Krimel asked: Do you seriously think calling Kant ugly is an argument?
dmb says:It's not the whole argument, of course, but it's a very important 
phase in his overall project. (He admires Kant's skill despite the fact that he 
disagrees with him.) Ironically, the ugliness he finds in it is directly 
related to Kant's logical rigor. In that sense he was one of the squarest 
squares of all time. The central idea in Kant's aesthetic theory can be summed 
up in the phrase "disinterested contemplation". The value of a work of art, he 
thought, could best be determined by putting aside one's personal feelings. It 
shouldn't be evaluated in terms of what we like and don't like, he thought. If 
we love a painting because it depicts something we love, that's bad. If it 
inspires desire for the things depicted, that's just a kind of pornography even 
if its just a lovely landscape where we'd like to be. Art should have no 
practical purpose. It should inform or persuade because then it would merely be 
propaganda. You know, art for art's sake. You see this attitude in abstract 
art, where the artists attempt to produce a purely aesthetic canvass of shapes 
and colors that resemble no known objects. (Here I think of Kandinski or maybe 
even Jackson Pollack.) And there was even a kind of objectivity to his theory. 
If a rose really is beautiful, then everyone should agree that it is beautiful. 
You know, beauty is a property of the thing itself. For Pirsig, I suppose, this 
sort of attitude is effectively a way to drain the quality out of aesthetic 
experience. And since Quality is what you know before you know anything else, a 
theory like this will tend to distort things pretty badly. As I understand it, 
things like rationality and logic have their own aesthetic qualities. That 
square side has its own kind of austere beauty. Naked women have another kind. 
The fine arts can't rightly be measured by those other standards, but that 
doesn't mean those other standards don't count. I think this is what Pirsig is 
getting at in saying "Quality was a cleavage term". We find Quality on the 
classical side, the square side, as well as the romantic, humanistic side. Its 
almost as if Kant took the romance out of beauty, wanted it to be some kind of 
"fact". (His theory of morality does the same kind of thing. You're supposed to 
do what's "right" universally and rationally no matter what the consequences 
are for you personally.) That's what's so ugly about his hyper-rationality. 
It's a kind of inhuman machine. And this attitude is still detectable among 
today's neo-Kantians. Habermas, for example, only barely admits personal 
feelings into the process of rational discourse about law and morality and 
basically makes a case that people can only be moral if they're rational first. 
That's not a crazy idea, but its increasingly clear to me that morality is 
primarily an intuitive, instinctual thing that is very much tangled up with 
feelings and emotions. We can and should add principled thought to these basic 
instincts but I don't think its even possible to replace them with rationality 
and we shouldn't replacement even if we could. And this isn't just from 
Pirsig's thought. I've been persuaded by the moral theorist who have been 
studying primates as a window onto our own evolutionary development. It's 
pretty clear that human emotion and morality begins in the animal world. I 
image William James would have been thrilled for the way it corroborates his 
view that emotions exist in the body before we're even aware of them.

I don't know if Pirsig refers to Kant's "things in themselves" in that section 
of ZAMM, but its pretty clear that the a priori motorcycle is just that. Pirsig 
does make an explicit denial about TITS, but I think it is made in answer to a 
question and so it might not be in either book. Maybe a letter to McWatt or 
Lila's Child. Sorry, but I forget where that is. And the extent to which Kant 
is operating within SOM is all the freaking way, baby. 
As you can tell, all this is just off the top of my head.
Time to get ready for a party. 


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