Yeah, you should have seen jeremy in his first band, peeved.
he was about two feet tall, playing melodic punk rock.
Now look at him, he's completely influencing a whole new age of drummers.
It's pretty cool
cv
----- Original Message -----
From: Rustoleum <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, July 12, 1999 12:22 AM
Subject: Re: [MMouse]: mm's originality
> dood i totally agree that the drumming is completely top notch. that boy
> keeps up with 11 minute truckers atlas perfectly, keeping a real tight
> set. man. they are so damn good!
> i keep thinking of more lines too.. but its all pretty obvious that pretty
> much 92% of modest mouse's stuff is downright phenomenal, so i wont go and
> post them (although someone pretty much got a lot of the others that i
> thought of)
> although i think styrofoam boots is pure genius. the whole damn beginning
> is mastery at its best.
> and blah blah blah
>
> ruxx
>
> np -make-up "little black book"
>
> On Sun, 11 Jul 1999, ryan wrote:
>
> > I think one of the main components that makes Modest Mouse so original
> > is the delivery of the lyrics, combined with the lyrics themself. I
> > mean, how many people have you heard sing like Issac? He breaks up
> > words at the most unexpected syllables, like "she ionizes and atomizes"
> > look at all the lyrics to that song, he is doing some crazy shit with
> > those vocals.
> >
> > The other thing I wanted to bring up is that I personally believe that
> > Modest Mouse's originality wouldn't be maintained without the equal
> > originality of both Eric and Jeremiah. Jeremiah's drumming is epic and
> > Eric's basslines practically define the modest mouse sound because they
> > are always played so high yet somehow always sound so pure and full,
> > even though they're not low and thumping. just thought I'd spit out
> > these thoughts r
> >
>
