I absolutely agree with this.  

In the days when I used to set up at lots of shows (mainly comic shows) or
when newer dealers ask me now what kind of material they should stock.  My
answer is always "whatever you can that has a price point of $20 or less."
$20 is a magic number, as almost everyone walking the floor of the
convention has an extra $20 bill they don't mind dropping they think is neat
or some other impulse purchase.  It's a number that really doesn't put a
dent in your wallet and allows you to leave the show feeling happy as you
were able to buy something.

 

It's the middle of the pack items that probably have been hit the most, and
really the high-end has been holding up extremely well (at least it has for
early horror which I am most familiar with), and not just at Heritage.  In
the past few months we have had, and there have been several notable five
and even six figure sales including such great pieces as a Black Cat
one-sheet, Dracula and Werewolf of London inserts, Dracula title card, and
several high-end lobby cards.

 

The "newer dealer" comment above though does remind me of one interesting
conversation I had at Cinevent, but one I really think deserves it's own
thread.

 

Sean

 

  _____  

From: MoPo List [mailto:[email protected]] On Behalf Of Bruce
Hershenson
Sent: Saturday, May 30, 2009 3:54 PM
To: [email protected]
Subject: [MOPO] A theory on why more people are buying inexpensive movie
posters in these troubled times

 

The last few months I have had a steady increase in the number of buyers
each week, and lots of them are brand-new to the hobby. It seemed odd to me
that this would occur at a time when the economy is falling to pieces, so I
did some thinking about it, and I came up with a theory.

 

Maybe when times are tough people get even more nostalgic than usual, and
enjoy buying something that reminds them of a better time in their life,
when they had a better job, worked less hours, had less worries, weighed far
less, had a full head of hair, or whatever. Maybe they aren't just buying a
movie memory, but they are also buying a life memory as well.

 

I find I personally have been gravitating to inexpensive posters from the
late 1960s and 1970s, which were the most carefree times of my life, and
that fits with my theory. And I don't have to think long and hard before
spending $10 or $20 on a poster, like I would if it was $1,000 or $2,000,
because really, what does $10 or $20 buy you these days? Does this make any
sense to you?

 

Bruce

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