sounds great - I'm going to go get it -
maybe today...

just curious - did you ever get "Seeing is Forgetting 
the Name of the Thing One Sees"?

> -----Original Message-----
> From: [EMAIL PROTECTED] 
> [mailto:[EMAIL PROTECTED] On Behalf Of MarshaV
> Sent: Sunday, January 13, 2008 12:48 AM
> To: [EMAIL PROTECTED]
> Subject: [MD] Interview
> 
> 
> 
> A good flick!!!
> 
> 
> Amazon.com
> After directing three films and an Emmy-winning episode of The 
> Sopranos, Steve Buscemi turned to Holland--specifically to the work 
> of Theo van Gogh. Before his 2004 murder by an Islamic extremist, the 
> Dutch filmmaker (and Vincent van Gogh descendent) was planning an 
> English-language version of his 2003 Interview--even considering 
> Madonna for the Katja Schuurman role. In Buscemi's reconfiguration, 
> the actor plays jaded journalist Pierre. Once a war correspondent, he 
> now takes any gig he can get. When his editor assigns him an 
> interview with tabloid fixture Katya (Sienna Miller, doing her finest 
> work to date), Pierre grudgingly acquiesces. Their first meeting in a 
> restaurant is a bust. But through a chance second encounter, they 
> continue their verbal volly in her roomy Manhattan loft, where Pierre 
> discovers that Katya is sharper than her image suggests, and she 
> learns about his tragic past. They flirt, fight, kiss, and cry. By 
> the end it becomes clear that one of them isn't being completely 
> honest... --Kathleen C. Fennessy
> 
> Product Description
> Self-destructive journalist Pierre Peders (Buscemi) is no stranger to 
> violence and inhumanity. Having made his name as a war reporter, he 
> has traveled the world seeing some of the most horrifying sights 
> imaginable. So he feels that his current puff-piece assignment, an 
> interview with pop diva, TV and movie star Katya (Miller), is beneath 
> his dignity. The two meet in a restaurant and, instantly, it's a 
> collision of two worlds: Pierre's serious political focus and Katya's 
> superficial world of celebrity. But perhaps all is not as it appears. 
> When Pierre is slightly injured in a traffic accident inadvertently 
> caused by Katya, she's the proverbial girl who causes traffic 
> accidents, they end up in Katya's spacious loft for a long night of 
> talking, drinking, sparring, and coming close to a sort of embattled 
> intimacy. Each is scarred in their own way, aching from deep, hidden 
> pain. But honest revelations give way to punishing deceptions. Their 
> confrontation evolves into a passionate verbal chess game spiked with 
> wit, intrigue and sexual tension, capped with a riveting twist ending.
> 
> 
> 
> 
> *************
> DEFINITION of  Marsha, I, me, self, & etc.:   Ever-changing 
> collection of overlapping, interrelated, inorganic, biological, 
> social and intellectual, static patterns of value.
> 
>      
> 
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