Thanks JR.  Well said.

Although I had to laugh about your "most modern
posters look more like gigantic paperback book covers"
since that's exactly the look the "Pulp Fiction"
poster is trying to achieve.

I agree.  The "Pulp" and "Usual Suspects" recalled
posters might be the last of the modern posters with
significant value.




--- J R <[EMAIL PROTECTED]> wrote:
> When it comes to collecting new posters (printed in
> the last twenty years or so) the old adage of
> "collect what you like and don't worry about what it
> will be worth" really hits hard, because by almost
> any scenario you look at it's hard to imagine these
> newer posters ever being worth much, simply because
> there are so many printed. Much of the original
> print runs of the "theatrical" posters never go to
> the theaters now. The studios sell them directly
> into the hands of the larger movie poster dealers.
> Movie Posters are now just another merchandizing
> item. If and when the original "theatrical" print
> run dries up, the studios are always ready to print
> up more or at least license the original plates out
> to someone else.
>
> Essentially, movie posters ain't what they used to
> be -- which was *studio property* that was never
> supposed to be sold to the general public. I know,
> the studios still continue to play that little game
> with the theaters, but everyone knew it was a game
> long ago and now it is just lip service. The studios
> no longer care who has their posters -- except in
> rare cases of extreme abuse (like when the latest
> STAR WARS advance banners were simply not even
> making it up onto the walls of the theater lobbies
> at all, because they were being snatched into
> private hands the second they arrived at the
> theaters).
>
> Add to this huge supply of paper the fact that there
> are now thousands of movie poster collectors who are
> getting them mint and rolled and squirreling them
> away in their collections (often getting more than
> one copy) and you remove the thing that made "old"
> movie paper valuable -- the fact that most it was
> eventually thrown out, worn out or deliberately
> destroyed. That isn't happening with new posters.
>
> Actually, the highest price most of these pieces are
> likely to achieve is just before and immediately
> after the film's release, when the "cool" factor of
> having the latest and greatest flick's poster on
> your wall is highest.
>
> That doesn't mean people shouldn't purchase, collect
> and enjoy the new posters just for what they are.
> But any long-term or long-lasting appreciation in
> value is unlikely for most of them. There are the
> rare exceptions, like PULP FICTION, but those are
> going to be almost exclusively releases from smaller
> independent companies who don't print up their
> posters in the gazillions like the major studios do
> -- and even then it will only happen if the movie is
> a surprise mega-hit, like PULP FICTION was. And if
> the imagery of the poster was super-cool, like PULP
> FICTION was. But most modern posters look more like
> gigantic paperback book covers than they do movie
> posters. From what I've seen of the SIN CITY paper
> so far, the design is pretty standard, nothing
> special.
>
> -- JR
>
>
>   ----- Original Message -----
>   From: Ed Flood
>   To: [email protected]
>   Sent: Thursday, March 31, 2005 19:41
>   Subject: [MOPO] Will Any "Sin City" Posters Be
> Worth A Damn?
>
>
>   Sounds like a great movie opening tomorrow.
>
>   But I'm wondering ...
>
>   will any of the "Sin City" posters be worth
> anything?  With thousands of copies being made and
> 10's of thousands reproduced, could it be that
> there's no collecting value whatsoever?
>
>
>
>
>
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