[Not discussed in this article: a market in which content providers sell 
an IPTV subscription to consumers without having a cable or satellite 
company in the middle of the transaction. Why should anyone have to pay 
a cable or satellite company in order to watch IPTV or other on-line 
video? If a content provider wants subscription income they should sell 
subscriptions. Think of this as an alternative delivery scheme for a la 
carte TV subs. The Comcast scheme is yet another cartel effort to 
subvert the market for financial gain.]

March 11, 2010, 5:00PM EST

Revenge of the Cable Guys
If you think online TV will be free forever, think again. The cable 
companies have a plan to keep control—and stick you with the bill

By Ronald Grover, Tom Lowry and Cliff Edwards
Businessweek

http://www.businessweek.com/print/magazine/content/10_12/b4171038593210.htm


Once upon a time, not so long ago, a bunch of small companies in Silicon 
Valley thought the future of television was theirs. Soon, the thinking 
went, TV would be everywhere. Frequent fliers would tune in on laptops 
and vacationers on tablets from the beach. If so inclined, you'd be able 
to watch Glee on a cell phone in a tree house. The network suits and the 
cable guys just didn't have the digital chops to make it happen. Fueled 
with venture money, tech companies with names like Boxee, Roku, and 
Sezmi pursued their dream of untethering viewers from their TV sets—and 
owning a piece of the advertising revenue.

As the big picture comes into focus though, it looks like the cable guys 
are playing the lead roles, using the $32 billion they pay content 
providers each year as leverage. The alphabet soup of newbies is still 
waiting in the wings for a moment that might never come.

What happened? Part of the answer is TV Everywhere, a service in its 
infancy, conjured up in quiet strategy sessions by Jeff Bewkes and Brian 
Roberts, the CEOs of Time Warner (TWX) and Comcast (CMCSA). They took a 
lesson from the music labels, which looked up one day to find that Steve 
Jobs and Apple (AAPL) had taken control of their inventory. The cable 
guys came up with a quick fix, one so technologically simple that you 
don't have to be a geek to get it: Viewers can watch shows for free, but 
only if they're cable subscribers first. In other words, as long as you 
tap a subscription code into your device—any device—you can watch 
anything you want, whenever you want.

It's worth hitting pause here for a moment. Right now, Time Warner is 
offering the service in only a few markets. Comcast has rolled out a 
trial, or beta, version to about 80% of its subscribers. There are 
plenty of kinks to be sorted out. And as usual when it comes to show 
business, nothing is quite as simple as it appears. For TV Everywhere to 
work, the behemoths of the business must stand together and stamp out 
the rampaging weed called free. After all, if you can get programing for 
free—real free—why would you ever pay a cable bill?


SELF-PRESERVATION

That's what was worrying Time Warner's Bewkes in the fall of 2008. Back 
then, Time Warner ran the country's second-largest cable operator (spun 
off in March 2009) and was also a content provider. Bewkes had 
previously been in charge of the company's HBO unit, turning the premium 
cable channel into a profit machine with 30 million subscribers.

Bewkes watched with growing alarm as Hollywood stampeded online to offer 
TV shows and movies for free, say two Time Warner executives. At the 
time, Hulu, a video site operated by Fox (NWS), NBC Universal, and 
Disney, (DIS) was about a year old. For TV addicts, Hulu was a near 
miracle. Miss the latest episode of Damages on the FX channel? If so, 
you could watch Glenn Close play a conniving lawyer on Hulu 24 hours 
later for free. Hulu's owners shared the advertising revenue from the 
site, but everyone knew it wasn't making money and there was no clear 
path to profitability. As he watched one entertainment company after 
another put their TV shows and movies online for free, say the 
executives, Bewkes began to fear that the pay TV industry would 
eventually find itself in the same untenable position as newspapers.

That's when the scene shifts to Wisconsin, where HBO was running an 
experiment in Milwaukee and Green Bay. HBO was letting people watch its 
programing online as long as they could prove they were HBO subscribers. 
The results of the test were unexpected: Viewers who tuned into Big Love 
on their laptops didn't spend any less time watching HBO on their TV 
sets. Bewkes was buoyed by the possibility that the same model might 
work more widely and that his cable properties might be able to keep 
subscribers from gravitating elsewhere, says a Time Warner executive 
involved in the discussions. Bewkes told his team: "We can't just talk 
about it, or play the victim. We need to build a model," the executive 
recalls. The Time Warner CEO was unavailable for comment.

It wasn't the first time the cable industry had found itself in danger 
of being outflanked by tech-savvy rivals. In 1999, TiVo began selling a 
handy little box that allowed people to record dozens of hours of TV 
shows on a hard drive. After a certain amount of handwringing, the cable 
guys struck back with overwhelming force. They figured out the 
technology and marketed their own digital video recorders, for which 
they charged subscribers an extra $10 or so a month. Next came Apple. 
Along with Amazon.com (AMZN) and others, Steve Jobs began renting TV 
shows online. The cable companies beat back that onslaught by beefing up 
their video-on-demand offerings and giving subscribers a bunch of free 
shows with a few clicks of the remote. "The cable industry has been very 
good at not jumping too early on a technology, and watching it play out 
first," says Colin Gounden of Grail Research, which advises companies on 
new products. "They have a knack for getting the timing right."

The new attack from Silicon Valley was the most serious yet, because it 
threatened to permanently cut the coaxial connecting the cable companies 
and their subscribers. "We wake up every day and there is some new 
competitor out there—a Roku or a Boxee," says Melinda Witmer, Time 
Warner Cable's programming chief. "People like to think of cable 
operators as monopolists, but we face a lot of competition just to keep 
the business we have." Technically there was nothing too complicated 
about Bewkes' plan to expand the Milwaukee experiment.

The new service would need a way to automatically confirm that people 
were paid-up subscribers. Other than that, TV Everywhere, as Bewkes 
called it, would mostly use existing online infrastructure and 
established user interfaces.


"FRIEND, NOT A FOE"

Far more daunting was the prospect of persuading the rest of the 
industry to join up. Unless most of the pay TV and content players 
banded together, TV Everywhere wouldn't work; viewers could simply flock 
to sites that didn't require a cable subscription. Bewkes, say two Time 
Warner executives, decided to float his proposal with Roberts, the chief 
of Comcast, the largest cable system in the U.S., with 24 million 
subscribers. In early 2009, Bewkes began wooing Roberts, traveling from 
his New York City office on Columbus Circle to Comcast's imposing 
57-story headquarters in Philadelphia.

Roberts long ago realized that online video was important to the future 
of his company. In 2006, Comcast had created an interactive media unit 
that poached heavily from Silicon Valley. The company's first major 
development project was Fancast, a video site like Hulu that offered 
hundreds of shows free to all comers. Roberts, who declined to be 
interviewed for this story, had unveiled Fancast at the Consumer 
Electronics Show in Las Vegas in early 2008. Before long, says one 
Comcast executive, he began thinking about a service that would offer 
much more content—but only to Comcast subscribers. When Bewkes came 
calling he didn't have to convince Roberts of the importance of 
preserving the subscription model online. And like most everybody in the 
cable industry, Roberts was aware of HBO's online experiment in Wisconsin.

Roberts and Bewkes initially disagreed on one big point, say two Time 
Warner executives who say they can't speak on the record because the 
discussions were sensitive. Roberts believed subscribers should be 
required to go to a central site operated by their pay TV provider in 
order to view cable shows. Bewkes, true to his divided soul as a content 
creator and distributor, felt users should be allowed to tap into any 
cable channel's Web site as long as it was part of the TV Everywhere 
ecosystem. Bewkes, say the executives, reasoned that letting individual 
channels keep their own sites would allow them to maintain their brands. 
Eventually, Roberts agreed.


WINING AND DINING

The Time Warner executives say Roberts and Bewkes saw the cable 
industry's annual convention, held last April in Washington, D.C., as an 
opportunity to proselytize about TV Everywhere to the rest of the 
industry. During one panel discussion, Roberts told his audience that 
online video was "a friend, not a foe" and that for Hollywood it 
represented a new way to make money "in this horrific advertising 
environment."

In Hollywood, studios and cable channels were hearing a very different 
message from the Silicon Valley upstarts who wanted to cut deals for 
their programing. Netflix's (NFLX) Ted Sarandos pushed studio executives 
to give his company the latest movies for its online video service. 
Steve Jobs proposed launching a stripped-down cable service that would 
cost consumers $30 a month. Boxee founder Avner Ronen says he traveled 
to Los Angeles from his base in New York so many times that his "plane 
knew the way."

Phil Wiser, founder of Sezmi, an online TV subscription service, says 
his goal was simple: to "replace cable and satellite." He flew 
executives from NBC Universal, Sony (SNE), the Discovery Channel, and 
others to Sezmi's offices in a converted horse barn in Northern 
California, where he wined, dined, and pitched them. Sezmi wanted the 
content creators to allow him to use their movies and TV shows for an à 
la carte service that would give customers the freedom to pay for only 
what they wanted to watch. The studios declined, so he decided to borrow 
the industry's subscription model. Owners of Sezmi's $299 set-top box 
would receive network and cable shows for $19.99 a month, about a third 
the cost of a typical cable subscription.

Wiser told the studios that he would match what cable was paying for 
episodes of such shows such as The Real World, Top Chef, and Damages. It 
was an unprecedented offer for a startup, but only one company initially 
agreed to make its content available: NBC Universal, which is already 
available on Hulu. Wiser says it took another 18 months to lure more 
content providers, including Turner Broadcasting (TWX) (owned by Time 
Warner) and Discovery Networks. What's more, Wiser acknowledges he had 
to pay the content guys more than they get from the big cable companies. 
When Sezmi boxes went on sale in Los Angeles in February, the service 
was missing ESPN, The History Channel, The Food Network, HBO, and other 
popular channels. "Trying to do this is not for the faint of heart," 
says Wiser, a former Sony (SNE) executive. "These firms see dozens of 
new pitches every week, so they're skeptical."

Skeptical—and satisfied. The makers of movies and TV shows are attached 
to the billions they receive from cable companies and are understandably 
reluctant to engage in grand experiments with upstarts touting unproven 
business models. Joshua Sapan runs Rainbow Media Holdings (CVC), which 
controls AMC, IFC, the Sundance channel, and others. He says tech 
companies have approached him about licensing AMC shows, but, he asks: 
"Why would I license my channel to someone and give them Mad Men the day 
after it shows up on AMC?"

Back at Time Warner Center in New York and One Comcast Center in 
Philadelphia, the cable operators began to realize they had the studios 
locked down. As Frank Biondi, former president of the media giant Viacom 
(VIA), puts it: "Why would [the studios] make a deal with a competitor 
to their largest customer and risk angering them?"

In summer 2009, Bewkes and Roberts joined forces to take the TV 
Everywhere model out for a spin with 5,000 Comcast subscribers across 
the country. Those viewers were able to tap into programing provided by 
cable channels TNT and TBS, both owned by Time Warner. The speed with 
which the industry moved on from that trial balloon is a measure of just 
how important locking in subscriber revenue is to cable's future. In 
December, Comcast rolled out a beta version of the new service, now 
christened Fancast XFinity TV. Time Warner Cable has a trial going with 
nearly 10,000 customers in Syracuse, N.Y., New York City, and Columbus, 
Ohio. Verizon Communications (VZ) is testing a service nationally, and 
DirecTV, the satellite operator, plans to as well.

Comcast's service is the furthest along and provides a window on where 
TV Everywhere is headed. Only subscribers who pay for digital cable—and 
take Comcast's broadband service—are eligible. (The company is still 
working out how to bring XFinity TV to the third of its subscribers who 
get broadband from other companies.) Subscribers can tune into two dozen 
channels, from CBS to Animal Planet, and view 19,000 full-length TV 
shows and movies. They can use it on as many as three PCs and get most 
episodes 24 hours after they first air on TV. Much of that was available 
on Comcast's free site, but now shows on HBO and the Discovery channel 
have been added to the lineup. Eventually, Comcast aims to let 
subscribers access XFinity on their smartphones and tablets.

TV Everywhere has a ways to go before the cable guys can declare 
victory. There's a ton of stuff to figure out—how the ad model will 
work, devising a new ratings system with Nielsen. And then there's the 
question of profits. The cable guys like them, and they're not real 
comfortable with free. So chances are, down the line, the costs of the 
new free will probably sneak onto subscribers cable bills. And you know 
what? We'll all keep paying.

------------------
Grover covers the media and entertainment industry for Bloomberg 
Businessweek in Los Angeles. Lowry is a senior writer for BusinessWeek 
in New York. Edwards is a correspondent in Bloomberg BusinessWeek's San 
Francisco bureau.

-- 
================================
George Antunes, Political Science Dept
University of Houston; Houston, TX 77204
Voice: 713-743-3923  Fax: 713-743-3927
Mail: antunes at uh dot edu

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