Richard, that is a great question.  Nothing leaps to mind.  The excellent new 
book Rights & Reproductions: The Handbook for Cultural Institutions 
(https://aam-us.org/ProductCatalog/Product?ID=5186) discusses how difficult it 
can be to determine publication status (and how important as well), but doesn't 
provide a lot of guidance on how to do it.  Perhaps the best thing to read to 
get caught up is Deborah Gerhardt's article, "Copyright at the Museum: Using 
the Publication Doctrine to Free Art and History" 
(http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2505041).  Gerhardt's 
article is more about libraries and archives than museums, and it is 
particularly focused on whether the gift of a work to a public repository 
"published" it.  Nevertheless, her summary of her earlier empirical study on 
publication in the courts highlights how they are no bright lines.

That is good news for a work that is by an artist who died before 1946.  
Gerhardt's analysis suggests that chances are good that many pre-1978 works 
were "published" in in a way that injected them into the public domain.  If the 
works are truly unpublished, they would have entered the public domain on 1 
January of this year.  The biggest risk would be with American works that were 
registered for copyright (and subsequently had their copyrights renewed) or 
with non-American works that are deemed to have been published and thus 
received a 95 year copyright term, regardless of the death date of the author.

Peter Hirtle 

-----Original Message-----
From: [email protected] [mailto:[email protected]] On Behalf Of Rich 
Cherry
Sent: Monday, January 04, 2016 3:53 PM
To: Museum Computer Network Listserv
Subject: Re: [MCN-L] Public Domain Day 2016

Peter,

Its been quite a while since I thought about the definition of "publishing of 
an artwork".. has there been any case law updates that refine the definition?

Rich

On Mon, Jan 4, 2016 at 9:21 AM, Peter B. Hirtle <[email protected]> wrote:

> Remember that only unpublished works by authors who died in 1945 
> entered the public domain in the US this year.  Published works may 
> still be protected by copyright.  Determining the publication and 
> public domain status of a museum object is difficult and must be 
> calculated on an item-by-item basis.
>
> Peter B. Hirtle, FSAA
> Affiliate Fellow, Berkman Center for Internet & Society, Harvard 
> University [email protected] [email protected] 
> [email protected]
> http://vivo.cornell.edu/display/individual23436
> Copyright and Cultural Institutions: Guidelines for Digitization for U.S.
> Libraries, Archives, and Museums:
> http://hdl.handle.net/1813/14142
>
>
> -----Original Message-----
> From: [email protected] [mailto:[email protected]] On Behalf 
> Of Diane Zorich
> Sent: Monday, January 04, 2016 11:35 AM
> To: Museum Computer Network Listserv <[email protected]>
> Subject: [MCN-L] FW: Public Domain Day 2016
>
> Public Domain Day, folks!
>
> (I love Heidi's excitement at "flipping the rights status" and would 
> like to suggest that museums who do this might want to announce it 
> more publicly  via their social media outlets  - when the occasion 
> warrants it, of course.)
>
> -Diane
>
> From:  Visual Resources Association <[email protected]> on 
> behalf of Heidi Raatz <[email protected]>
> Reply-To:  Visual Resources Association <[email protected]>
> Date:  Monday, January 4, 2016 10:46 AM
> To:  <[email protected]>
> Subject:  Public Domain Day 2016
>
> Happy Public Domain Day! Here's your graduating class of 2016:
>
> http://publicdomainreview.org/collections/class-of-2016/
> <
> https://urldefense.proofpoint.com/v2/url?u=http-3A__publicdomainreview
> .org_
>
> collections_class-2Dof-2D2016_&d=BQMFaQ&c=JL-fUnQvtjNLb7dA39cQUcqmjBVI
> TE8MbO
>
> dX7Lx6ge8&r=a9UTc_1dkRcFJvGH4QJ61zK_g8diw8hHBvEtyREkAAY&m=zeR-5SqZqgDH
> LYhzk_ 
> Xe7BbbewxjAvQqb5CkOrAs6kg&s=4b_xmoxHVXI6Sq6h6Tpbk732pGRYwJQiVsG6rFizm7
> o&e=
> >
>
> Quite possibly my favorite task of each new year is flipping the 
> rights status for objects in our museum permanent collection from 
> Copyright Protected to Public Domain. Watch our collections website < 
> https://urldefense.proofpoint.com/v2/url?u=http-3A__collections.artsmi
> a.org
>
> _&d=BQMFaQ&c=JL-fUnQvtjNLb7dA39cQUcqmjBVITE8MbOdX7Lx6ge8&r=a9UTc_1dkRc
> FJvGH4
>
> QJ61zK_g8diw8hHBvEtyREkAAY&m=zeR-5SqZqgDHLYhzk_Xe7BbbewxjAvQqb5CkOrAs6
> kg&s=S uOd_1NpB8v88g8LunNeNd7lSoY3UfsaAg7n6hAh9AU&e=>  for new biggie 
> images to download in the next few days after the data determining 
> their statuses refreshes.
>
> All best,
> Heidi
>
>
> --
> Heidi S. Raatz, MLIS
> Visual Resources Librarian | Permissions Officer Minneapolis Institute 
> of Art
> 2400 Third Avenue South
> Minneapolis, MN  55404
>
> 612.870.3196 | [email protected] <mailto:[email protected]>  | 
> www.artsmia.org < 
> https://urldefense.proofpoint.com/v2/url?u=http-3A__www.artsmia.org_&d
> =BQMF
>
> aQ&c=JL-fUnQvtjNLb7dA39cQUcqmjBVITE8MbOdX7Lx6ge8&r=a9UTc_1dkRcFJvGH4QJ
> 61zK_g
>
> 8diw8hHBvEtyREkAAY&m=zeR-5SqZqgDHLYhzk_Xe7BbbewxjAvQqb5CkOrAs6kg&s=b3z
> 1QZToC hxKQ3wSldM8jtqibm7143rsbcehNrG3pmQ&e=>  | VisRes Request Form 
> [internal use] < 
> https://urldefense.proofpoint.com/v2/url?u=http-3A__ow.ly_43q4p&d=BQMF
> aQ&c=
>
> JL-fUnQvtjNLb7dA39cQUcqmjBVITE8MbOdX7Lx6ge8&r=a9UTc_1dkRcFJvGH4QJ61zK_
> g8diw8
>
> hHBvEtyREkAAY&m=zeR-5SqZqgDHLYhzk_Xe7BbbewxjAvQqb5CkOrAs6kg&s=Vw72ARZX
> _eiyKY
> 8nPBehFPcFlHN9IQDmUC9g9LcX8Ww&e=>
>
>
>
>
>
>
>
> ____________________________________________
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