August 10, 2006

David Pogue
NY Times

A Head Start on the Future of High-Def

http://www.nytimes.com/2006/08/10/technology/10pogue.html?_r=1&oref=slogin&ref=business&pagewanted=print


HIGH-TECH projects often take longer to complete than anticipated; just ask 
Microsoft’s Windows team.

But it seems as if we’ve been hearing about high-definition video since the 
Eisenhower administration. The Federal Communications Commission’s 
mandatory cutoff of old-fashioned analog TV broadcasts, now scheduled for 
2009, has been delayed, what, 500 times?

Part of the holdup is the extent and expense of the switch to the new, 
better-looking format. To achieve HDTV nirvana, you have to replace every 
element of your video setup: the TV set, cable box, DVD player, DVD movie 
collection — and even your camcorder.

Next month, Canon will release the world’s smallest and least expensive 
high-definition tape camcorder, a one-handable beauty called the HV10. Its 
list price is $1,300. As any gadget freak can tell you, however, that’s an 
inflated, fanciful figure provided for — well, for no good reason. The 
online price, once the camcorder is on store shelves, will be lower.

The HV10 is not the first high-def consumer camcorder by any means; Sony 
began blazing this path at the beginning of 2005. In fact, Sony’s third HD 
camcorder, not counting pro models, has been available for months: the HC3 
($1,500 list price; under $1,200 online), the previous price and size champ.

As Canon rolls out its HV10, Sony’s HC3 seems to be squarely in its cross 
hairs. Both camcorders produce video in the 1080i format, which you can 
edit in Apple’s iMovie or many Windows programs (Premiere, Vegas, 
PowerDirector and so on). Both have built-in, automatic lens caps but lack 
headphone and microphone jacks.

Both are HDV camcorders, which means that they record onto standard, 
easy-to-find, inexpensive MiniDV cassettes. The eyepiece viewfinder is 
immobile and nonextendable on both. And both cameras are so compact, the 
other parents at the baseball game will have absolutely no clue that you’re 
filming in high definition.

OF course, they’ll also have no idea that you paid more than $1,000 for 
your camcorder, compared with as little as $300 for a standard-def model — 
at least until they see the result on a high-definition TV.

That’s when they’ll see what all the fuss is about. The clarity, color 
fidelity and detail of good high-def video is absolutely astonishing, and 
its wide-screen shape makes even home movies look like Hollywood movies. 
With four times the resolution of a standard TV picture, high-def movies 
look like the view out a window.

This image-quality business, as it turns out, is the new Canon’s specialty. 
Talk about being blown away the first time you play back your recordings — 
let’s hope you have a sturdy couch.

Several advances are responsible for the brilliant picture quality. First, 
Canon has paid extra attention to two of the most important aspects of HD 
recording: focus and stability. Because the high-def picture is so sharp 
and so wide, moments of blurriness or hand-held jitters are far more 
noticeable and disturbing than in regular video.

So the front of the HV10 bears a special external sensor that, when you 
change your aim, handles the bulk of the refocusing extremely rapidly. A 
standard through-the-lens focusing system does the fine tuning after that. 
Together, these two mechanisms nearly eliminate the awkward moment of 
blurry focus-hunting that mars other camcorders’ output. (Take care to 
avoid covering the focus sensor with your fingers as they wrap around this 
vertically oriented, chunky camera.)

The HV10 also aims to iron out camera shake with a true optical stabilizer. 
A gyroscope inside the lens mechanism sends real-time feedback to the 
sensor itself, resulting, Canon says, in a more stable picture than you’d 
get from electronic stabilizers like the one in Sony’s HC3.

In practice, the Canon’s stabilizer works fantastically when you’re zoomed 
out; if you use two hands, the picture is indistinguishable from a tripod 
shot. As you zoom in, however, camera shake becomes more noticeable; at the 
10X maximum, keeping the video rock-solid requires either a tripod or 
nerves of steel.

Now, depending on where the Canon’s street price winds up, Sony’s HC3 may 
be slightly more expensive. But it offers some goodies that the Canon 
lacks: a minutes-remaining readout for the battery; a “nightshot” mode for 
filming in total blackness, infrared-style; and an accessory shoe for video 
lights and microphones (proprietary Sony accessories only).

The Sony model also has an HDMI jack. HDMI is a single cable that carries 
high-definition video and audio — a common, extremely convenient connector 
on high-def equipment. Connecting the Canon to a high-def TV, on the other 
hand, requires plugging in five connections: left and right audio, and 
three component-video jacks.

But the Canon offers some perks of its own. In addition to its superior 
stabilizer and focusing system, it does better in low light, with fewer of 
the dancing, grainy pixels that mar the HC3’s dim-setting work. It also has 
a built-in video light that’s a real help — at least within interview range 
— at nighttime parties, postconcert wrap-ups and “Blair Witch”-style memos 
to posterity.

Neither camera takes very good still photos. But for what it’s worth, the 
Canon’s photo-shutter button works even while you’re filming. When you 
consider how often you might want both stills and video in life — the 
wedding kiss, the baseball swing, the diploma handshake — this is a great 
feature.

The Canon even counts to 10 every time you begin filming — a small “1 sec, 
2 sec” counter appears on the very bright, very sharp flip-out screen. It’s 
an ingenious idea because it alerts you, even more effectively than the red 
REC dot, to when you are, and are not, recording.

Finally, the HV10 can convert all your old analog video, like VHS and 
8-millimeter tapes, into digital form (not high definition), for ease in 
computer editing and reassurance in longevity.

The HV10’s only serious drawback, in fact, is one that it shares with 
recent Sony models (including the HC3): a really pathetic wide-angle view. 
Even at the most zoomed-out setting, these camcorders are zoomed in, if 
that makes any sense; in camera terms, its zoom range is 43 to 436 
millimeters. Fitting a whole six-foot person into the frame involves 
backing up 15 feet, which often puts you into the street, the sea or the 
restroom.

Now, you could argue that it’s too soon to be buying any high-def 
camcorder. How, for example, will you show off your finished 
high-definition masterpieces? High-def DVD recorders are still on the 
drawing boards, and high-def VCR’s are an expensive oddity. At the moment, 
the only way to play back your high-def work is to connect the camcorder to 
your TV.

But the world’s eventual switch to high definition is inevitable. 
Meanwhile, time is passing. If anything is worth filming, isn’t it worth 
filming in the best possible quality starting right now? (My infant son, 
for example, had the good sense to take his very first steps while I was 
rolling with a high-def camcorder. I’ll always be grateful for that piece 
of video.)

True, a high-def camcorder is still much more expensive than a standard-def 
one. But if that’s not an obstacle, remember that you’re actually buying 
two camcorders in one; you can film in either standard or high-definition 
video on the same tape. And you can play back either kind of video on 
either kind of TV set, too (standard or HDTV), which makes these camcorders 
exceptionally versatile.

In the meantime, by entering the high-def camcorder market a year and a 
half after its rivals, Canon has played the same conservative waiting game 
it once used with digital cameras and camcorders. Its goal, of course, is 
to watch and learn as the pioneers get all the arrows in their backs.

If the HV10 is any indication, the company is off to a very good start.


================================
George Antunes, Political Science Dept
University of Houston; Houston, TX 77204
Voice: 713-743-3923  Fax: 713-743-3927
antunes at uh dot edu



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