“But I thought it enhanced the picture “

Of course! I think it would enhance any picture it was applied to and that’s 
why I really don’t care for it being inserted in to what amounts as a massive 
gimmick, which “The Artist” is. In many ways it’s like watching a vacuum 
cleaner shuttle along the glorious past of Hollywood.

I’m not so sure that the majority of people who go to see “The Artist” will not 
be able to reference the music to “Vertigo” even if they have not seen 
Hitchcock’s seminal film there have been enough clips on T.V which 
inadvertently lodge in people's memory banks, after all it is a very infectious 
piece of music. The only thing that seems reliable is, do people actually care? 
I think they should when you have such marvellous piece of moving art it should 
be protected: they might as well give Damien Hearst the key to the vault.

From: David Kusumoto 
Sent: Tuesday, February 14, 2012 4:09 AM
To: [email protected] 
Subject: [MOPO] OT: Bernard Herrmann, "Vertigo" and "The Artist"

Note:  The links below have been tested and are safe.

* I went to see "The Artist" a second time to confirm my initial positive 
feelings about it.  If you've seen "Vertigo" (1958) - then you already know its 
score by master composer Bernard Herrmann is a classic.  It's so effective at 
bringing out feelings of tragedy - or inexplicable longing for something 
unattainable - that the musical passage below was brought back for "The Artist" 
- and is heard in the film in its entirety:

http://bit.ly/waRJoP

* Some film buffs found the Herrmann music inappropriate in "The Artist."  But 
I thought it enhanced the picture despite being applied to a story that has an 
old-fashioned ending.  And I bet most audiences today cannot reference the 
music back to "Vertigo."

* And for those who can't get enough of Herrmann -- here's the chilling theme 
that runs over the opening credits of "Vertigo."  (The theme below is NOT heard 
in "The Artist"). 


http://bit.ly/xovThM

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