An image, Steve, an image!  Or a link to an image!  Teasing MoPoer's like this 
is UNFAIR.  Even if we can't afford it, most of us haven't seen such an animal 
and would love a "preview."  -kuz.

 

-----Original Message-----
Date: Tue, 24 Mar 2009 01:12:10 -0600
From: [email protected]
Subject: FS: Apocalypse Now - Very Rare *Alternate* Japanese B0 (40"x56") 
featuring the image of Marlon Brando
To: [email protected]

Good morning all!

Right now I am entertaining inquiries into what easily may be one of the most 
difficult movie posters to obtain for the film Apocalypse Now.

Everyone of course knows (and loves) the Japanese B0 artwork featuring the Huey 
choppers flying in over the ocean, while a lone surfer is riding the waves 
below.  The artwork is unforgettable, has brilliant color and is just plain 
beautiful.

I recently acquired the alternate Japanese B0, designed by the legend Eiko 
Ishioka, who also designed the helicopters/surfer artwork.  For those who don't 
know, Eiko is also an Academy award-winning costume designer, who won for her 
work on the costume design in Coppola's Dracula.

This alternate style features Marlon Brando's head coming up out of the river, 
with the entire jungle behind him burning from the napalm unleashed in the 
opening minutes of the film to The Doors' "The End".

At best, my sources put this at a very limited print run, as it was only used 
for the premiere of the film and subsequent media previews.  It was not used 
for the theatrical run of the film, and may have maxed out at a very small run 
of fifty or less.  I am currently waiting to hear back from Mrs. Ishioka for 
confirmation of the print run and the intended market for this poster.

Most collectors have never even had the chance to see this incredible artwork 
because of its extremely limited run.  I have had it brought up to practically 
mint condition by Sylvia and her team at Precision Restoration; in a few words, 
it is stunning.  You might never have another chance to see this poster in this 
condition again.

I wanted to give the MOPO community the first opportunity to see it, as I am 
considering taking it to Grey Smith at Heritage, with a substantial reserve. If 
you are interested, I will be accepting offers for this piece before I talk to 
Grey when it has been returned from Precision Restoration.  This is a true 
piece of classic contemporary movie poster artwork, and is clearly an 
incredible investment opportunity due to its rarity, its importance as one of 
Eiko Ishioka's best examples of movie poster graphic design, and the profound 
impact of the artwork itself.

Best regards,

Steve Zammar
[email protected]
owner, ds|onesheets
303/478-3973
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