I started as an actress under Stella Adler and still dabble in it.  I've worked 
Off-Bwy, on films, and tv.  I studied writing under mentors Nelson Gidding and 
Frank Daniel at USC.  I'm currently in the business.

Toochis

----- Original Message ----
From: Phil Edwards Cinema Arts <[EMAIL PROTECTED]>
To: [email protected]
Sent: Monday, June 25, 2007 9:28:11 PM
Subject: Re: [MOPO] a General Question

Working directly in film distribution (marketing and publicity) cinema 
exhibition (programming a major circuit and selected arthouses) for a 
combined 20 plus years, along with acting as consultant on publicity and 
marketing of various films from arthouse indies to major release promotions, 
and another 15 years plus years working as a film journalist very closely 
with both marketing and publicity people, and being on first name terms with 
many major distributor senior executives and marketing people over many 
years has added a wealth of background to what I bring to my knowledge of 
film posters, their production, distribution and real availability.

I'm still working in the film industry at a much earlier stage of production 
than any of the above now, along with running Cinema Arts with my wife.

Actively seeking out old hands here in Australia who were involved in 
marketing throughout the 50s and 60s, and finding a couple of the older guys 
(now sadly deceased) who were hand litho artists and printers in the 40s and 
50s, and being able to pick their brains on such matters as hand litho 
history, print run numbers, how distributors worked with poster printers, 
how film prints were booked and worked, how posters were circulated and 
re-circulated, etc, etc has also added to my storehouse of knowledge.

It has also added an aspect to the radar when one works in the film 
business - from pre-production to all the way to knowing how to strike a 
carbon arc - and that's an increasing ability to detect the BS factor of 
many people who deal in movie posters and what they say they know about them 
in their efforts to sell them.

It is never less than entertaining.

By the way, anyone genuinely interested in film posters, their art, history 
and creation as part of the promotion of films and not just in it for the 
trophy hunting, should get a hold of Sim Branaghan's BRITISH FILM POSTERS. 
It is probably the single most important book on film posters yet published.

Phil E.


----- Original Message ----- 
From: "lobby card invasion" <[EMAIL PROTECTED]>
To: <[email protected]>
Sent: Tuesday, June 26, 2007 1:15 PM
Subject: Re: [MOPO] a General Question


> Sorry Jeff, but I don't see why one needs to be in the BIZ in order to be 
> knowledgable or have an opinion about movie posters?
> Also, I bet you Thalberg knew bubkes about Minty Whites.
> That's all I have to say.
>
> Zeev
>
>
> ----- Original Message ----- 
> From: "JEFF POTOKAR" <[EMAIL PROTECTED]>
> To: <[email protected]>
> Sent: Monday, June 25, 2007 8:47 PM
> Subject: [MOPO] a General Question
>
>
>> hi MOPO'ers,
>>
>> just a general question.siilar to a poll. how many in here are  ACTUALLY 
>> involved in the film business? and i dont mean you had a  relative or 
>> friend that has explained things to you..but are actually  WORKING in 
>> this business. i do. so many throw comments around in here  as if they 
>> were irving thalberg, stacey snider, or sherry lansing...
>>
>> jeff
>>
>>         Visit the MoPo Mailing List Web Site at www.filmfan.com
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>> responsible for its content.
>
>         Visit the MoPo Mailing List Web Site at www.filmfan.com
>   ___________________________________________________________________
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>                                    Send a message addressed to: 
> [EMAIL PROTECTED]
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> responsible for its content. 

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