Thanks so much, Sean.  What an interesting topic.
I've never seen a Realart in person.  The ones I've
seen on the internet are quite colorful.  Thank God he
didn't make any art deco images, I'd really be in
trouble.
Toochis

--- Sean Linkenback <[EMAIL PROTECTED]> wrote:

> -----Original Message-----
> From: Toochis Morin [mailto:[EMAIL PROTECTED]
> Does anyone know the history of Realart?  Are they
> still around now?  Of course, their work is
> wonderful
> but what makes them valuable?  Were they limited
> runs
> as far as printing volume?
>
> Realart was originally owned by Jack Broder who had
> purchased the re-release
> rights for the entire Universal library in the late
> 40s (if only he had
> thought to secure rights for home video and TV
> also).  The company is still
> around today in a more limited form, striking newer
> prints of old films and
> doing distribution.
>
> I don't think their runs were any more limited than
> other smaller
> studios/distribution companies at the time like
> TransWorld, Lippert, AA, etc
> though certainly smaller than an MGM or 20th Century
> Fox major release.
> BUT...
> Most of their (horror) films were released in the
> 1948-1953 time period
> which predates most all of the more expensive/high
> demand 50s sci-fi flicks.
> Plus it is at least as hard to find Realart paper as
> it is the rest of 50s
> Sci-fi stuff.
> These factors, combined with the oftentimes superior
> scene selection
> (despite the sometimes garish coloring) and
> rarity/expense of the original
> Universal pieces have placed them in extremely high
> demand with collectors
> today.
>
> It really only makes sense though.  Great scene
> cards from 50s sci-fi/horror
> titles routinely sell in the multi-hundred dollar
> range, with some prime
> examples and title cards bringing in excess of
> $1000.  So why shouldn't an
> equal age or earlier Realart card of the greatest
> horror icons ever bring a
> similar amount if not more?
>
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