Congratulations on the lot you won.  Sounds like a great experience.  I
love auctions but due to issues at home, i'm limited to phone bidding for
now.

Nathalie

On Wed, Jun 28, 2017 at 11:32 PM, Paul W. Hazen <[email protected]> wrote:

> This was my first time in person, I've usually been on the phone as well.
> There was about 20-25 people in the back room where the auction was. They
> had about 10 or so phone banks set up for the phone bidders and a couple
> people running the online bidding. Was all very professional and had my own
> paddle and everything. They had a good dinner spread as well.
>
> They had a lot of the consignments in display cases including all the big
> ones and the people that worked there were really friendly and answered all
> of my questions. I didn't see too much of the paper materials displayed,
> mostly just the props, but it was pretty cool seeing some of them close up.
>
> It's definitely an interesting experience and I wouldn't hesitate to sit
> it in on another one.
>
> The auction did go a lot longer than I anticipated (I was only there for
> one lot in particular - which I won) but it was no fault of their own, they
> just had a ton of bids. There were some guys that were there for almost 12
> hours when I left after 4 hours.
>
> Paul
>
> On Jun 28, 2017, at 7:51 PM, S Yafet <[email protected]> wrote:
>
> I guess the provenance was almost impossible to pass up.  Did manage to
> get a Browning Dracula still so I don't feel too bad about London After
> Midnight.
>
> What's it like at their auctions?  I've always done the phone.
>
> Nathalie
>
> On Wed, Jun 28, 2017 at 10:37 PM, Paul W. Hazen <[email protected]>
> wrote:
>
>> I was in the room during the Profiles Browning bidding session and was
>> truly amazed at some of the prices the Browning stills were getting
>> especially the Freaks stills which seem to be have been bought primarily by
>> the same two phone bidders. Profiles did a great job on that acquisition
>> and auction and I'm looking forward to the Debbie Reynolds auction in
>> September.
>>
>> Paul
>>
>> On Jun 28, 2017, at 7:26 PM, S Yafet <[email protected]> wrote:
>>
>> Wow!  Naively, I thought it would be great to have something of Tod
>> Browning's from London After Midnight.  Then, I realized that the four
>> stills I liked the best were climbing higher and higher.  Wound up at 18K.
>> My phone bidder helper guy told me I could keep one and sell the other
>> three.  Well,  no guarantees on something like that but I can't say I
>> wasn't seriously tempted.  (I thought maybe I'd worry about the money later.
>>
>> Nathalie
>>
>> On Wed, Jun 28, 2017 at 3:18 PM, Scott Burns <[email protected]>
>> wrote:
>>
>>> Wish I had cash like this laying around…(guess I’ll just stay with
>>> collecting paper).
>>>
>>>
>>>
>>> A complete R2D2 just sold for $2.3 million at the Profiles in History
>>> movie memorabilia auction. Not being a prop collector, I wonder is this
>>> price record setting?
>>>
>>>
>>>
>>> From the catalog:
>>>
>>> *1298. Complete “R2-D2” unit assembled from original components spanning
>>> the original **Star Wars** trilogy and **Episodes I & II**.* (TCF, 1977
>>> - 2002) A complete film used R2 unit is not known to be in the public
>>> domain – this R2-D2 offering represents the pinnacle of the *Star Wars*
>>> collecting universe. For the productions following *Star Wars: A New
>>> Hope*, to save time in meeting production deadlines, R2 components were
>>> reused from the previous *Star Wars* films. As filming progressed, R2
>>> units were upgraded and refurbished, with outdated components being
>>> retired. This process has been confirmed by numerous crewmembers who worked
>>> on the *Star Wars* film franchise. This R2-D2, constructed of aluminum,
>>> steel and fiberglass elements, measuring 43 in. tall x 29.5 in. wide x 20
>>> in. deep (in current pose), was put together over many years by sourcing
>>> original components and assembling them as a complete R2-D2. The dome was
>>> one of the few hero aluminum domes made for R2 actor Kenny Baker in the
>>> first film (*A New Hope, *1977) and is the only one known in the public
>>> domain. It was used throughout the original trilogy as well as *Episode
>>> I* and can be screen matched by the fiber optic array to scenes in *Return
>>> of the Jedi* and *Episode I*. It features a handle to articulate the
>>> front eye from inside the unit by Kenny Baker. The metal “greeblies” (fine
>>> details added to make the device appear more complex) inserted into the
>>> front and rear of the body, and those on the feet, were made for *A New
>>> Hope* and used on R2 units throughout the original trilogy. The left
>>> and right legs were made for *Empire Strikes Back* and were acquired as
>>> complete items. One leg retains the *Empire* paint scheme and the other
>>> from *Jedi*. The middle and left foot were used on an original trilogy
>>> R2 and were used as the master pattern for the feet created for *Episode
>>> I*. The right foot is production made for *Episode I* but not used. The
>>> small opening hatch on the back of the body was used in *Episode II*.
>>> The barrel of the body was made for *Episode I* and it was subsequently
>>> painted and detailed for this R2 unit. Given the ad hoc nature of
>>> production practices, any “complete” existing R2-D2 units from the first
>>> trilogy (in studio hands) would be a compilation very similar to this R2-D2
>>> unit offered here. No internal mechanics or workings are present. Not
>>> merely a prop, costume piece or filming miniature, R2-D2 is a major,
>>> beloved *character *in the *Star Wars* universe. Without question, this
>>> is the finest piece ever offered from this incredible franchise.
>>>
>>> One of the most instantly recognizable pieces of pop culture in
>>> existence.
>>>
>>>
>>>
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>>
>>
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