mmm-mm-m-m, ah-aahh-h,  r-r-Sh-sh-h-shh-ah-h-h,   Say it slow.  It's for
that one.

"The women studied the men's faces secretly, for the corn could go, as long
as something else remained.

The children stood near by, drawing figures in the dust with bare toes, and
the children sent exploring senses out to see whether the men and women
would break.  The children peeked at the faces of the men and women, and
then drew careful lines in the dust with their toes... After a while the
faces of the bemused men became hard and angry and resistant.  Then the
women knew that they were safe and there was no break.  Then they asked,
"What'll we do?" and the men replied, "I don't know". But it was all right.
 The women knew it was all right, and the watching children knew it was all
right.  Women and children knew deep in themselves that no misfortune was
too great to bear if their men were whole.

The women went into the houses to their work, and the children began to
play, but cautiously at first.  As the day went forward the sun became less
red.  It flared down on the dust-blanketed land.  The men sat in the
door-ways of their houses; their hands were busy with sticks and little
rocks.  The men sat still--thinking--figuring."


I guess there's a disadvantage to being a voracious reader.  I read Grapes
of Wrath in high school, and in the ever expanding quest to read every book
ever written,  sorta crossed it off my list whenever I'd consider what next.
 Done that.  Been there.

But something about the recent adventures with Banks and mortgagees, made me
want to revisit.  Also, the idea popped into my head as I formulated the the
Q'm" - something about making society as realities fundament and mammalian
development as the basis of social patterns.  The Grapes of Wrath ends with
the most startling and provocative image I could possibly conceive, so much
so that it stuck in my head all these years, even though I'd forgotten most
of the book, I remember how it ended.  How could anyone forget.


So re-reading the old thing, but with wizened and older eyes (Now I'm just
about the age of the man Rosasharn nurses back into life) and a renewed
interest in the source of being, I've got a whole level of understanding and
appreciation I couldn't have had before.  What a book.  What a writer.
 Parts of it just blew me away.

I mean, look right there at the first chapter.  The tension in the dust.
 The children waiting to find out what's gonna happen.  Drawing in the dirt
with their little monkey toes.  And then, when the tension is settled like
the dust, the men go to figuring with sticks and stones, manipulating
inorganic materials absent-mindedly in their attempt to work out solutions.
 Thinking.  Figuring.

I quoted the first chapter's ending.  That's how the book starts.  But
that's not how the book ends.  By the end of the book, the men are reduced
to children, and it is the women who are the vital focus.  The last sentence
of the book says it all, when Rose of Sharon is no longer the confused and
whimpering girl child who lost a baby and a husband and home, but the seed
of a strength that will bloom again.  Sure as shootin'.

Speaking of shootin'.  That was something I realized in the book, that isn't
emphasized so much today with liberal advocacys touting Steinbeck, every one
of those men had a rifle and knew how to use it and wouldn't let go of, even
if the family was starving.

And the men knew it and society knew it and thus the techniques of
collectivisation that worked on Pol Pot's people, and Mao's people, and
Stalin's people, didn't work on America and Hoover's people.  They had to be
accommodated somehow, allowed to live because each and every one held onto
the means of dealing death.   I also realized what collectivisation was all
about.  It's when you don't need a bunch of farmers living on their plots
and inefficiently feeding their families from what they grow as it's more
efficient economically to get them off the land and do it with one guy
driving a tractor.

The big worry was seeing them rise up collectively.  It was a near thing.  A
lot of it had to do with their religious outlook on life.  They were born of
that same scotch-irish clan that doesn't collectivise so easy.

I lived and worked amongst 'em for about a year.  My first wife came from
them and they can be tricky.  They're clannish, distrustful of
intellectualism to a degree you wouldn't believe - it was down in the
southern valley framing that I got cussed out for using the term "parallel".
 And they have a culture of stealing, especially from outsiders and they
absolutely hate cops. So a lot of that being branded as "oakies" and treated
like crap formed reactions that  have persisted through three generations.
 They still speak with a strong "oaky" accent, to this day.  I have the
vestiges of a Tennessee accent still under my tongue from my dad, but he
worked hard to leave it behind and it don't bother me none today.

But those people!  Hunter Thompson talks about them.  He refered to  "the
Linkhorns" and saw the Hells Angels as having roots in that culture and
those people.  They persist.


There's a lot to reflect upon today's capitalistic dilemmas and how it's all
going to play out, considering there isn't much self-reliance or strong
moral independence built into the American character anymore.   But that
wasn't the main point of my essay today.  Today I wanted to talk about the
must fundamental linguistic component of all human societys - ma.   Make an
'mmmm" vocalization in your throat, then open your mouth and say "ah-h-h" to
receive the titty and you have the fundamental commonality of language right
there.  I think there are a few languages where "ma" isn't understood as the
one that bears children, but not many.  Most of 'em just do.  Isn't Hindu
"ah-ma"?  I think so.  Pretty much the same thing.

"Reality" is just a word for a social agreement.  Social agreement is the
fundamental essence of everything.


"Ma's eyes passed Rose of Sharon's eyes, and then came back to them.  And
the two women looked deep into each other.  The girls breath came short and
gasping.  She said, 'yes".


The sweetest sound in the universe, that 'yes", that ongoing agreement.  I
didn't notice all of what was going on when I read this as a teenager, but
after siring 5 kids - all home birthed, btw - I realized that Rose of
Sharon's earlier whispered consultation with her ma was because her breasts
were full and aching, after giving birth to a stillborn child, and they
needed relief.  Part of the reason the family had to leave the boxcar they
were staying in was at ma's instigation and to get Rose of Sharon off to
help her express some milk from her swollen bosom.    Thus Rose of Sharon's
'yes" was an act of mercy, but it was also a pragmatic solution.


"There!" She said, "There."  Her hand moved behind his head and supported
it. Her fingers moved gently in his hair.  She looked up and across the
barn.  Her lips came together and smiled mysteriously."


 She smiles because now she knows where the real power of life is, and it
ain't in the thinkin' and the figurin' in the dust.
Moq_Discuss mailing list
Listinfo, Unsubscribing etc.
http://lists.moqtalk.org/listinfo.cgi/moq_discuss-moqtalk.org
Archives:
http://lists.moqtalk.org/pipermail/moq_discuss-moqtalk.org/
http://moq.org.uk/pipermail/moq_discuss_archive/

Reply via email to