Multicast Madness
TV Stations Slow to Add Digital Broadcasts As Internet Distribution Revenue 
Rises

By Steve Donohue
MultiChannel News

6/26/2006

http://www.multichannel.com/article/CA6346618.html


In this story:
PREEMPTIVE OUTLETS
STILL SEEKING MANDATE
HANDFUL OF HOPEFULS
WEATHERING THE FUTURE
GETTING MULTI-PAID

When television stations owned by NBC, CBS and other broadcasters first 
began transmitting digital-TV signals in 1998, the concept of 
“multicasting” — squeezing up to four networks into space previously 
occupied by a single analog channel — seemed like it could revolutionize 
the TV business.

Some stations quickly jumped on multicasting to offer viewers local news 
and weather channels — or even broadcast up to four “March Madness” college 
basketball games simultaneously. Now, the Big Four TV networks and stations 
have instead chosen to distribute programming directly to viewers via the 
Internet.

Rather than repeats of 24 or Desperate Housewives showing up on multicast 
channels, ABC, Fox, NBC and CBS have turned to platforms such as Apple 
Computer Inc.’s iTunes Music Store and their own Web sites in fresher bids 
to drive new subscription ($1.99 downloads) and ad revenue.

All the major networks have deals with iTunes, and are looking to boost ad 
revenue through the Web. ABC is streaming Lost and other hits on ABC.com 
with a single sponsor for each show; Fox is making 24 and other shows 
available on News Corp. sister MySpace.com for $1.99 apiece; and CBS 
recently began distributing original entertainment videos on an “innertube” 
broadband channel on CBS.com.

Why funnel programming through the Internet, instead of targeting viewers 
watching TV in their living rooms?

About 70% of Americans rely on basic-cable subscription packages to watch 
broadcast networks. The only way for viewers to get HDTV and multicast 
networks over the air from broadcast towers is with a rooftop antenna and a 
digital-broadcast receiver, the latter can cost up to $500.

“I think people were very hesitant about going back to the days of 
antennas,” said John Harris, director of programming at Raleigh, N.C., CBS 
affiliate WRAL-TV, owned by Capitol Broadcasting Corp.


PREEMPTIVE OUTLETS

WRAL-TV is a multicasting pioneer. It’s distributed up to four National 
Collegiate Athletics Association men’s basketball tournament games 
simultaneously on multicast channels carried by Time Warner Cable’s 
Raleigh, N.C., division since 2000, and it also distributes 24-hour news 
and weather channels.

But Harris says the multicast channels haven’t generated significant ad 
revenue for the station. WRAL relies more on its multicast channels as an 
outlet for programming it can’t fit on its analog channel. When a major 
storm hit Raleigh last month, the station preempted its analog channel and 
moved As the World Turns and other CBS soap operas to a multicast channel.

But the Big Four networks and stations for the most part are holding their 
best content for Web distribution, with some executives saying they believe 
they can reach more viewers nationwide on the Internet than they can 
through the TV, since most cable operators only carry a station’s primary 
signal.

“If people are going to put time and energy into creating a channel, at the 
moment, why not create it for the Internet instead of waiting for 
multicast?” said a senior executive at a Big Four network who asked not to 
be identified.


STILL SEEKING MANDATE

NBC and CBS executives have argued that cable operators should be forced to 
carry every digital signal from local stations, which is the key point of 
the “multicast must-carry” debate. The Federal Communications Commission 
was expected to pass a digital must-carry mandate last week, but chairman 
Kevin Martin pulled the scheduled vote after failing to gather support from 
the majority of commissioners.

Cable operators have argued that a mandate to carry dozens of digital 
multicast channels from broadcasters would clog channel capacity, and 
threaten existing networks on their lineups.

And cable programmers facing the prospect of competition from multicast 
channels have also balked at calls for digital must-carry.

Multicast must-carry “is infuriating because broadcast programmers don’t 
have to prove the worth of their new channels to pay TV distributors,” 
Oxygen Media CEO Geraldine Laybourne said at the Society of Cable 
Telecommunications Engineers Cable-Tec Expo in Denver last week, arguing 
that must-carry would give broadcasters “an extra advantage.”

NBC has attempted more with multicasting than rival broadcasters, launching 
local NBC Weather Plus channels produced by NBC stations and affiliates in 
85 markets. And through retransmission-consent deals struck with Comcast 
Corp., Time Warner Cable, Cablevision Systems Corp. and other cable 
operators and telcos, NBC Weather Plus counts about 20 million subscribers.

It’s not clear how much ad revenue NBC Weather Plus generates. Officials at 
NBC declined to comment.

Other major broadcasters say the lack of distribution of multicast networks 
on cable systems makes the Internet a more attractive platform to 
distribute programming.

“There’s a bit of a creative chicken and an egg problem … If there were 
more avenues for multicast carriage on cable, I think you would see many 
more [network] ideas spring forward,” a senior network executive added.


HANDFUL OF HOPEFULS

But even without a so-called “multicast must-carry” mandate, a handful of 
programmers are developing new networks, including weather, lifestyle and 
music channels.

Since its debut in May 2005, AgU Entertainment’s The Tube Music Network has 
cut deals with station group owners Sinclair Broadcast Group Inc., Raycom 
Media Inc. and Tribune Broadcasting, which allow it to reach 74% of TV 
homes via broadcast signals, AgU vice president of distribution Mike 
Ruggiero said.

Rather than pitch their music network for distribution to cable and 
direct-broadcast satellite providers, The Tube opted to partner with 
broadcast station groups, counting on retransmission consent deals those 
stations can cut with local operators to secure a spot for the multicast 
network on cable systems.

The Tube is now available in about 4 million cable homes through multicast 
carriage deals broadcast affiliates have cut with cable operators, 
including Comcast Corp., Time Warner Cable, Cox Communications Inc. and 
Charter Communications Inc..

Ruggiero said The Tube shares ad revenue from its network with its 
broadcast affiliates. Cable affiliates don’t pay license fees for the 
channel, and operators benefit from promotions local broadcast stations run 
for The Tube which direct viewers to watch the network on digital cable.

“It gives cable operators access to [a station’s] high-definition service, 
and it gives the cable operators access to free programming. In addition, 
that local broadcaster is going to promote the heck out of it [The Tube’s 
availability on digital cable] in every one of their spots,” Ruggiero added.

The Tube’s largest broadcast launch came earlier this month, when Tribune’s 
WPIX-TV station in New York rolled it onto channel 11.2. The Tube hasn’t 
yet cut a deal to distribute the channel on Time Warner Cable’s New York 
system, but Ruggiero said he’s “very confident” that the 
1.2-million-subscriber system will carry it out later this year.

One top executive at a major broadcast network said he believes Comcast, 
Time Warner Cable and other operators are resisting reaching multicast 
programming deals with stations since they are concerned about the services 
competing with their own networks, such as Comcast regional news channel 
CN8 and Time Warner Cable’s New York 1.

Officials at Time Warner Cable and Comcast declined to comment last week.


WEATHERING THE FUTURE

Most early multicast programming efforts have focused on news and weather 
programming. In addition to NBC Weather Plus, there’s AccuWeather Inc.’s 
Local AccuWeather Channel, a multicast channel distributed by ABC 
owned-and-operated stations.

AccuWeather executive director of media sales Brian Kisslak said the 
company expects to announce “market tests with other major [station] 
groups” within the next 120 days, but AccuWeather and ABC haven’t yet 
reached deals to distribute the weather service on any digital-cable systems.

In the long run, AccuWeather, which also supplies weather information to 
newspapers, mobile phones, TV programmers and Web sites, may generate the 
bulk of its revenue from new media platforms.

“There are so many emerging platforms right now … I think the best thing 
about AccuWeather is our portfolio is in every one of these markets. If 
they all converge, we all succeed. If some stay and some go away, we 
succeed,” Kisslak said.

None of the Big Four broadcast networks have developed entertainment 
programming for multicast distribution, but CBS executives disclosed last 
year that the company was considering distributing entertainment 
programming, such as outtakes from series such as Survivor, through a 
multicast channel called CBS.2.

No launch date has been set for the multicast channel, and since the CBS.2 
announcement, CBS has cut deals with Apple to sell CSI: Crime Scene 
Investigation and other hit shows on iTunes. The broadcaster also plans to 
distribute original videos on CBS.com.


GETTING MULTI-PAID

Unlike the case with The Tube, if CBS moves forward with CBS.2, it could 
demand license fees for the channel from cable operators by trying to 
package the network in retransmission-consent deals.

“When you add a CBS 2, 3 and 4, aren’t you going to get paid for it? We 
are. Advertising — new forms of advertising. This includes product 
placement, program integration, and micro-programs, and finally, video on 
demand. Within the next few years, if not sooner, you are going to see us 
getting paid on VOD for our top-quality, premiere shows,” CBS president Les 
Moonves said at a Merrill Lynch conference.

Under current rules, broadcasters that elect must-carry over 
retransmission-consent are entitled to distribution on a cable system, but 
can’t demand fees for the content.

Top executives at CBS and NBC have said publicly several times that they 
want cable operators to pay them cash in exchange for rights to carry their 
networks, just as operators pay license fees to carry cable networks such 
as ESPN or MTV: Music Television.

The Tube’s Ruggiero, a former Cox executive who also negotiates 
retransmission-consent deals between broadcasters and cable operators 
through a privately held consulting firm, said he believes video on demand 
could help resolve disputes involving multicast network distribution.

With most current retransmission-consent agreements between major operators 
and Big Four station groups set to expire beginning in 2008, Ruggiero said 
finding a way for operators to run on-demand programming from broadcast 
networks, and share the ad revenue from the shows with stations, could help 
operators add multicast networks and VOD broadcast shows to their lineups.

“Everyone [broadcasters] would love to have license fees, no doubt. But all 
a license fee is is incremental revenue. If I can bring in other 
incremental revenue schemes or plans that bring incremental revenue to 
broadcasters, I’m serving the same purpose that I would for asking for 
cash,” Ruggiero said.


=================================================
George Antunes                    Voice (713) 743-3923
Associate Professor               Fax   (713) 743-3927
Political Science                    Internet: antunes at uh dot edu
University of Houston
Houston, TX 77204-3011         



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