Hello everyone -

Thought I'd share these notes with you, as some of you may be asked about this 
nonsense from time to time. Those of you in need of the information may want to 
hold on to it for future reference. Others of you will simply want to delete 
it, as while it is close to impact studies, it is far from meteoritics.

As near as I know, a crustal shift has never happened, and can't, as the forces 
required are so large that the Earth would fragment. There is no wandering 
planet Niburu, nor have any of the planets changed their orbits.

The source for all of this nonsense seems to have been:

JOHANN RADLOF 1823
Who was a classical scholar who first came up with this nonsense. 
Phaethon=Planet X. (I received this information from Leroy Ellenberger, the 
work is that of Marinus Anthony van der Sluijs: 
http://www.mythopedia.info/radlof.htm.)

Radlof's theory, embodied in a thin booklet printed in Gothic letters and 
published in 1823, essentially boils down to four strands of theory, all of 
which recur throughout the entire subsequent history of catastrophism.

The FIRST IDEA was that of the exploded planet: in 1802, Olbers had proposed 
that the recently discovered bodies Ceres, Pallas, Juno, and Vesta in the 
asteroid belt must have been the last remnants of a former giant planet that 
once orbited between Mars and Jupiter.

In this source planet, Radlof saw the original referent of the myths of 
Phaethon, Isaiah's 'morning star', Typhon, and others. [DATES SERIOUSLY WRONG.] 
The link with Phaethon was justified by reference to the following passage from 
Nonnus, in which Hermes addressed Phaethon as follows:

"Then you will shine in the sky like the Sun God next to Ares,
scattering that thick invisible darkness far away;
a miracle unheard of in the course of the ages"

If Phaethon really stood "next to Ares", Radlof naively argued, he could have 
been the missing planet, that formerly revolved between Mars and Jupiter.

THE SECOND COMPONENT of Radlof's theory, the mythical death of both Phaethon 
and Typhon at the hands of Zeus was then interpreted as
the disruption of the former planet. In keeping with Nonnus' statement that 
Zeus discharged a comet towards Typhon, Radlof supposed that THE FORMER PLANET 
'PHAETHON' SPLINTERED TO PIECES AFTER COLLISION WITH A COMET:

"Perhaps this displacement happened as the result of a collision with what used 
to be called a dragon star or a comet"

Unperturbed by Nonnus' late date, Radlof then complained that Nonnus ought to 
have given more attention to the comet than he actually did:

"The moving power of that enormous water mountain that rose from the sea and 
moved forth over the Earth is obviously Jupiter's comet, and it is actually 
surprising that our poet allows him only a marginal role"

The THIRD ELEMENT of Radlof's theory is that the planets were on different 
orbits than today. Radlof uniquely speculated that THE PLANET VENUS WAS ONE OF 
THE FRAGMENTS OF THE EXPLODED PLANET, that settled into its present orbit in 
the immediate aftermath of the explosion, after some close encounters with 
Mars. These views were motivated by the desire to accommodate Varro's statement 
regarding Venus' changed appearance and possibly also Phaethon's links to 
Venus. In defence of the view that Venus had once been a constituent of a 
bigger planet, Radlof pointed to Venus' 'tiny size'. His bold ideas about the 
origins of Venus qualify Radlof as possibly the first modern 'planetary 
catastrophist' on record.

The explosion of the planet 'Phaethon' would also have had repercussions for 
our own planet. The FOURTH ELEMENT in Radlof's theory was THE TILTING OF THE 
ROTATIONAL AXIS OF THE EARTH, that had originally pointed towards the zenith:

"And the Aethiopians may indeed really have turned black on that occasion, 
because the hot zone ran over their heads when the Earth axis was disrupted by 
that event."

The tilted position of the Earth's axis with respect to its poles had already 
led old-Greek researchers to assume that our earthly star had been hurled from 
its former, straight position by some external body; in fact, Anaxagoras taught 
that the stars had originally revolved straight in the celestial firmament, so 
that the pole stood exactly on top of the zenith of the earth. The Earth's 
point of gravity must have been disrupted by the collisions of the two 
disturbed heavenly bodies Hesperus and Phaethon, and especially by the former's 
change of orbit and all subsequent radical changes in the internal equilibrium 
equations of the planets in our solar realm, and its former position with 
respect to the pole had to be altered twice.

FOR THE CONNECTION OF THE TILTING OF THE AXIS TO THE MYTH OF PHAETHON, RADLOF 
RELIED ON TWO ANCIENT PASSAGES IN WHICH PHAETHON'S FIRE DISTURBED ATLAS, 
STANDING AT THE POLE OF HEAVEN. THE
PASSAGES IN CASE CAME FROM OVID, FALSELY IDENTIFIED AS HESIOD, AND NONNUS:

"The fire already threatens the pole of heaven
And Atlas can hardly go on to carry the glowing firmament,
When Jupiter - with his lightning hurls the rider from his chariot
and with dreadful fire quenches the all-fire.
With burning hair Phaethon comes down from the high sky
like a star that seems to fall
and is absorbed, far from his home,
by the waves of the great Eridanus
… an entire day went by without sun."

"Even the axis of the sky is twisted by the swirling ether, and the bent Atlas 
can hardly continue to bear the circling pole of the stars … and all animals of 
the circle turn inimical towards each other; even the planets clash: Venus 
clashes with Jupiter, Mars with Saturn; and the Pleiad, thrown of its orbit, 
approaches Mercury, mixing its cognate light with that of the Pleiades"

Shrinking back from the extraordinary claim of a full-on disruption of all 
planetary orbits, Radlof hastened to add the following laconic remark to the 
latter part of Nonnus' quote:

"Whether those disturbances in the solar domain during the fall of that radiant 
earth star had really been so far-reaching or whether the poet rather painted 
it in the way it appeared to the eye, easily misled, that may the actual 
astronomer investigate for himself."

Quite apart from the shifting of the axis, the explosion of the planet 
'Phaethon' wreaked more havoc on earth. Ahead of his time, Radlof speculated 
that the catastrophe caused by the comet impact must have incurred a bundle of 
disastrous events on earth, including THE FLOOD [of Noah], "great earthquakes" 
and "eruptions of fire". In a remarkable display of prescience, Radlof 
envisaged the 'cosmic winter' as a universal deposit of snow in the wake of the 
event. This prediction was based on Nonnus' report that an endless rain of snow 
covered the entire earth until the sky, "so that Thessaly's highest pinnacle of 
rocks and the tops of Parnassus, close to the clouds, swung in the icy flood". 
And the equivalent of a veil of darkness induced by the fall-out of cosmic 
debris was Solinus' account of an uninterrupted night holding sway over the 
earth for nine months during the flood of Ogyges.

Despite these accurate 'predictions', however, and for all its genius, Radlof's 
work is rather poorly documented by modern standards. No compelling evidence is 
brought into court at all for the identification of the mythical protagonist 
with the missing planet in the solar system. A major flaw is the unclarity 
regarding the dates and the exact number of catastrophes believed to have 
happened. RADLOF CITED CLASSICAL SOURCES DISTINGUISHING BETWEEN AT LEAST FOUR 
CATASTROPHES – THOSE OF OGYGES, INACHUS, DARDANUS, AND DEUCALION RESPECTIVELY, 
BESIDE THE FLOOD
OF NOAH AND THE FALL OF PHAETHON – BUT FAILED TO ELUCIDATE HOW MANY OF THESE 
COULD HAVE BEEN IDENTICAL, and especially to which one the shattering of the 
planet Phaethon and the fall of Hesperus or Venus would belong. That said, 
however, Radlof definitely ranks among the pioneers of early catastrophism and 
may indeed be the first planetary catastrophist in modern scholarship. Immanuel 
Velikovsky would have done well to credit Radlof as such."

Radlof's nonsense was then picked up on by SAMPSON ARNOLD MACKEY, and passed to 
Rosicrucian Masons:

http://www.phoenixmasonry.org/the_light_...

From there the crustal shift nonsense was taken up by the Hermetic Brotherhood 
of Luxor, who passed it to Madame Blavatsky. It was also taken up by Augustus 
and Alice LePlongeon; Augustus was an insane Mayan scholar who had a peculiar 
history of Atlantis.

As Le Plongeon put it fairly concisely in his 1876 work "Sacred Mysteries among 
the Mayas and the Quiches, 11,500 years ago. Their relation to the sacred 
mysteries of Egypt, Greece, Chaldea and India. Free Masonry in times anterior 
to the Temple of Solomon": “I will endeavour to show you that the ancient 
sacred mysteries, the origin of Freemasonry consequently, date back from a 
period far more remote than the most sanguine students of its history ever 
imagined. I will try to trace their origin, step by step, to this continent 
which we inhabit - to America - from where Maya colonists transported their 
ancient religious rites and ceremonies not only to the banks of the Nile, but 
to those of the Euphrates, and the shores of the Indian Ocean, not less than 
11,500 years ago."

Blavatsky and the LePlongeons met in New York City, where the nonsense was 
incorporated into "Theosophy", spread to A.M.O.R.C., but most importantly it 
was passed on to Lillian V. Bense, of Portland, Oregon, near Mt Shasta, who 
wrote "A Dweller on Two Planets".

Lillian V. Bense's success was picked up on by California con man Baird T. 
Spaulding, who falsely claimed to have visited India in 1897 and gained 
mystical wisdom there. His Life and "Teaching of the Masters of the Far East” 
(1924) and “India Tour Lessons” (1935-1936) enjoyed considerable successm, 
until his followers cornered him into taking them to India to meet with the 
masters.

Spaulding's con collapsed when the masters failed to show up, leaving the way 
open for two commercial writers, Robert D. Stelle and Howard John Zitko to go 
into the religion business, which they did by setting up the Lemurian 
Fellowship. They enjoyed considerable success, until money disputes came in the 
way. Following an investigation of Stelle and Zitko for bond fraud, Stelle took 
all of Zitko's writing.

The dispute between Stelle and Zitko left the ownership of their work open, and 
it was stolen by their student Richard Kieninger, who wrote "The Ultimate 
Frontier". David Hatcher Childress then used the materials Kieninger had 
gathered to write his books, and entered into a business partnership with 
Kieninger. But Kieninger was thrown out of the community that his followers had 
built for him (and which he then sold to them) for seducing their wives and 
teenage daughters.

David Hatcher Childress (with his half brother John Moss's assistance, and 
using the technical skills of Harry Osoff) now set up a computerized mailing 
list using Richard Kieninger's mailing list. Added to the mix was some novel 
"alternative" physics which had been gathered by Richard and David's former 
business partner Bill Donovan.

Richard Kieninger himself would go on to become involved with the Republic of 
Texas militia group.

The last time the Earth's crust was supposed to shift was the year 2000. It did 
not shift then, and it won't shift in 2012. Physics precludes it.

Here is an alternative hypothesis: in the recent past the Earth has been hit by 
both comets and asteroids, and these impacts killed a lot of people.
Bottom line: In my opinion, what Radlof was trying to make sense of was ancient 
memories of these impacts.

Finally, the idea that 2012 marks some end time is European, not Mayan. Do you 
have an automobile accident every time your odometer rolls over?
I suppose in closing this I should mention these folks had and have a really 
strange ideas about Jesus, who he was, and what he did, and thus it is the 
source for "The DaVinci Code". As was mentioned by Dan Brown in his testimony 
in the plagiarism suit. So let's see: Jesus, Masons, Templars, Roman Catholic 
Church...

Given its lack of a real historical basis, does it matter what fiction an 
author come up with? Does it matter what fiction a movie maker uses for his 
disaster film?

Sometimes it does. A soul is a terrible thing to loose.

E.P. Grondine
Man and Impact in the Americas



      
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