Age of Consent DVD review:
http://www.dvdtalk.com/dvdsavant/s2791powe.html




________________________________
From: Phil Edwards <[email protected]>
To: [email protected]
Sent: Thursday, April 23, 2009 11:58:49 AM
Subject: Re: [MOPO] Jack Cardiff

 
One of the true greats. Absolutely essential viewing from 
his amazing career is WESTERN APPROACHES, perhaps his least known 
work.
 
http://www.imdb.com/title/tt0037455/fullcredits#cast
 
A re-enacted documentary for the Crown Film Unit, 
it features some of the most amazing Technicolor camerawork shot under 
truly difficult conditions.
 
I thought we all liked I KNOW WHERE I'M GOING. I recently 
re-watched THEY'RE A WEIRD MOB a film that I had not seen since first release 
and one of two films shot in Australia by MP. It absolutely captures the then 
Australian spirit in riotous colour and is enormously observant of the times 
and 
mores.
 
Still looking to find a quality DVD of AGE OF CONSENT, 
MP's other Australian film, featuring a gorgeous and very young Helen 
Mirren.
 
Phil
 
 
 
----- Original Message ----- 
From: Richard Del Belso 
To: [email protected] 
Sent: Friday, April 24, 2009 2:04 
AM
Subject: Re: [MOPO] My frustrations  searching for old U.K. posters.
I totally agree, Bruce. And I too regard I KNOW WHERE I'M GOING  as one of my 
favorites. (but then again, there's hardly a Michael Powell film  I don't 
like!).
Speaking of Michael Powell: Jack Cardiff , whose passing we  mourn today, was 
the cinematographer on both THE RED SHOES and BLACK  NARCISSUS, two of the most 
gorgeous color films ever made.
   RDB



Richard Del  Belso


  
________________________________
 Date: Thu, 23 Apr 2009 08:17:24 -0500
From:  [email protected]
Subject: Re: [MOPO] My frustrations searching for  old U.K. posters.
To: [email protected]


This is a rare case where I have to disagree with David!
 
I think Brief Encounter is a virtually perfect "little" movie. I think it  
completely and acurately captures the feelings good decent people go through  
when they find themselves in this situation, and I don't find a flaw in it.  
Obviously David really likes it as well, but he seems to be "apologizing" for  
liking it so much, and I think there is no reason to do so!
 
I wish David Lean had stuck to making little movies, and left the epics  to 
someone else (kubrick too!).
 
A movie I like almost as much is "I Know Where I am Going", but few  people 
seem to have ever seen it.
 
Bruce


On Thu, Apr 23, 2009 at 7:07 AM, Paul Gerrard <[email protected]> wrote:

David, I think you would have had some rabid competition from me too if  a GB 
HS for Brief Encounter had surfaced during that period - I haven't  seen one in 
that format either. It is a great film, so restrained  and simple in plot you 
feel it shouldn't work, especially viewed  from today's perspective, but it 
shows Lean could make even small films  seem epic with music, cinematography 
and the subtle suggestiveness of  trains! (as per Hitchcock in NbNW). I'm sure 
some find it too  over-melodramatic to bear - it's been well spoofed on comedy 
shows -  even a current British TV ad - but it gets me every time.
Assume the GB export one sheet that Phil refers to is this one:-
http://www.movieposterstudio.com/tmp1/BriefEncounterGB1.jpg
tho I do prefer the Quad image.
 
The US Half Sheet http://www.movieposterstudio.com/tmp1/BriefEncounterUSHS.jpg 
seems  to show this being marketed primarily as a woman's film, so that  only 
goes to show what sensitive souls some of us men are! *cough* Russ  Meyer 
movies are pretty good too.
 
Freeman, is this the Churchill poster you saw printed on back of quad  you sold 
recently? http://www.movieposterstudio.com/tmp1/backquad.jpg
 
Phil, you're surely being over-modest about your expertise in this area  (no 
irony), as your time in the UK must have pre-dated most UK  dealers/collectors, 
along with some UK posters finding their way  to Oz. And you probably have 
hair-raising tales to tell of  the comparable rarity of Australian posters, 
especially larger  format, due to population size, and lack of interest in 
cinema due to  more pressing concerns like sheep-shearing and croc-wrestling 
(OK  maybe that last bit isn't true and my perception of Australia has  been 
severely scarred by movies).     
Another thumbs up from me for Sim Branaghan's book - it's  excellent (or is 
that near mint), tho I'm ashamed to say I've only skimmed  through it so far. 
He also did a podcast for Liverpool Museums: 
http://www.liverpoolmuseums.org.uk/podcasts/british_film_posters.aspx 
 
Overall, though, I'm sure the pattern of rarity for British  material is echoed 
for other European material from war-torn countries,  complicated by the fact 
that original release dates could vary  enormously from country to country, 
censorship issues, import  quotas etc etc. Hats off to Ed/Sue for pulling all 
this sort of  information together.
 Paul
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