I also enjoyed the GREAT interview that Andrew conducted with Todd. I had no 
idea that I was the same age as Todd. I also got into collecting 8mm silent 
films in 1963 at age eight. I did not get into movie posters until 1973. 
 
The names mentioned were dealers and collectors I have traded with and also 
purchased from over the many years. Like a good trade with Ron Borst and also 
buying from Ron the style b half sheet from "The Mole People" for only $50.00. 
I remember when Reynold Brown materials were extremely low. I bought a one 
sheet from "The Creature Walks Among Us"  from Railton Cabell in the middle 
1980's for very little. Then later decided to sell it in the later 1980's. I 
put an ad in Movie Collector's World. I could not EVEN GET $50.00 for it. I 
ended up selling it for $35.00 in Movie Collector's World. No one seemed to 
want it then. 
 
I used to get photocopies of the back of pressbooks from collector Larry Lind.  
As far as poster styles we basically were buying blindly in many cases. Just 
buying from magazines in so many cases without pictures. I remember buying the 
style a and b one sheets from '"From Russia With Love"  for $25.00 each from 
Veto Stasiunitious (sp?) It was fun to call people back them and discuss the 
hobby. I looked forward to Movie Collectors World and The Big Reel coming in 
the mail. I would spend hours reading them and calling in hopes that the seller 
still had the poster or posters. Or the 16mm film prints. 
 
I did business with Clifford Thomas for 16mm films. I was not aware that he had 
posters. Did a lot of 16mm business with Ray Courts before he got into the 
Hollywood Collector Shows in Burbank. Ray sent many 16mm films to me on good 
faith. He also had access to airline prints too and saved them from being 
destroyed. 
 
Flew to San Francisco to work a great trade at Cinemonde with Jose Ma. Carpio 
in Januray 1985. Very kind man and Channing Thompson was the manager of 
Cinemonde at the time. THey were the premiere shop at the time. Gary Vaughn did 
manage Cinemonde in Nashville for awhile.  
 
I had a choice from Cinemonde to buy either the "Thunderball" 1965 subway 
poster or advance "Thunderball"  british quad both at Cinemonde for $290.00 
each. I went for the subway poster never realizing the advance quad would 
escalate so much in price. Today I would concentrate alot more on the country 
of origin posters. Plus the awareness of the wonderful foreign posters which in 
many cases are better than the american counterparts. 
 
I bought a lot of material from Ducan Poster Service years back. Also in 1975 I 
got to know the owner of our local multiplex.  As the owner of the movie 
theatre he ordered for me quite a few James Bond materials directly from 
National Screen being the owner of the theatre chain. I still have his letter 
from 1975 apologizing that the total for the rolled MINT 30" x 40" from 
"Goldfinger", MINT one sheet from '"Thunderball". Dr. No lobby card set and 
numerous stills  came to $11.00 for the total. The theatre here called me on 
Christmas Day in 1975 to tell me Bob Goodrich had sent the posters down from 
Grand Rapids for me. 
 
I remember buying a style b one sheet from dealer Paul Hein for $50.00 from 
'Viva Las Vegas". It just had some wrinkles and could have been linenbacked. 
But I did not know Igor Edelman and Lara Edelman and Leena Edelman in the early 
1980's in LA. So I called Paul Hein and had quite a time getting him to refund 
for the $50.00 "Viva Las Vegas" poster. I later learned more about restoration 
and linenbacking and touch up at the folds and deacidification. Then did 
hundreds of dollars of restoration business with Igor and Lara Edelman. Was 
very sad when Igor passed away. They were such nice and kind people. He 
restored and backed movie posters for collector Stanley Caiden to begin with. 
The Edelman's came from Russia and Igor worked at the Pushkin Museum in Russia 
restoring master oil paintings. Mr. Caiden got Igor interested in restoring 
original move posters when he came to the United States and opened his studio.  
 
I guess I am indeed one of the old timers now in the hobby. I think how spoiled 
people are today. With the internet you can see the images and conditions and 
know instantly what you are buying and also instant communication ALL over the 
world. That was not the case back in 1980. By mail I worked a trade with a 
doctor in Holland. I had a style b (without Swanson) one sheet I picked up for 
$65.00 plus an Academy Award one sheet from "The Deer Hunter" (1978). Also a 
R1974 one sheet from the re-release of "Animal Crackers" with the Marx Brothers 
for 007 materials. The only way I could communicate with this doctor was by 
telegram. No e-mails!!! Just trusting that this collector in Holland would come 
through with my materials in the trade. He did and I received many foreign 
James Bond posters including the French Grande from "Goldfinger" and a FOH  
British still set from "Thunderball" plus "From Russia With Love" photobustas. 
 
I have to agree with Todd too about the awful demise of actual  35mm and 
sometimes 70mm film prints at theatres and digital projection now. It's just 
NOT the same. It's TV in public.  I don't go to movies much anymore. I like to 
work and restore real film prints. I don't think you get the color saturation 
with DCP that you got with film prints made from the original negatives. 
Digital is just NOT the same.  
 
Still trying to decide if I will go to see the sequel to "Mary Poppins" I have 
always considered "Mary Poppins" to be Walt's masterpiece. I know one thing for 
sure. The sequel will NOT be in IB Technicolor. With digital there really is no 
lab color process. So it's like color by crayola.
 
Thank you for letting me vent a bit about the hobby. Also be sure to listen to 
the wonderful interview with Andrew and Todd. Todd really should write a book 
about this hobby since he was there at the very beginning. I like the fact too 
that he collects film prints like I do as well as original movie posters.   
 
Merry Christmas To All
 
--Tom Pennock  
 
 
 
In a message dated 11/28/2018 2:28:58 PM Eastern Standard Time, 
[email protected] writes:
 
I thought it was a very interesting interview!  Andrew does a good job at 
preparing for his interviews.  Also, I liked hearing about Todd's early finds 
of posters.  Jim

On Wed, Nov 28, 2018 at 12:39 AM Philipp Kainbacher 
<[email protected]> wrote:
Enjoy also the interview with Jim Gresham, Ron borst, mike Kaplan, sol candor,
Philipp

Sent from my iPad

Begin forwarded message:


From: News & Movies Radio -Andrew K. Rawls <[email protected]>
Date: November 27, 2018 at 9:06:56 AM PST
To: <[email protected]>
Subject:10-9-2018 INTERVIEW: MOVIE MEMORABILIA COLLECTOR TODD FEIERTAG 
-NEWSANDMOVIESRADIO.COM
Reply-To: News & Movies Radio -Andrew K. Rawls <[email protected]>

 11-27-2018

https://www.podomatic.com/podcasts/newsandmoviesradio/episodes/2018-11-26T15_38_22-08_00Andrew
 K. Rawls sat down with vintage movie memorabilia collector Todd Feiertag for 
an in-depth interview on Rawls’ podcast News and Movies Radio.

The pair talked about collecting vintage movie posters over the years and 
Feiertag's record-breaking 1997 Sotheby's auction.

The interview with Feiertag can be found at News and Movies Radio and on 
YouTube.

Listen to the in-depth interview at newsandmoviesradio.podomatic.com

or on YouTube https://youtu.be/kUr5cNpZROc

Other guest interviews can be found in the Apple iTunes store or by visiting 
www.newsandmoviesradio.com.




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