[email protected]> wrote:

> Given the unique requirements of museum projectors, (reliability and
> excellent image quality, often in less than ideal lighting conditions), I
> find online projector reviews leave me with questions.
> I would rather hear from all of you what projectors you use, and what you
> think of them.
>
> I’ll go first. At the MFA we use:
>
> Panasonic PT-DZ570U (white)
> This model is our work horse. Easy to install, built-in on/off schedule,
> good image quality, but being a 1-chip DLP there’s a slight rainbow effect.
> We have three and have had to send two out for repairs (luckily under
> warranty). Blanking (image crop) and good manual lens control make it
> pretty easy to line up the projector with custom built projection screens.
> 4000 lumens means a big image (9’ wide) looks very good in a darkened room.
> We recently had to install one in a gallery with lots of ambient light from
> a skylight, and the image is of course washed out even with high contrast
> Screen Goo, so don’t expect any miracles.
>
> JVC DLA-X30 (black)
> This is a large, heavy projector, but has excellent image quality. It’s
> designed for home theaters, so at only 1300 lumens it needs a very dark
> space. In a light-locked, black room though, you will be amazed at the
> contrast ratio. These have also been very reliable, even for 12/7 use, and
> lamps are affordable. Unfortunately there is no built-in on/off schedule.
> Used four of these for our Ori Gersht exhibition and we were all very happy.
>
> Mitsubishi WD380U-EST (white)
> This has been our ultra short-throw projector for a few years. The colors
> have faded and the screen-door effect is noticeable. Also given the
> intensely short throw distance, and affordable price, it’s to be expected
> that the optics aren’t perfect. I found that the image isn’t PERFECTLY
> square, so you definitely want to paint to fit the projection, not the
> other way around. Really long bulb life though, (4000+ hours) and they’re
> cheap. There are many more options available now, and while this one has
> served us well, I wouldn’t recommend it.
>
> Looking to buy:
> High brightness projector for large scale video artwork projection in
> galleries with other spot-lit objects. Wondering about Epson’s 3LCD and
> Canon’s LCoS projectors.
>
> Hope this is useful to some of you. Again, I’d love to hear whatever you
> have to say about the projectors at your museum or gallery.
>
> Thanks,
> George
>
> (Please don’t contact me with unsolicited offers or services)
>
> ––
>
> GEORGE SCHAROUN
> Technical Producer, Gallery Media
> Museum of Fine Arts, Boston
> [email protected] | 617-369-3512
> http://www.mfa.org
>
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