>I agree with You all.. the movies without sound are like a ocean
without water,,, they go hand in hand,,,, I like roza and Korngold,
williams  john Barry, mancini, newman, all the early guys... I
actually met Jerry Goldsmith when he was with the symphony in Toledo
as my old drummer friend got me backstage to meet him... I also met
Peter nero and whenI asked who inspired him he pointed down and said
right here in toled  as ART tatum was from Toledo and almost every
pianist was in awe from him,,, there was a great magazine called
sountrack that covered many of the great movie guys... oh just
remember two mor Laslocshiferin and Dave Grusin... did lots of good
movie music I cand si all day and the movies music never stops... I
really liked Robin Hood ,, errol flynns sound track..gladd people
love it
> Dnmitrias Timokin to name a few
>
>---- Original Message ----
>From: [email protected]
>To: [email protected]
>Subject: Re: [MOPO] FROM SCREEN ARCHIVES ENTERTAINMENT VIDEO OF
>ROZSA'S MAIN TITLE TO QUO VADIS
>Date: Sat, 22 Feb 2014 04:04:14 -0500
>
>>His music took my breath away!
>>
>>Toochis
>>
>>Sent from my iPhone
>>
>>> On Feb 22, 2014, at 1:07 AM, David Kusumoto
><[email protected]> wrote:
>>> 
>>> Rosza was great even with his "later" scores.  I'm thinking of his
>work in the 1979 low-budget Nicholas Meyer cult sci-fi pic, "Time
>After Time," with Malcolm McDowell, Mary Steenburgen and David
>Warner, which had H.G. Wells in Victorian garb chasing Jack the
>Ripper in modern-day San Francisco.  
>>> 
>>> What gave me chills - and I can't find it anywhere online - was
>the music that accompanied the opening credits - which Rosza decided
>to begin with the Warner Brothers' classic-sounding "fanfare" -
>before segueing into a lush and ominous sounding score that made this
>low-cost pic feel like it had been budgeted for mega-millions.
>>> 
>>> I found an extract on You Tube at the link below - and while it
>does NOT include the WB "fanfare" and opening credits - it does have
>a 4-minute sample of how much more fun the pic was with Rosza's
>score:
>>>  
>>> http://www.youtube.com/watch?v=4OOKd03Fvvs
>>> 
>>> 
>>> Date: Fri, 21 Feb 2014 21:16:34 -0600
>>> From: [email protected]
>>> Subject: Re: FROM SCREEN ARCHIVES ENTERTAINMENT VIDEO OF ROZSA'S
>MAIN TITLE TO QUO VADIS
>>> To: [email protected]
>>> 
>>> I loved Rosza, so when we did a film music “spectacular” at the
>public radio station I worked at in the mid-seventies, I did an
>>> interview with him, arranged by a friend Tom DeMary.  Somehow
>Criterion found out about this, and used part of the interview, which
>Tom fortunately had a copy of, in their release of THE THIEF OF
>BAGHDAD.  But only a small part of it.  I have the whole thing and I
>should present it somehow. In the Criterion, you don’t hear much of
>me.  They (mercifully!) edited me out largely.
>>> 
>>> Ha!
>>> 
>>> 
>>> Kirby
>>> 
>>> On Feb 21, 2014, at 9:07 PM, Phillip Ayling <[email protected]>
>wrote:
>>> 
>>> Kirby,
>>>  
>>> I share your love for Rozsa’s music. The re-recordings are great,
>both in quality and the fact that the music can find itself
>independent of the demands of synchronization. Often times composers
>would compose something only to find when they arrived on the scoring
>stage that a re-edit was done and the music had to be re-synched or
>recomposed right on the spot because of a last minute picture edit.
>>>  
>>> I also enjoy hearing those recordings (even if sonically primitive
>by current standards) which were conducted by Rozsa himself. A trove
>of great music for his films can be found here.
>>>  
>>> http://www.miklosrozsa.org/
>>>  
>>> Best Regards
>>> From: MoPo List [mailto:[email protected]] On Behalf Of
>Kirby McDaniel
>>> Sent: Friday, February 21, 2014 6:56 PM
>>> To: [email protected]
>>> Subject: [MOPO] FROM SCREEN ARCHIVES ENTERTAINMENT VIDEO OF
>ROZSA'S MAIN TITLE TO QUO VADIS
>>>  
>>> In 1959, when I saw BEN-HUR in Camera 65 for the first time, I was
>not only in awe of the great spectacle married to
>>> great direction, but I was also swept up in love for the great
>music by Miklos Rozsa.  So as soon as I could get the coin together,
>I went to the record store and bought the soundtrack in the big MGM
>box.  That led to curiosity about the other Rozsa scores, and that
>led to exposure to the Great Father to the score of BEN-HUR, QUO
>VADIS.    I soon discovered I loved it as well.
>>>  
>>> I was delighted to see this video on the website of Screen
>Archives Entertainment of the City of Prague Philharmonic Orchestra
>playing the main title.  They have just released a two-CD set of the
>score.
>>>  
>>>  
>>>
>http://www.screenarchives.com/title_detail.cfm/ID/22193/QUO-VADIS-2CD
>/
>>>  
>>>  
>>>  
>>> Kirby McDaniel
>>> MovieArt Original Film Posters
>>> P.O. Box 4419
>>> Austin TX 78765-4419
>>> 512 479 6680  www.movieart.com
>>> https://www.facebook.com/movieart.austin.texas
>>> mobile 512 589 5112
>>>  
>>> Visit the MoPo Mailing List Web Site at www.filmfan.com
>>>
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>>         Visit the MoPo Mailing List Web Site at www.filmfan.com
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