Yes, the Gilda might give me a pang or two to be honest.

Simon

From: David Kusumoto 
Sent: Friday, May 25, 2012 12:02 AM
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Subject: Re: [MOPO] The One That Got Away

* We've sold off the bulk of our collection - and as people have seen from 
pictures I've posted over the years at MoPo, we used to own every major classic 
EXCEPT horror, e.g., Casablanca, Citizen Kane, The Third Man, City Lights, 
Modern Times, Wizard of Oz, Double Indemnity, every 1940-1963 Hitchcock title, 
Bette Davis, Audrey Hepburn, Rita Hayworth, Bogart, Garbo, Monroe, Disney, 
Brando, David Lean, the Beatles, etc.  We DISPLAYED everything; we had posters 
from floor to ceiling in checkerboard patterns, which meant nothing stood out.  
It was over-kill.  The wildfires arrived and we evacuated twice in four years 
and decided to sell all but the cheaply sentimental, replacing originals with 
re-issues which some collectors dismiss but remain aesthetically pleasing, esp. 
Oscar re-issues.

* Looking back - there are occasional pangs of regret for three items we sold, 
not necessarily because they're hard to find - but because they're hard to find 
in SUPERIOR CONDITION:  they were the best card from the Wizard of Oz - the 
one-sheet to It's A Wonderful Life and the glorious Gilda style B.  They were 
all in top condition with minimal to zero restoration.

* However, we had everything for many years and found solace that they went to 
eager collectors who would love and care for them like we did - as we converted 
posters and lobby cards into home improvements, cars and Beatles memorabilia.  
Submitted again below is an old image of just ONE of the "glory corners" in our 
house; we also had special areas for Hitchcock and Bogart. -d. 





--------------------------------------------------------------------------------
Date: Thu, 24 May 2012 16:52:36 +0100
From: evan...@mac.com
Subject: Re: The One That Got Away
To: MoPo-L@LISTSERV.AMERICAN.EDU


Likewise, I've trimmed down a lot, aiming to own just those I display.
No huge regrets, but wish I hadn't sold my Bond quads, FRWL standard and 
premiere, and Goldfinger.
Not then anyway, I'd far rather be selling them now.
In a sense I regret selling my Out of the Past 1 sht, but after wanting one 
badly for so many years, when I did finally get one it couldn't live up to the 
burden of expectation.

Sent from my iPhone

On 24 May 2012, at 15:15, MICHAEL ARCHIBALD <kap...@rogers.com> wrote:


"what I didn’t like was the bunches of posters in the closets, never being 
displayed, basically being collected without a sense of purpose in life"

I feel exactly the same way.  Posters should be seen not hidden away in some 
"Ark of the Covenant" government warehouse.  There are so many films out there 
that I would like to have paper for but there's only so much wall space in my 
house.  I also decided to frame what I want to keep and sell the rest.

Since I'm fairly new to the hobby I don't have a poster related regret however 
I still kick myself for the 12-16 Gretzky rookie cards I sold for basically 
peanuts many many years ago. 


--------------------------------------------------------------------------------
From: "Walton, Jeffrey" <jeffrey.wal...@fisglobal.com>
To: MoPo-L@LISTSERV.AMERICAN.EDU 
Sent: Thursday, May 24, 2012 9:47:12 AM
Subject: Re: [MOPO] The One That Got Away


I don’t think I truly ever regretted selling a poster-  maybe I have a little 
dealer in me.  Most of the times I sell posters to trade up to something I 
really want, so I’ll gather a few lesser posters and help snag that holy grail. 
 Both Bruce and Grey have helped me with my quests and now I have some nice 
posters to proudly display…no Frankenstein or Dracula but pieces I’ve always 
admired. Truth of the matter turns out, there is always a holy grail and once 
the clouds part and the ray of sunshine illuminates that prized piece and it’s 
in your hands, the feeling of excitement fades rather quickly for it’s the hunt 
that’s the exhilarating part.

I recently looked my walls and made a decision.  See I like the posters I have 
framed hanging in various rooms of my house...what I didn’t like was the 
bunches of posters in the closets, never being displayed, basically being 
collected without a sense of purpose in life.  So late last year I made almost 
a life changing decision - I sold most of my stored collection realizing it was 
never going to make the walls of fame. I turned that cash (a nice size chunk no 
less) into something I really wanted…and it wasn’t another poster.  It was a 
bar.  A bar almost like the one I was raised in…well spent most of my life 
in…and not on the drinking end…the serving end.  So now I have a full working 
late 19th century apothecary bar complete with two taps, ice machine, 
dishwasher, fridge, and a ton of scotch and other libations of choice and I 
have my posters to thank for that.   I spent over 20 years collecting most of 
those posters and they just took up space in the closet…what I got in return 
was a place we use every weekend even weeknights, a place for family and 
friends to hang, a place to relax, a place to watch the game…a place to see 
some of my posters on display.  Who knew the power of posters?  Now that my 
closets are bare again I’m sure there are a few new pieces on my horizon....and 
who knows just what they might be turned into this time around.


From: MoPo List [mailto:mopo-l@LISTSERV.AMERICAN.EDU] On Behalf Of Bruce 
Hershenson
Sent: Wednesday, May 23, 2012 6:55 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] The One That Got Away

Good topic! I have tens of thousands of pressbooks in my collection, and I have 
a firm rule to never sell any I don't have a dupe of. I have turned down some 
incredible offers for ones from "specialists" (a Chaplin collector want's this 
one, a Harlow collector wants that one, etc).

My logic is that once I start selling, I might keep going, and of course the 
ones I would sell would be the absolute hardest ones to ever get back.

Well one day about ten years ago I let Morrie Everett, a man who could sell ice 
to Eskimos or hot coffee to the Devil himself, talk me into selling him the 
pressbook for Trouble in Paradise.

Of course I regretted it the next day, and I have looked for it relentlessly, 
but no luck.

But at least that was the ONLY non-dupe pressbook I have ever sold and that is 
the one that got away (for me)!

Bruce
On Wed, May 23, 2012 at 5:47 PM, Rix Posterz <rixpost...@aol.com> wrote:
About 25 years ago, I sold a "Return Of Dr. X" 1/2 Sheet (Bogart, 1939) because 
I needed the money to pay bills,  I've sold many better posters since then, but 
at that time I was really, really into collecting,,,this was way before I 
started selling in MCW, on eBay or otherwise. For some reason, selling that 
poster still remains to this day as one of the only regrets that has stayed 
with me through the years.  After I started dealing the stuff, my whole reality 
slowly changed where I'd get over selling a piece from my collection fairly 
quickly.
But this was back when I was just a collector. Many months and even years 
later, I was thinking about "the one that got away"....  
Rick

In a message dated 5/23/2012 3:31:49 P.M. Pacific Daylight Time, 
gkud...@rocketmail.com writes:
Of all the movie posters I've had in my life, the ones I miss the most are some 
Japanese fabric banners used to line buildings and streets advertising a film. 

I got these in the early 70's. 3 were of no-name B movies, but the 4th was for 
Akira Kurasawa's Dodeskaden....

It wasn't their value so much as they were great looking rectangular flags -- I 
think they were 2'x6', maybe longer.

What poster do you regret not having anymore?

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