I have handled many very fragile posters over the years including large Italian 
two and four foglio posters. Sometimes they are so fragile that every time you 
handle them it is almost inevitable that they will be further damaged. I have 
some Italian posters locked away in a drawer because if I try to open them up 
they will almost certainly separate more. I will untimately end up linen 
backing them.  It makes perfect sense to me to have these posters linen backed 
so that they can be easily handled and displayed. 

I really dont have a problem with linen backing at all providing it is a 
professional job. I generally prefer as little restoration as possible and I am 
very happy with all of my linen backed posters. An added bonus is that I am 
able to use magnets to display them and change them around very easily whenever 
I feel like it.

So, no, I dont get it.


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JOHN REID VINTAGE MOVIE MEMORABILIA
PO Box 92
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Qld 4221
Australia
  ----- Original Message ----- 
  From: Michael B 
  To: [email protected] 
  Sent: Monday, April 16, 2007 10:17 AM
  Subject: Re: [MOPO] A shift in thinking, linen-backing & slabbing? THUNDERBIRD


  i already gave my thoughts today on restoration.

  why do people seem that they have to compare other artifacts?  posters are 
unique.

  but, since people compare other hobbies, think about this..........  i have a 
neighbor who has the brightest white 1954 or 55 TBIRD convertible with red 
leather.  he's had it for 3 years.  then, last summer, he told me............it 
is a KIT CAR.  that means, nothing on it is older than 3 years!!!  what's the 
point?

  my DOUBLE INDEMNITY one sheet has no missing pieces anywhere, but does have 
seam separation.  colors are vibrant.  it has been framed for 20 years.  you 
can see the imperfections.  fair to value it at 3000 plus?   i could get a mint 
repro for ten bucks.  

  get it?


  michael




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