http://www.boston.com/bostonglobe/ideas/articles/2010/08/01/the_incandescent_bulb_an_obituary/

Lights out
The incandescent bulb, an obituary

By Jane Brox  |  August 1, 2010

The hot filament of the incandescent bulb has illuminated our loved 
ones, our books, our rooms for so long that its glow has come to feel 
as natural as daylight - maybe more so, since most of us spend the 
majority of our waking hours indoors and accompanied by its light. 
But now the days of Edison's bulb are numbered. The Energy 
Independence and Security Act, passed by Congress and signed into law 
by President George W. Bush in 2007, set strict efficiency standards 
for lighting that most incandescent bulbs will never be able to meet. 
The standards will be phased in over several years, beginning in 
2012. Our familiar 100-watt bulbs will disappear from store shelves 
first, then 75-watt, then 60....By 2014, almost all the incandescent 
light we have traditionally used in our homes will be unavailable. 
Similar restrictions have already begun to take effect in Europe, 
Australia, Brazil, and Venezuela. China has begun its phase-out of 
incandescence, and Canada will begin its in 2012.

It's difficult to imagine what life will be like without 
incandescence. There are, at the moment, few options to replace 
"old-fashioned bulbs," which means our near future threatens to be 
illuminated largely by the cold, off-color glow of compact 
fluorescents. For a panicky few this seems incomprehensible: They 
have begun hoarding packages of filament bulbs in their linen closets 
and basements. The romanticizing and fetishizing of the filament bulb 
has also come into its own. Upscale lighting catalogs offer 
replications of early models for sale, bulbs that most of us have 
never seen. Their ornately crazed carbon filaments - shaped like 
cages or dipping and turning - are reminiscent of those a visitor to 
Edison's Menlo Park lab might have encountered. Before Edison settled 
on a horseshoe-shaped filament for his first light, experimenters in 
his invention factory tried an array of forms - boxes, spirals, 
circles, fanciful sprouts and curlicues - "drawing out curiously 
shaped wires so delicate that it would seem an unwary touch would 
demolish them," in their efforts to produce an efficient, sustainable 
filament. The ones available to us now are as dim as all lights of 
the past: the "1890 Bulb" and the "Caged Bulb," 40 watts; the 
"Victorian Bulb," 30 watts. Edison's light: missed before it has 
departed.

Such hoarding and romanticizing are testimony to incandescent light's 
extraordinary history. When introduced into urban society in the last 
decades of the 19th century, it was nothing like the fussy, stinking 
light it replaced, for it was a light born of invention: silent, 
contained within glass, possessing no apparent flame that had to be 
coaxed to life or tended. A child could be left alone with it! Almost 
no one understood how incandescence worked, but they did appreciate 
it. In 1882, when The New York Times offices were wired for electric 
lights, one reporter observed: "It was a light that a man could sit 
down under and write for hours without the consciousness of having 
any artificial light about him....The light was soft, mellow, and 
grateful to the eye, and it seemed almost like writing by daylight to 
have a light without a particle of flicker and with scarcely any heat 
to make the head ache. The electric lamps in the Times Building were 
as thoroughly tested...as any light could be tested in a single 
evening and tested by men who have battered their eyes sufficiently 
by years of night work to know the good and bad points of a lamp, and 
the decision was unanimously in favor of the Edison electric lamp as 
against gas."

Although electric light in homes began as an urban luxury, by the 
early decades of the 20th century it had become the common light in 
middle-class urban and suburban homes. And it had come to mean more 
than light alone, for the same lines that brought light into homes 
brought with them an entirely new world full of gleaming things such 
as electric stoves, refrigerators, irons, and washing machines. So 
Edison's bulb, tied also to modern appliances, wasn't only markedly 
different in brilliance and kind, it was different in meaning from 
the light it replaced: the light of a modern century, pointing to the 
future, suggesting ease and sleekness. Yet it was not then the cheap, 
bountiful, democratic light we imagine it to be. Just as certain as 
the flick of a switch, there was a clearly defined edge between those 
who had it and those who did not.

Among those who did not in the 1930s were rural Americans, most of 
whom still relied on kerosene lamps to see by. Kerosene, which had 
been its own vast improvement over oil and other mineral fuels when 
it arrived on the market in the late 1850s, had by then become an 
irrefutable symbol of backwardness. When electric lines finally came 
through rural communities, thanks to the rural electrification 
initiatives of the Franklin Roosevelt administration, the reaction of 
farm families to their new illumination suggests the true power of 
electric light. Although they had also been living without electric 
washers, stoves, irons, and refrigerators, it was the light they were 
waiting for. One Pennsylvania lineman recalled: "I've seen this 
happen - the lights come on - hundreds of places, and it's an 
emotional situation you can't describe...something happens, lightning 
strikes them and they all at once are different. People prayed, they 
cried, they swore." In an instant they were so thoroughly done with 
the stink and fuss of the old that many communities held mock 
funerals for their kerosene lamps.

Perhaps the kerosene burials were also unwitting funerals for a way 
of life. Incandescent light accompanied American society in its 
evolution out of its agrarian past. It dominated city life when the 
1920 Census recorded more Americans living in cities and suburbs than 
farms for the first time. City life, which was always less tied than 
rural life to the turning of the seasons and the turning of the day, 
had been enjoying gradually lengthening nights for centuries. Under 
gaslight, as the quantity and quality of interior and exterior light 
increased, so did night life. With the arrival of electricity, that 
increase grew exponentially: Artificial light itself seemed to define 
a city. Why else, on the day after the 1965 blackout, would an 
Italian newspaper announce: "New York Cancelled by Darkness."

By the time of the blackout, the fluorescent tube may not have been a 
common light in American homes, but it hummed and buzzed in public 
spaces, stores, and businesses. Developed in the General Electric 
laboratories and first displayed at the 1939 World's Fair, 
fluorescent tubes possessed none of the legendary history of Edison's 
bulb - the decades-long race for incandescence, the teeming 
laboratory. And fluorescence would for decades be associated with the 
utilitarian world as it flickered and buzzed above workers in 
cubicles, or patients sliding into CAT scan machines, or consumers 
buying paint and door hinges. If fluorescent tubes appeared in homes, 
they were largely confined to bathrooms, basement workshops, and 
kitchens - it was the light a housewife could chop an onion by. But 
not the light to illuminate a dinner of salmon and spring greens. 
That would be candlelight, actually, which has its own story 
stretching back to ancient times, though our refined tapers have 
nothing in common with the smoking, stinking tallow candles of the 
past, which were infinite trouble to keep lit. In the 19th century, 
most folks gladly gave up their candles and oil lamps for kerosene or 
for gas.

And in turn, most people, when they could, gave up kerosene or gas 
for electricity, in part because the new was a vast improvement over 
the old. As we try to imagine a future without incandescence, a 
future lit - at least in the near term - mostly by compact 
fluorescents alone, perhaps for the first time the quality of our new 
light won't be an improvement over the old. Let the hoarding begin.

Jane Brox's fourth book, "Brilliant: The Evolution of Artificial 
Light," has just been published by Houghton Mifflin Harcourt. She 
will be reading from it on Saturday at 7 p.m. in the Tory Hill 
Readers Series in Warner, N.H. She lives in Brunswick, Maine.


© Copyright 2010 The New York Times Company

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