This is interesting, of course, but inconclusive.  One doesn't know the 
personalities involved.  Sometimes (not saying this is the case here) estate 
owners do not want to admit any other owners, no
matter what.  The stories about Warhol works are legion.

But Turnage is quite correct about the interpretive nature of Adams' printing.  
Much of the value
is there.  But to label the negatives "next to worthless", if they are Adams 
negatives, is laughable.

I'm sure there are methods for really getting at the truth of this -- but that 
may involve cooperation
between the parties.  It doesn't sound like there's been much so far.

Kirby

On Jul 28, 2010, at 5:36 AM, Bruce Hershenson wrote:

> Adams heirs skeptical about lost negatives claim
> 
> http://tinyurl.com/2b4qmrm
> 
> I love this part:
> "It's an unfortunate fraud," said Bill Turnage, managing director of the 
> Ansel Adams Publishing Rights Trust. "It's very distressing."
> 
> Turnage said he's consulting lawyers about possibly suing Norsigian for using 
> a copyrighted name for commercial purposes. He described Norsigian as on an 
> "obsessive quest." "We've been dealing with him for a decade," he said. "I 
> can't tell you how many times he's called me."
> 
> AND THIS:
> Beverly Hills art appraiser David W. Streets said he conservatively estimated 
> the negatives' value at $200 million, based on current sales of Adams' prints 
> and the potential for selling never-seen-before prints. 
> 
> Turnage called that figure ridiculous because the value of Adams' work is in 
> his darkroom handcrafting of the prints, and said the negatives are next to 
> worthless.
> 
> "Ansel interpreted the negative very heavily. He believed the negative was 
> like a musical score. No two composers will interpret it the same way," he 
> said. "Each print is a work of art." 
> 
> SOUNDS LIKE THIS SHOULD BE ON THE NEXT ANTIQUES ROADSHOW!
> 
> 
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