On 18 Jan 2010 at 12:53, John Carl wrote (in the [MD] thread "Atheistic
Philosophy vs Anti-theistic"):
“ I believe I'll salute Ed Abbey's ragged flag of reason, posted to Platt
earlier.”
Platt responded January 18th:
“Except reason cannot tell the difference between a Monet and a finger
painting.”
John Carl then replied January 18th:
“Well maybe not your Reason, Platt, but mine and Ed's can tell the difference.”
Ant McWatt comments:
I would tend to agree with John here. This is because the MOQ implies that a
master in fine art is not totally working Dynamically (i.e. just within the
code of Art) but also incorporates the
intellectual techniques (i.e. the accepted manipulation of painted symbols and
motifs in which to produce traditional “good” art) of the fine artists
preceding him or her (even if only to a small degree). As with the best
literature or music, the accepted rules for high quality work usually need to
be learnt before they can be broken; if this step is avoided you risk ending-up
with an "art" piece by a Tracey Emin rather than an art piece by a Picasso (at
his best anyway).
Like Picasso, Monet initially studied and emulated previous masters (for this,
he attended the École des Beaux-Arts and the Académie Suisse) so even in a
later painting where his cataracts were seriously impairing his sight (such as
1923’s “Japanese Bridge”) there are both traditional and Dynamic elements seen
here not found in a conventional finger painting (such as that of a young child
where the rules of previous artistic tradition haven’t been largely grasped yet
or, for that matter, any new, successful techniques introduced). This is why a
half decent art historian should be able to tell the difference between a Monet
and a child’s finger painting without too much difficulty!
.
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