Michael,

 

I do agree that a poster in Good or Very Good condition probably shouldn't be 
linen backed either, but I don't believe someone should be held up in front of 
a firing squad and shot for linenbacking a poster in those conditions.  I 
believe they should only be shot in front of a firing squad for linenbacking a 
Near Mint or Mint poster.

 

Todd
 


Date: Fri, 4 Sep 2009 13:02:42 -0400
From: [email protected]
Subject: [MOPO] mint restoration---good restoration
To: [email protected]


i agree,,,,,,,,,,
 
   &&&& i will add, to the words, "Mint" or "Near Mint" ----GOOD, VERY 
GOOD............
 
for some reason, this is a toooooo controversial subject on MOPO
 
mbb 




From: MoPo List [mailto:[email protected]] On Behalf Of Todd Feiertag
Sent: Thursday, September 03, 2009 4:32 AM
To: [email protected]
Subject: Re: [MOPO] the role of restoration in forgeries
 
I believe that anyone who linenbacks a Mint or Near Mint poster is committing a 
serious crime and should be held up in front of a firing squad and shot!!  Just 
kidding of course!!
 
It is a shame though, since if that poster is 50, 60 or 70 years old, in such a 
wonderful condition, and I've seen many posters that old and older in Near Mint 
or Mint condition, the poster will easily outlive you and will still be in that 
great similar condition in another 50, 60 or 70 years from now, under it's same 
environmental conditions.
 
Personally for myself, I will only linenback or back a poster if it really 
needs it, if it's just too distracting as is, such as if it's missing chunks of 
paper within the image or something similar.
 
Todd



-----Original Message-----
From: Doug Taylor <[email protected]>
To: [email protected]
Sent: Thu, Sep 3, 2009 9:44 am
Subject: Re: [MOPO] the role of restoration in forgeries






Todd,
 
The more I reflect on the LB’ing I’ve done, the more I’m moving toward your way 
of thinking.  (except for the firing squad part)
 

Regards
 
DBT
Profile
 


From: MoPo List [mailto:[email protected]] On Behalf Of Todd Feiertag
Sent: Thursday, September 03, 2009 4:32 AM
To: [email protected]
Subject: Re: [MOPO] the role of restoration in forgeries
 
I believe that anyone who linenbacks a Mint or Near Mint poster is committing a 
serious crime and should be held up in front of a firing squad and shot!!  Just 
kidding of course!!
 
It is a shame though, since if that poster is 50, 60 or 70 years old, in such a 
wonderful condition, and I've seen many posters that old and older in Near Mint 
or Mint condition, the poster will easily outlive you a nd will still be in 
that great similar condition in another 50, 60 or 70 years from now, under it's 
same environmental conditions.
 
Personally for myself, I will only linenback or back a poster if it really 
needs it, if it's just too distracting as is, such as if it's missing chunks of 
paper within the image or something similar.
 
Todd

 



Date: Wed, 2 Sep 2009 16:26:31 -0400
From: [email protected]
Subject: Re: [MOPO] the role of restoration in forgeries
To: [email protected]

I have had almost every poster I own LB’d, regardless of grade…and many were 
Mint to begin with.  (Perhaps proving my own insanity, I refuse to grade a 
poster that has been LB’d higher than NM, even if it was my poster and Mint 
before backing.)  
 < SPAN style="FONT-SIZE: 10pt; FONT-FAMILY: 'Verdana','sans-serif'">
Many were backed without restoration, even of the fold lines.  Many with 
“normal” restoration of folds to make them appear “mint”.
 
I originally began the practice because it helped in preservation and handling 
and, when I first started collecting in the late 1980’s/early 1990’s, LB’d 
posters generally garnered a higher price and it appeared to me to be an 
industry standard.  As I gained experience I learned that it was personal 
taste.  Now, of course, many feel it is a detriment to the poster.
 
I’m happy with my collection but I must say that, over time, I’ve come to 
question my decision to LB everything.  
 
Also, as I develop more wrinkles, I’ve come to appreciate more the wrinkles in 
my old posters.
 

Regards
 
DBT
Profile
 


From: MoPo List [mailto:[email protected]] On Behalf Of Richard 
Halegua Comic Art
Sent: Wednesday, September 02, 2009 4:17 PM
To: [email protected]
Subject: Re: [MOPO] the role of restoration in forgeries
 
my opinion on restoration & linenbacking: 

I only have a single poster in my collection that I paid to get linenbacked and 
I will not get that many restored for myself 
there are posters I have which must be backed & restored for conservation & 
display . 
But they have to have serious issues as I'm just as happy displaying a poster 
with tears and small pieces out as I would be with a nmint poster and I don't 
care if a poster shows folds. I'm all for originality. Some posters cannot be 
owned that way 

I also know people who linenback every poster for their own collection even if 
the poster was NM to begin with. I disagree with this position. 

I like originality, if it's messed up.. so what, it's messed up - but I still 
love it. 

(note, I actually realize I have 3 posters that paid to have backed. two are 3 
sheets)



At 12:59 PM 9/2/2009, Anne Coco wrote:
I have been reading the discussion surrounding the recent revelations about 
forgeries have been discussed and there is one point I would like to make 
before this topic is sidelined as old news.  The over-restoration of movie 
posters has contributed greatly to forgers’ ability to fake old paper.  Too 
much paint makes it difficult to determine not only how much (if any) original 
paper actually exists but it also plays into the hands of those with nefarious 
plans.  As I understand it, the forgers not only distressed the paper that they 
used but they also applied over-painting because this is a common practice 
within the field of collectible movie paper.  I would advocate for movie paper 
collectibles to instead be evaluated based20on their original condition not 
some ideal that can be created via the application of over-painting.  
 
If anything good comes out of this, it would be (in my opinion) that collectors 
would look at posters with fold creases and paper losses and learn to love them 
just the way they are without paint to brighten the colors and obscure the 
signs of use.  If the practice of over-painting could magically disappear, it 
would be much easier to determine what is and is not real.  Visible fold 
creases should be viewed as a clue that the paper is truly what it claims to be 
while a lack of fold creases should be a cause of concern for collectors.  If 
the fold creases, background and borders have been over-painted, how can you be 
certain that what you are buying is more paper than paint?  And I haven’t even 
touched on the problems of what happens to paint and paper when they age.  It’s 
not pretty, especially if the piece was exhibited under less than ideal light 
conditions in a frame on a wall in your house for a long period of time.
 
That said I completely understand that paper losses particularly in the image 
area can detract greatly from the enjoyment of a poster.  In these cases, those 
in the field of paper conservation would tell you that whatever you do should 
be completely reversible serving only to trick the eye at a distance but 
completely revealing itself upon close inspection.
 
Whether you collect for personal enj oyment, as an investment or as part of a 
larger institutional mandate, the posters we all hold are part of our larger 
cultural heritage as well as assets to be protected.  Please take my comments 
as an attempt to ask the field to re-evaluate current practices and think about 
the long-term implications of over-restoration.  The benefit will be increased 
transparency which will make it more difficult for forgers to ply their trade 
and collections that will continue to awe for generations to come.
 
 
Anne Coco
Graphic Arts Librarian
 
Search our catalog!
http://catalog.oscars.org
 
 
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Get back to school stuff for them and cashback for you. Try Bing now.
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