---------- Forwarded message ----------
From: Henry Gurr
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http://hearingvoices.com/news/
By Barrett Golding 2007.11.27

Artist Gennie DeWeese died yesterday. Anyone in the arts who ever
crept thru our community (s.w. MT) was affected by her aesthetics. Her
scrolls (like "Montana May" to the right; (c) Gennie DeWeese) were
inspired. As was the period she put away her paintbrushes and painted
instead with cattle markers, bought at ranch supply stores.

Her and husband Bob were immortalized in Zen and the Art of Motorcycle
Maintenance which Pirsig wrote after he, like the DeWesses, taught
here at Montana State U. Some excerpts from the book:


>From where the deck disappears around the corner of the house,
suddenly comes Gennie DeWeese with a tray of beer cans. She is a
painter too and, I'm suddenly aware, a quick comprehender and already
there's a shared smile over the artistic economy of grabbing a can of
beer instead of her hand, while she says, "Some neighbors just came
over with a mess of trout for dinner. I'm so pleased."

[and from a later conversation at the DeWeeses …]

"Did I ever talk about an individual named Phædrus?"

"No."

"Who was he?" Gennie asks.

"He was an ancient Greek — a rhetorician — a `composition major' of
his time. He was one of those present when reason was being invented."

"You never talked about that, I don't think."

"That must have come later. The rhetoricians of ancient Greece were
the first teachers in the history of the Western world. Plato vilified
them in all his works to grind an axe of his own and since what we
know about them is almost entirely from Plato they're unique in that
they've stood condemned throughout history without ever having their
side of the story told. The Church of Reason that I talked about was
founded on their graves. It's supported today by their graves. And
when you dig deep into its foundations you come across ghosts."

I look at my watch. It's after two. "It's a long story," I say.

"You should write all this down," Gennie says.

I nod in agreement. "I'm thinking about a series of lecture-essays…a
sort of Chautauqua. I've been trying to work them out in my mind as we
rode out here — which is probably why I sound so primed on all this
stuff. It's all so huge and difficult. Like trying to travel through
these mountains on foot.

"The trouble is that essays always have to sound like God talking for
eternity, and that isn't the way it ever is. People should see that
it's never anything other than just one person talking from one place
in time and space and circumstance. It's never been anything else,
ever, but you can't get that across in an essay."

"You should do it anyway," Gennie says. "Without trying to get it perfect."

"I suppose," I say.

[more conversation…]

"Well, it isn't just art and technology. It's a kind of a
noncoalescence between reason and feeling. What's wrong with
technology is that it's not connected in any real way with matters of
the spirit and of the heart. And so it does blind, ugly things quite
by accident and gets hated for that. People haven't paid much
attention to this before because the big concern has been with food,
clothing and shelter for everyone and technology has provided these.

"But now where these are assured, the ugliness is being noticed more
and more and people are asking if we must always suffer spiritually
and esthetically in order to satisfy material needs. Lately it's
become almost a national crisis…antipollution drives,
antitechnological communes and styles of life, and all that."

Both [Bob] DeWeese and Gennie have understood all this for so long
there's no need for comment.
–(c) Robert M. Pirsig Zen and the Art of Motorcycle Maintenance

Many of us remember the DeWesse gallery which showcased dozens of
Montana's finest artists. Best wishes to Gen & Bob's ridiculously
talented family. Boatloads of us here in Bozeman are gonna miss ya,
Gen.


(c) Gennie DeWeese, Waiting for Tina,
Oil Bar Scroll, 52 x 68 inches, 1993


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