Hi, Shelly, et. al. from Joe.

Shelly, thanks so much for your kind words.  I find that often times I 
disremember (thank you, Robert Mitchum!) the facts of my "tales" and mix things 
up but I enjoy Positive Hollywood and theatrical history so much.  If anything 
I say gets someone to check something out for him/her-self then I'm happy.
I know I'm taking new looks at things and genres that I had left behind due to 
the influence of my friends on MOPO, Style-B, and the Un-Spellable-Aussie-Site 
(LSMFT ??)that makes me want to visit there even more.

I'm trying to find out which actress took over for Bancroft in Miracle Worker 
on Broadway but haven't found out yet.
But I DID run across a wonderful 40th-anniversary (play) article from 2000-- 
with interviews of Bancroft, Duke and Patricia Neal who played Keller's mother. 
 (What a cast!! What a CAST!!  Can you imagine????!!)
Here's the link:

http://www.broadwaybeat.com/ridge/rrmircle.htm

Anyway thanks again for the kind words.
Shelly knows I want to revisit the UK as well.  I'll see ya, one of these days.

Joe

PS-- I know "NFG..etc" is NOT "LSMFT."  Do any of you from-the-50s US trivia 
folk know what "LSMFT" stands for?

>
> From: Shelly Whitworth-King <[EMAIL PROTECTED]>
> Date: 2005/06/09 Thu PM 04:57:27 EDT
> To: [email protected]
> Subject: Re: [MOPO] Another Anne Bancroft Thought
>
> Hi everyone
>
> Joe said ' Would love to add more but am not as conversant on Bancroft's
> career as I'd like to be'
>
> Goodness Joe, you are too harsh on yourself by far!  You are always a
> veritable font of knowledge at times like these and it's simply wonderful to
> hear.
>
> It's really good to remember Anne Bancroft's former roles and talk with
> fondness and admiration for that talented lady and her peers. For those who
> didn't know these films or plays, you posts are a source of new information
> and quite often, inspiration.
>
> Bravo that man!
>
> Shelly
>
>
>
>
> ----Original Message Follows----
> From: Joe Bonelli <[EMAIL PROTECTED]>
> Reply-To: [EMAIL PROTECTED]
> To: [email protected]
> Subject: Re: [MOPO] Another Anne Bancroft Thought
> Date: Thu, 9 Jun 2005 15:47:40 -0400
>
> Hi, MoPoFolk, from Joe Bonelli.
>
> One--  I finally got moved again and am still in disarray but it's done.
> Thank heaven!
>
> Two-- Thanks so much to Channing T. for "wishing" I were here to discuss the
> great Bancroft.
>   I really wish I had a great deal to say.
>
> I always liked Anne Bancroft and was aware of her as a kid in some of the
> early films she was in.  I vaguely remember a western in color with, I
> think, Steve Cochran, in which Bancroft co-starred as a Latino or
> American-Indian woman.
>
> Of course I was fascinated with her when she starred on Broadway in "The
> Miracle Worker"-- a story with which I was familiar.  My grandmother was
> born on the same day as Helen Keller in 1880 and was always interested in
> her so I knew of Keller from an early age.  She was still alive at the time
> of the play's presentation on Broadway.  That's a production I'd have killed
> to see.
> "Miracle Worker" had originally been a television play on "Playhouse 90"- or
> another of those miraculous "live" television drama anthologies of the 50s!
> (Be jealous, younger folk!  We got the best television in history in the US
> in the 1950s-- and ALL in living Black & White!)  The tv leads were Teresa
> Wright (as teacher Annie Sullivan) and same-age-as-me Patty McCormack (most
> famous in B'way's and H'wood's "The Bad Seed").
>
> I loved Bancroft in films-- particularly 'Miracle Worker,'' The Graduate'
> (which I heretically think falls apart after Bancroft's line, "Goodbye,
> Benjamin."), 'The Turning Point' and the remake of "To Be or Not To Be."   I
> didn't see many of her later film  performances like "Charing Cross Road,"
> but the lists showing up are reminding me that I need to do so.
>
> I appreciate the fact that Anne Bancroft , along with Matthew Broderick, was
> instrumental in getting Harvey FiersteIn's brilliant autobiographical play,
> "Torch Song Trilogy," to the screen.
> Studios  weren't really interested at the time (late 80s ?) in a
> three-one-act slash of current gay life film-- no matter the acclaim the
> original had attained on Broadway.
> The third and final act concerns the hero (played by Fierstein) and a
> long-time-coming confrontation with his oh-so-Jewish mother.  On Broadway
> the mother was played by the wonderful Estelle Getty ("The Golden Girls").
> Bancroft saw the play and came backstage to tell Fierstein that it should be
> filmed and that she should play the Mother in order to secure financing.
> Matthew Broderick had been in the original Broadway cast playing the gay
> adopted son in Act III. By then Matthew had become a bankable star  and he
> too wanted to see to it that Torch Song was filmed.  So Broderick assumed
> the Second-Act role of the handsome young man who falls in love with
> Fierstein (much to his utter shock!) and becomes his lover but who is
> brutally murdered in one of those incidents that the Right Wing refuse to
> recognize as Hate Crimes!
> And so-- thanks to Anne Bancroft and Matthew Broderick, an important part of
> theatre history made it to the screen--- and just as brilliantly, so I'm
> told, as in the Broadway original.
>
> One of my favorite Bancroft roles:  that of  "Jennie Jerome," the American
> mother of Churchill, in Attenborough's "Young Winston."
> Now WHEN is THAT one going to get the dvd treatment it deserves???!!!
>
> Would love to add more but am not as conversant on Bancroft's career as I'd
> like to be.  Suffice it to say that she died much too young, leaving us a
> body of fine on-film work.
> I just wish I had seen her on the stage.
>
> Joe
>
> PS-- Here's a "Miracle Worker" story from Broadway that really more concerns
> Patty Duke than Bancroft.  If you remember the film, Patty was a bit "old"
> to be playing Helen but thank heavens her star-making, Oscar-winning
> performance was captured on film.   It was said that on Broadway that her
> concentration was uncanny.
> One night an "incident" occurred during one of the joint Duke/Bancroft
> confrontational "teaching" scenes.   A cable of some sort snapped high up in
> the "flies"-- that space above the stage where sets, lights and all are hung
> and "dropped" in and out as needed.  The cable snap sounded like a loud
> backfire or shot.  The audience jumped in their seats.  Bancroft jumped in
> her skin.  But Patty Duke (or "Helen") didn't flinch.  She stayed totally in
> character.
> I'd love to ask Duke about that moment some day.  Sad that I will never get
> the chance to ask Bancroft about it-- or indeed about any and all of her
> extraordinary stage and film career.
> Joe
>  >
>  > From: channinglylethomson <[EMAIL PROTECTED]>
>  > Date: 2005/06/08 Wed AM 01:04:08 EDT
>  > To: [email protected]
>  > Subject: [MOPO] Another Anne Bancroft Thought
>  >
>  > She was also very, very good in THE TURNING POINT.  Her performance as
>  > an older woman who has basically sacrificed it all for dance and the
>  > applause is really remarkable.  AND, she is one of the few actresses
>  > who could really maintain equal footing with a powerhouse performer
>  > like Shirley MacLaine.  There climactic fight scene outside Lincoln
>  > Center was a really terrific moment in film.  I wish Joe Bonelli was
>  > around to comment on Bancroft's career.
>  >
>  > Channing Thomson in San Francisco
>  > was instrumental
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