This is Bruce Hershenson, owner of eMoviePoster.com. The set of auctions we
have closing tonight is *REALLY* special! We have *234 original vintage
scripts (an incredible collection, covering all years & genres)* ending *
TONIGHT <http://www.emovieposter.com/agallery/13.html>*, Tuesday, July 9th
beginning at 7 PM CST. See them all at *
http://www.emovieposter.com/agallery/13.html*

*I JUST LOOKED OVER THE **234 SCRIPTS CLOSING TONIGHT (most from a single
owner collection, assembled over many years), AND I CAN TELL YOU THAT WHILE
IT MAY LOOK LIKE SOME ARE ALREADY AT HIGH PRICES, THERE REALLY ARE LOTS AND
LOTS OF BARGAINS AT THE CURRENT PRICES, BECAUSE SOME OF THESE REALLY ARE
"THE BEST OF THE BEST", THE KIND YOU WOULD SEE PRICED AT THOUSANDS OF
DOLLARS PER SCRIPT!*
Scripts of this quality are almost never offered for sale at fixed prices
at all, and the few times they are the prices are often in the thousands of
dollars each! This set of auctions has already attracted a lot of interest
from dealers who buy and sell scripts, hoping to buy at low enough prices
that they can make money by re-offering them at higher prices later. And of
course, this is a dream for script collectors, to be able to choose from so
many wonderful scripts at once!

Here are some of the very best scripts in this most special auction (note
that clicking on any of the below takes you to that auction, where you will
see additional images inside the script, and learn all we know about each
one):
1a001 REBEL WITHOUT A CAUSE script Mar 25, 1955, screenplay by Stewart
Stern, Nicolas Ray
classic!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027635>
1a080 GODFATHER second draft script March 1, 1971, screenplay by Mario Puzo
& Francis Ford 
Coppola!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027714>
1a215 TO KILL A MOCKINGBIRD first draft script October 3, 1961, screenplay
by Horton 
Foote!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027849>
1a162 PRIDE OF THE YANKEES shooting script February 11, 1942 screenplay by
Mankiewicz & 
Swerling!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027796>
1a119 LITTLE FOXES final draft script April 15, 1941, screenplay by Lillian
Hellman!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027753>
1a168 QUIET MAN shooting script February 22, 1951, screenplay by Frank
Nugent!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027802>
1a118 LIFEBOAT temporary script June 17, 1943, Alfred Hitchcock screenplay
written by Jo 
Swerling!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027752>
1a102 HUSTLER script August 20, 1960, screenplay by Robert Rossen,
billiards 
classic!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027736>
1a144 NORTH BY NORTHWEST composite script script Jul 21, 1958 Hitchcock
screenplay by Ernest
Lehman<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027778>
1a111 LAURA final draft script November 29, 1943, screenplay by Jay Dratler
& Ring Lardner 
Jr.<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027745>
1a134 MIRACLE ON 34th STREET final draft script January 2, 1947, working
title It's Only
Human!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027768>
1a216 TO KILL A MOCKINGBIRD revised final draft script December 27, 1961,
screenplay by Horton
Foote<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027850>
1a075 FRENCH CONNECTION revised script October 6, 1970, screenplay by
Ernest 
Tidyman!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027709>
1a030 CAINE MUTINY signed revised final draft script May 6, 1953, by
director Edward
Dmytryk!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027664>
1a138 MUTINY ON THE BOUNTY script October 12, 1934, screenplay by Talbot
Jennings & Jules
Furthman<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027772>
1a173 RAWHIDE TV revised first rough draft script January 28, 1960,
screenplay by Winston
Miller!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027807>
1a133 MILDRED PIERCE revised temporary script August 11, 1944, screenplay
by Katherine 
Turney!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027767>
1a108 L.A. CONFIDENTIAL signed revised draft script Feb 12, 1996 by
Helgeland, Hanson &
Ellroy!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027742>
1a083 GOODFELLAS revised draft script March 24, 1987, screenplay by Pileggi
& Scorsese, 
Wiseguy!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027717>
1a170 RAGING BULL revised draft script February 1, 1979, screenplay by Paul
Schrader & 
Martin!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027804>
1a145 NOTORIOUS revised final draft script Oct 10, 1945, Alfred Hitchcock
screenplay by Ben
Hecht!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027779>
1a086 GREATEST SHOW ON EARTH wardrobe reference and script December 20,
1950 with lots of
photos!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027720>
1a171 RAGING BULL revised draft script November 1, 1978, screenplay by Paul
Schrader, Prize
Fighter<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027805>
1a074 FOR WHOM THE BELL TOLLS revised final script July 20, 1942,
screenplay by Dudley
Nichols!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027708>
1a152 PATTON final draft script January 1, 1969, screenplay by Francis Ford
Coppola & Edmund
North!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027786>
1a104 JULIUS CAESAR script July 7, 1952, screenplay by Joseph L.
Mankiewicz!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027738>
1a096 HERE COMES MR. JORDAN final script April 7, 1941, with the working
title Heaven Can
Wait!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027730>
1a032 CAPTAIN BLOOD script February 13, 1935, screenplay by Casey Robinson,
Michael 
Curtiz!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027666>
1a167 PSYCHO revised draft script November 10, 1959, screenplay by Joseph
Stefano!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027801>
1a139 MUTINY ON THE BOUNTY script January 12, 1960, screenplay by Eric
Ambler!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027773>
1a012 ALL THE PRESIDENT'S MEN first draft script August 13, 1974,
screenplay by William
Goldman!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027646>
1a082 GOODBYE GIRL signed revised third draft script December 1976, by
writer Neil 
Simon!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027716>
1a078 GLENN MILLER STORY revised final draft script May 8, 1953, screenplay
by Valentine 
Davies!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027712>
1a141 NIGHT OF THE IGUANA script 1964 screenplay by John Huston & Anthony
Veiller!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027775>
1a127 MAGNUM FORCE revised final draft script March 5, 1973, screenplay by
Michael 
Cimino!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027761>
1a178 ROCKY revised draft script November 28, 1975, screenplay by Sylvester
Stallone!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027812>
1a227 VERDICT final draft script November 23, 1981, screenplay by David
Mamet!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027861>
1a193 SMASH-UP script May 4, 1946, screenplay by John Howard
Lawson!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027827>
1a081 GOODBYE GIRL 2nd revised draft script July 7, 1975, written by Neil
Simon, Bogart Slept
Here!<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027715>
1a028 BRING ME THE HEAD OF ALFREDO GARCIA script Jul 8, 1972, screenplay by
Sam Peckinpah &
Dawson<http://auctions.emovieposter.com/Bidding.taf?_function=detail&Auction_uid1=3027662>
and on and on and on and on!

* About the **collection of scripts in this set of auctions*
This is a really incredible collection of 234 original vintage scripts! All
the *scripts *we auction are originals that were printed for use by actors
when the movie first came out (or were printed to "pitch" the movie to
studio executives). *EVERY* one of the *scripts* we auction are absolutely
genuine and from the time the movie first came out (there are unscrupulous
dealers on the Internet who take original scripts and copy them and then
sell those copies as if they were originals). There *ARE* a very few
scripts that are not from the time the movie came out, but those are very
clearly noted. If you are new to collecting vintage scripts, here are some
important things to know:

*There are three basic kinds of scripts:*

1) *OUTLINES AND TREATMENTS.* These are preliminary story proposals which
are later fleshed out into scripts. These scripts always are called either *
OUTLINE* or *TREATMENT*.

2) *SCRIPTS/SCREENPLAYS *These are shooting scripts for movies. They are
written before a film is made, and they are often revised during the
shooting of a film. In some cases, you will find multiple
*DIFFERENT*versions of a script for the same film. The script might
say
*FIRST DRAFT* or *REVISED FIRST DRAFT* or *SECOND DRAFT*, etc., and these
are all different things. Some script collectors would only want one script
for a film, whereas others could be quite interested to buy different
drafts or versions for the same film.

*NOTE: *Sometimes two scripts may initially look identical. They will have
the same covers and both will say, for example, *THIRD DRAFT*. But, if the
number of pages is different (and, typically, one version is all on white
paper, and the other one has various pages of revisions, on various other
colors of paper), then the two scripts are actually separate and different
from each other. Most commonly, when a script was revised, the changed
pages were printed in a new color, with the date of the revision at the top
of each page, and then someone would collect all the scripts and manually
take out the old pages and insert the new pages, and then pass the scripts
back out! That way, everyone could quickly see the changed pages by looking
for the pages of a new color. Often, the script would be revised a second
time, and then yet a different color would be used for the second changes,
and the same procedure would be followed. Sometimes there would be five or
more revisions, and all of the scripts would end up looking like they were
"rainbow colored", because of the many different color revision pages
inserted inside. Sometimes, however, the revision pages would be printed in
white, and sometimes they would not be inserted where they belonged, but
would simply be added to the back of each script.

3) *POST-PRODUCTION SCRIPTS* These are summaries of what is on the screen,
and they are made up by the studios after the film has been completed. They
have different names, among them *CONTINUITY, DIALOGUE CUTTING SCRIPT,
CUTTING SCRIPT, CENSORSHIP SCRIPT.*

Please realize that the prices of scripts do *NOT* correlate to the prices
of the corresponding posters from those movies! There are cases where the
posters sell for little and the scripts are quite valuable, and vice versa.

Sometimes, the title of a script was changed by the time of a film's
release (the earlier title is commonly referred to as the "working title").
In the cases of those scripts, we have listed it under the title the movie
was ultimately produced as. There are some scripts where we can find no
information about whether they were ever turned into movies, and we think
that they were never produced, but we are far from experts on this subject,
so in those cases, we list it under the title that is on the script (and
ask for help in identifying if it was ever produced, and if so, under what
title).

*KNOW THAT ORIGINAL VINTAGE SCRIPTS ARE FAR MORE RARE THAN POSTERS FROM THE
CORRESPONDING TITLES!* An initial outline or treatment would have had a
tiny number of them printed, perhaps 5 or 10. An early draft prior to a
final shooting script of a movie might have had 10 or 20 copies produced.
And even a final shooting script of a film might have had a couple of
hundred copies printed. And, of course, very few of these scripts survive,
because no one valued them at the time. This was true all the way into the
1990s (long after collectors began placing a premium value on vintage
posters, very few collectors sought out original vintage scripts, which
means there is an extreme rarity of even 1990s scripts, and very few
authentic scripts of the last forty years are offered for sale or auction).

* About the condition of these scripts*
     Note that we give a detailed overall condition grade to every item we
sell ("fine", "very good to fine", "very good", "good to very good",
"good", and "fair", with only a few graded "poor") along with more details
about the condition described in words (but pretty much only if they are
defects that *CAN'T* be seen in our super-sized images, or if the item is
especially valuable).  We felt this would help bidders identify items they
want to bid on more easily.  Of course, we still *strongly* recommend that
you look at our super-sized image to see the extent of the defects that we
describe and to examine the script for minor defects that we did *NOT*describe.

   In the case of scripts, we use a slightly different grading method,
because they are not a single piece of paper like a poster, lobby card, or
still. Often, the covers of a script will acquire slight staining or wear,
simply because they were what was exposed, and the interior of the script
will be in generally nice condition. In that case, we will still give the
script a "very good" grade, but we will note the cover wear, and of course,
we always take an image of the cover. We also take an image of the first
interior page of the script (usually a "title page"), and also one or more
images of other interior pages. These images let you see important
information about the script, but they also are a great help in judging the
overall condition of the script!

*    If a script is in less than very good condition, should you not bid on
it? *Of course not, as long as you are accepting of the defects the script
has! The item that is graded "very good", but has as many minor defects as
is allowed under the "very good" definition is only in *SLIGHTLY* better
condition than the best of the "good to very good" items. So please take
the time to look at the larger images of items that interest you, and see
if the defects are the sort that you can "live with", or are willing to
restore. Some of these items are *EXTREMELY* rare, and it may be
years before you see them offered again!

We know that many of you are collectors but that some of you are dealers
(and some *BOTH*!) and either way, *YOU REALLY SHOULD CONSIDER LOOKING OVER
ALL THE SCRIPTS AND PLACING AS MANY BIDS AS MAKE SENSE TO YOU* (if some are
going to sell inexpensively, then why shouldn't *YOU* get those good
buys?). But you can't do that unless you bid, so why not go right now to *
http://www.emovieposter.com/agallery/13.html *and look at the many
wonderful scripts?

*SOME IMPORTANT ADVICE ABOUT OUR AUCTIONS, WHICH DIFFER FROM MANY OTHER
AUCTIONS IN A FEW KEY WAYS: *Please remember that in our auctions, a
*LOT*of the bidders like to wait near the end of the auctions to place
their
bids! So don't get a false sense of security just because you have had the
high bid for almost all of the seven days an item has been on for, *BECAUSE
ON BETTER ITEMS, IT IS NOT UNUSUAL FOR THEM TO DOUBLE OR TRIPLE IN PRICE IN
THE CLOSING HOURS*. But also remember that our auctions have "time extended
bidding", which means that five minutes must go by without a bid before an
auction closes, so you can *NEVER* have an item snatched away from you in
the final seconds (but you have to be watching the item as it closes, to
make certain that no one entered a higher bid than yours in the closing
minutes).

Good luck on whatever you may bid on of the *234 original vintage scripts
(an incredible collection, covering all years & genres)** *ending *
TONIGHT<http://www.emovieposter.com/agallery/13.html>
*, *Tuesday, July 9th* beginning at 7 PM CST at *
http://www.emovieposter.com/agallery/13.html**. *I have been a full-time
auctioneer for 24 years non-stop, and I know full well that many years will
likely go by before a collection of scripts like this one is offered again!
-- 
Bruce Hershenson and the other 29 members of the eMoviePoster.com team
P.O. Box 874
West Plains, MO 65775
Phone: 417-256-9616 (hours: Mon-Fri 9 to 5 except from 12 to 1 when we take
lunch)
our site <http://www.emovieposter.com/>
our auctions <http://www.emovieposter.com/agallery/all.html>

   * Complete Buyer
Protection<http://www.emovieposter.com/unused/20120625ad_emovieposter_no_buyer_beware_buyer_warranty.jpg>-
*No time limit on our guarantees & *NO* buyer beware
* Hershenson Help
Hotline<http://www.emovieposter.com/images/announcements/20120906_mcw_ad_hershenson_help_hotline_forsite.jpg>-
*Direct line to Bruce (our owner!) for urgent problems*
*Also, please read the following three pages of in-depth* Customer Reviews *of
our company * - Page
1<http://www.emovieposter.com/images/announcements/buyerreviews_page1.jpg>,
Page 2<http://www.emovieposter.com/images/announcements/buyerreviews_page2.jpg>,
Page 3<http://www.emovieposter.com/images/announcements/buyerreviews_page3.jpg>
*, which shows you in our customers' own words exactly what makes our
company and our auctions so very different from all others!

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