It's funny, because I was just going to ask if it was "be kind to Woody
Allen" day, because I personally think his last really fine movie was in
1980!

But I imagine that we can agree that his streak of ten straight incredible
movies from 1969 to 1980 was something no one could live up to:
<http://www.imdb.com/title/tt0081554/>
1980 * Stardust Memories <http://www.imdb.com/title/tt0081554/>*

 1979 * Manhattan <http://www.imdb.com/title/tt0079522/>*

 1978 * Interiors <http://www.imdb.com/title/tt0077742/>*

 1977 * Annie Hall <http://www.imdb.com/title/tt0075686/>*

 1975 * Love and Death <http://www.imdb.com/title/tt0073312/>*

 1973 * Sleeper <http://www.imdb.com/title/tt0070707/>*

 1972 * Every Thing You Always Wanted to Know About Sex * But Were Afraid
to Ask <http://www.imdb.com/title/tt0068555/>*

 1971 * Bananas <http://www.imdb.com/title/tt0066808/>*

 1969 * Take the Money and Run <http://www.imdb.com/title/tt0065063/>*

On Sun, Mar 11, 2012 at 7:12 PM, Evan Zweifel <[email protected]>wrote:

> Is it pick on Woody Allen day?  Mostly mediocre output since 1989?
>  Really?  He's been nominated for 11 Oscars since 1990.  Granted 8 of them
> were writing -- suggesting that he's doing something right.
>
> Evan
>
> ----- Original Message -----
> From: David Kusumoto <[email protected]>
> To: [email protected]
> Sent: Sun, 11 Mar 2012 22:04:21 -0000 (UTC)
> Subject: Re: [MOPO] John Carter: excellent
>
>
> That's an excellent point, Dave.  I hadn't thought of that.  Meanwhile,
> the NY Times delivered its verdict today.  Despite better returns expected
> from the overseas market, "John Carter" is going to be one of the biggest
> financial disasters in film history.  The AP also grimly noted that most of
> "Carter's" fans are men OVER 25, which is terrible news from a business
> standpoint for a film the NY Times now says cost $350 million to make AND
> to market.  How can you make a profit from that?  You need younger patrons
> who are more avid movie goers than older people, who tend to stay home.
>
> This afternoon's article further infers that while Disney is today
> adopting a "point no fingers" stance, director Andrew Stanton was given a
> blank check based on his past performance with "Finding Nemo" and "WALL-E."
>  Disney apparently so feared angering a box office golden boy like Stanton
> - that the result was a Mike Cimino-like "Heaven's Gate" fiasco (which
> occurred after UA gave Cimino a blank check after his prior success with
> the "The Deer Hunter" in 1978-79).
>
> While Hollywood has always cared about overseas box office, production
> chiefs still craft their films foremost with U.S. audiences in mind.  This
> is a country, after all, of 300 million.  This explains the
> American-centric drive of U.S.-financed pictures that puzzle sophisticated
> audiences in the U.K., for example, e.g., the casting of William Holden in
> "Bridge Over the River Kwai," the singular U.S. perspective of the D-Day
> landing in "Saving Private Ryan," the casting of Steve McQueen and James
> Garner in "The Great Escape," etc.  Even today, a U.S. film that does
> poorly here but makes up its investment overseas is considered a blemish to
> its prestige in the industry, e.g., Costner's "Waterworld," last year's
> "Cowboys and Aliens" and 1963's "Cleopatra" - the latter which nearly
> destroyed Fox.  (Incredibly, the #1 overseas market for U.S. films is not
> in Europe - but in Asia, specifically Japan.)  In the end, for all the
> clamor for better made pictures, the Hollywood model i!
>  s still geared towards making money by targeting young people, resulting
> in an overall poorer quality product unless you purposely chase mature
> audiences (as in temperament, and not necessarily age) - such as
> independent films which can still make money because of low production
> budgets.  It's why Woody Allen is still making films despite a mostly
> mediocre output since 1989.  One thing for sure - despite the quality of
> "John Carter," Disney's and director Stanton's original plans to make two
> sequels of this film in the years ahead are dead.
>
>
> http://www.nytimes.com/2012/03/12/business/media/ishtar-lands-on-mars.html?_r=1&pagewanted=all
>
>
> Date: Sun, 11 Mar 2012 09:55:41 -0400
> From: [email protected]
> Subject: Re: John Carter: excellent
> To: [email protected]
>
>
>
>
>
>
>
>
>
>
>
> True, "John Carter" is meaningless except to ERB
> fanboys, but Disney has had terrible luck with any movie with "Mars" in the
> title. Both last year's Mars Needs Moms and, from years ago, Misson to
> Mars were
> major flops. So Disney may be shying away from the whole Mars thing. And
> if they
> weren't before, they sure will now.
>
> Dave
>
>  ----- Original Message -----
>  From:
>  David Kusumoto
>  To: [email protected]
>
>  Sent: Sunday, March 11, 2012 3:39
> AM
>  Subject: Re: [MOPO] John Carter:
>  excellent
>
>
>  The sad thing is a film like "The
>  Artist," which has done poor business in the U.S. despite winning the
> Oscar
>  last month for Best Picture - is not considered a flop because it had a
> modest
>  production budget.  (BTW, if you haven't seen that film yet, hold your
>  dollars; the film is being released on DVD next month.)  But "John
>  Carter," despite its merits, is headed toward becoming one of the biggest
> box
>  office flops in Disney's history.  Some say the film, which cost a
>  whopping $250 million to make, may even lose this weekend's Friday through
>  Sunday box office in the U.S. to "The Lorax."  CinemaScore, the market
>  research firm, says "John Carter's" demographic is running at 65 percent
> male,
>  indicating the picture turns off women.  The business projections for
>  "John Carter" are so dire - that there's talk Disney may lose $100
> million to
>  $165 million on the picture.  Audiences have no clue about much of this
>  negative chatter of course, but some analysts say Disney made a huge
> marketing
>  mistake with the film's title, which only resonates with Burroughs fans
> and to
>  comic-book fanboys - by dumping its original working title, which was a
> more
>  intriguing and mysterious, "John Carter on Mars" - and not just "John
>  Carter."
>
> Los Angeles Times:
>
> http://www.latimes.com/entertainment/news/movies/la-fi-ct-disney-carter-20120310,0,2000583.story
>
> Entertainment
>  Weekly:
> http://insidemovies.ew.com/2012/03/10/box-office-john-carter/
>
>
>
>
>
>   Date: Sat, 10 Mar 2012 21:14:38 -0800
> From:
>  [email protected]
> Subject: Re: John Carter: excellent
> To:
>  [email protected]
>
>
>
>
>
>      Very happy to hear these comments, as a long time Edgar
>        Rice Burroughs fan.
>        Always thought the Barsoom adventures would be fantastic on the big
>        screen.
>        Ari
>
> --- On Sun, 11/3/12, Richard Auras
>        <[email protected]> wrote:
>
>
> From:
>          Richard Auras <[email protected]>
> Subject: Re: [MOPO] John
>          Carter: excellent
> To: [email protected]
> Received:
>          Sunday, 11 March, 2012, 3:14 AM
>
>
>
>
>
>          Caught it last night myself and can echo your sentiments.
>          Best movie I have seen in a while.
>
>
>
>
>
>           From: "[email protected]"
>          <[email protected]>
> To:
>          [email protected]
> Sent: Sat, March 10, 2012 7:17:47
>          PM
> Subject: [MOPO]
>          John Carter: excellent
>
> What an amazing science fiction
>          movie...maybe one of the best for some time...highly
>          recommended.
>
> Philipp
>
> Sent via BlackBerry by
>          AT&T
>
>
>         Visit the MoPo Mailing List Web Site at www.filmfan.com
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