Absolutely Tommy. What led me to contact them initially were the supposed 
Studio Canal connection, the Pinewood business address on the listings, and 
that they were selling multiple copies over time. With such an apparently cast 
iron provenance, it's understandable that people would tend to trust their 
descriptions at face value. It can be a tricky area after all, and to be fair, 
most of their items are first release in really nice condition. It's just that 
the better titles are more likely subject for re-releases, which always leads 
me to be the nasty suspicious person I am! Assuming they didn't set out to be 
deceptive at first, it shows that even people in the industry aren't 
necessarily the experts on past history. For all we know, the person selling 
them might be a teenager on work experience with little knowledge of that 
ancient period known as the twentieth century! I dread to think how inaccurate 
their archive might be. 


Going back to Scars of Dracula in particular, as I mentioned the EMI box logo 
appears to start end of 1970, so I guess it's feasible either 1-sheet could be 
1st release, and you're not wrong to bring up the question. The Anglo-EMI vs 
EMI Film Distributors Ltd credit makes me think the duotone poster is a 
slightly later release though (and because it's duotone). Perhaps a better man 
or woman than me can nail it down for sure tho.


Paul



-----Original Message-----
From: Tommy Barr <[email protected]>
To: speedysumo <[email protected]>
CC: MoPo-L <[email protected]>
Sent: Tue, 25 Sep 2018 17:00
Subject: Re: [MOPO] English one sheets



I should just confirm, though, that there is a connection from the seller to 
StudioCanal, as I contacted SC before bidding to buy any of the posters, and 
they informed me that the eBayers  were acting on their behalf. 


On Tue, 25 Sep 2018 at 16:56, Tommy Barr <[email protected]> wrote:


Oops - lesson in don't believe what you're told for me here. Apologies to EMP.  
It was the sellers of the StudioCanal archive who told me that, but they 
insisted it was StudioCanal who had informed them.


On Tue, 25 Sep 2018 at 15:47, Paul Gerrard 
<[email protected]> wrote:

I'd generally agree with you Matt, although the block EMI logo starts appearing 
on posters from the end of 1970, e.g. Railway Children quad (tho not UK 
1-sheet!), Raging Moon quad etc.


Similar situation exists with UK 1-sheets with the Thorn EMI logo. EMI didn't 
merge with Thorn until 1979, so that throws up some further re-releases from 
the seller I think you're talking about. I did contact them about these things 
along with lots of evidence, but after initially appearing receptive, they 
finally chose to ignore it and said they weren't doing anything wrong.


Paul 



-----Original Message-----
From: Matt Johnston <[email protected]>
To: MoPo-L <[email protected]>
Sent: Tue, 25 Sep 2018 14:29
Subject: Re: [MOPO] English one sheets


The block EMI logo wasn’t used until 1976: 
http://www.closinglogos.com/page/EMI+Films+%28UK%29


Keep in mind the person selling the the duo-tone English 1-sheets has no 
relation to Studio Canal.  So none of this info is “according to Studio Canal…” 
— it’s according some some seller on eBay. 


They’ve been listing the Peeping Tom 1-sheets with the block EMI logo as 
original release also.  There is a much different (and much more rare) day-glo 
English export 1-sheet that turned up in France that is almost certainly from 
the first release.  It uses the Anglo-Amalgamated logo, the same distribution 
company that released Peeping Tom in England in 1960.  


http://www.emovieposter.com/agallery/archiveitem/11353878.html



My money would be on most/all of those duo-tone English 1-sheets being 
re-release posters.  









On Sep 25, 2018, at 8:36 AM, Tommy Barr <[email protected]> wrote:


In today's auction on emovieposters there are 2 English one sheets for Scars of 
Dracula, one listed as the first release and one as an undated re-release. 
While there is no doubt that the full colour poster is the first release, 
according to StudioCanal who now own the archive for most English studios, the 
bi-colour version is also a first release, but for international distribution. 
I informed emp of that but for some reason, and with no other evidence, they 
are sticking to the re-release attribution.
There are a number of posters I have identified that exist n a first release 
full colour domestic version and a bi-colour international one, among them The 
Man Who Fell To Earth, Murder On The Orient Express, That'll Be The Day, 
Horrors of the Black Museum and Daleks Invasion Earth 2150 AD.


Tommy



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