September 8, 2009

 From a Porch in Montana, Low-Power Radio’s Voice Rises
By KIRK JOHNSON
NY Times

http://www.nytimes.com/2009/09/08/us/08radio.html?ref=technology&pagewanted=print


CRESTON, Mont. — The floor of the broadcast booth at KXZI radio, which 
is, truth be told, really just Scott Johnston’s front porch, slopes 
gently down toward the yard, as 90-year-old farmhouse porches tend to do.

Mr. Johnston’s antenna, out by the big cottonwood trees that line the 
road, is not as fortified as it might be either. Unsupported by wires, 
it sways in the wind, so that when a storm front strikes northwest 
Montana, the station’s signal fluctuates. And even in the best of times, 
100 watts go only so far — the music cannot be heard even in nearby 
homes because the signal does not penetrate walls very well.

Mainstream media it is not.

“I think some of my neighbors don’t even know I exist,” said Mr. 
Johnston, a bearded 58-year-old who looks more like the folk musician he 
once was than anybody’s idea of a media mogul.

But low-power noncommercial radio stations like Mr. Johnston’s, which 
emerged about 10 years ago in a brief window of eased federal regulation 
intended to foster competition with the big corporate radio chains, 
might be soon about to roar, some communications experts say — or at 
least squeak loudly enough to be heard.

A bill now before Congress, and considered by some low-power radio 
advocates to have a good chance of passage this year, would potentially 
double the number of licensed, low-power stations from about 800 now to 
perhaps 1,600 or more.

At the same time, technology is shifting the boundaries and definitions 
of what it means to be local, and even what it means to be radio. 
Internet streaming and digital wireless reception are combining in ways 
that could allow almost any station, even one broadcast from a front 
porch, to be heard anywhere in the world from the next generation of 
hand-held devices and smartphones.

A kind of “aha” moment on that front arrived for Mr. Johnston earlier 
this year when a surgeon in Jacksonville, Fla., who listens to KXZI in 
his operating room via the Internet, signed up to become a financial 
sponsor. Mr. Johnston has been streaming live since 2004, shortly after 
his station went on the air.

“My nurses know to have it going when I come in,” said Dr. Steve Felger, 
who said he likes the station’s quirky musical mix — bluegrass, jazz, 
folk and blues — and the feel of rural Montana that he has come to love 
through his vacations there.

And the low-power noncommercial stations that have emerged in the last 
decade are nothing if not local. One station in St. Paul broadcasts to 
the Hmong community. A station in Woodburn, Ore., focuses on the 
interests of farm workers.

Many stations have a religious bent. Mr. Johnston’s station is in fact 
licensed to his church — federal licensing required a nonprofit 
organization to sign on — but the congregation’s leaders do not insist 
on any religious programming and have given him carte blanche to play 
the music he loves, he said.

“These little low-power stations are really, really local in an age when 
not much else is,” said Michele Hilmes, a professor of media and 
cultural studies at the University of Wisconsin at Madison who has 
written widely about radio history.

Mr. Johnston calls his own, personally devised format “The Montana Radio 
Cafe — Front Porch Radio Served Fresh Daily.”

Twenty-four hours a day, sometimes on programmed auto-pilot, sometimes 
with Mr. Johnston behind a microphone, he has woven his own musical 
tastes, backed by a 21,000-song catalog, into a mixture of the utterly 
obscure and the only mildly so. He plays compositions by a street 
musician from Seattle, a Latina jazz singer fluent in four languages and 
a band from Montana that plays a cockeyed mix of bluegrass and rap.

Sponsors that pay the bills and the salaries for the station’s three 
employees — Mr. Johnston, his wife, Marie, and a bookkeeper — are mostly 
local too: a ski resort, a chiropractor, a horseshoeing business 
operated by Mr. Johnston’s son.

“I wanted to create a music-driven station where music gets heard that 
would never be played on a commercial radio station,” he said.

His own picaresque story in ending up here sounds like a lyric from an 
alt-country song on his playlist. A son of military traditions, he grew 
up in Colorado, enlisted in the Army, served in Vietnam from 1969 to 
1970, then tried his hand at the early 1970s folk music scene on the 
East Coast.

Eventually wandering back West, on his way to Oregon, he paused in 
Montana and fell in love, first with the landscape and then with Mrs. 
Johnston, with whom he has six children and who is invariably referred 
to on the air as “Marie the Beautiful.” Through a person he met in 
church, he got a job in a commercial radio station as a D.J., where he 
learned the mechanics of radio but also its frustrations — the strict 
limits on what music could be played

His dreams for KXZI, and for low-power radio in general, are a mix of 
the modest and the grand. Small stations like his, he said, if royalty 
payments for Web-streaming remain affordable, could have equal footing 
to compete with the biggest stations in the world, and perhaps force 
them to become better.

But a tiny station signal, even with a bootstrap boost from the 
Internet, is still a candle in the wind. He said he still vividly 
remembers the night in March 2004 when the station went live for the 
first time and how he and a friend got in a car and drove, just to see 
how far they could go and still hear the music. They were perhaps among 
the only people in the world at that moment who knew of the station and 
were tuned in, and they sat in a parking lot at 11 p.m. in the town of 
Whitefish reveling in the magic of that, he said.

The signal had traveled almost 20 miles.

-- 
================================
George Antunes, Political Science Dept
University of Houston; Houston, TX 77204 
Voice: 713-743-3923  Fax: 713-743-3927
Mail: antunes at uh dot edu

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