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This is an excerpt from something I wrote years ago, it has some excerpts
from Tarnas' chapter "Ideas and Gods"

Western civilization has been builtupon these archetypes. The founders of
modern science, for example, believed, in the concept of natural law because
the laws of nature were thought to be created by a sovereighn God. The only
reason a natural law was thought to be eternal was because it was believed
to be a thought in the mind of an eternal God*

Rupert Sheldrake puts it like this,

"Although many people no longer believe in such a God, his universal laws
have survived him to this day. But when we pause to consider the nature of
these laws, they rapidly become mysterious. They govern matter and motion,
but they are not themselves material nor do they move. They cannot be seen
or weighed or touched; they lie beyond the realm of sense experience. They
are potentially present everywhere and always. They have no physical source
of origin. Indeed, even in the absence of God, they still share many of his
traditional attributes. They are omnipresent, immutable, universal, and
self-subsistent. Nothing can be hidden from them, nor lie beyond their
power."

Plato said, "everything is full of the gods", when he noticed a similar
progression of ideas in his time. Mythology becomes philosophy, which
becomes science and art.

He often used mythology to teach his philosophy, deliberately blurring the
distinction between the two. For example, Athena could be used
interchangeably with wisdom, Eros with love, Apollo with insight, Ares with
aggression, and Zeus with order and justice.

Later, ideas about justice or order might show up in mathematical and
scientific ideas, reflecting a belief in the balance and harmony of the
cosmos. In fact, Chaos and Cosmos(order) were deites in greek
mythology-along with Chronos (time), and Gaia (earth). This attempt to
understand divinity, or ultimate reality, becomes the blueprint on which all
further thought is based.

"Depending on a specific dialogue’s context, Zeus, Apollo, Hermes Athena.,
Aphrodite, and the rest could signify actual deities, allegorical figure,
character types, psychological attitudes. modes of experience, philosophic
principles, transcendent essences, sources of poetic inspiration or divine
communications, *objects of *conventional piety, unknowable entities,
imperishable artifacts of the supreme creator, heavenly bodies, foundations
of the universal order, or rulers and teachers of mankind."

"More than only literalistic metaphors. Plato’s gods defy strict definition.
In one dialogue serving as fanciful characters in a didactic fable, in
another commanding an undoubted ontological reality. Not Infrequently, these
personified archetypes are used in his most philosophically earnest moments.
as <http://moments.as/> if the depersonalized language of metaphysical
abstraction were no longer suitable when directly confronting the numinous
essence of things."

"Specific qualities of character are regularly attributed to specific
deities, as in the Phaedrus, where the philosopher who seeks after wisdom is
called a follower of Zeus, while the warrior who would shed blood for his
cause is said to be attendant upon Ares"

"Yet it was not just the language of myth in Plato’s dialogues, but rather
the underlying functional equivalence of deities and ideas implicit in much
of his thought, that made Plato so pivotal in the development of the Greek
mind. As the classicist john Finley has noted, "Just as the Greek gods,
variable though they may have been in cult, corporately comprise an analysis
of the work!-Athena as mind, Apollo as random and unpredictable
illumination, Aphrodite as sexuality, Dionysus as change and excitement,
Artemis as untouchedness, Hera as settlement and marriage, Zeus as order
dominant over all so the Platonic forms exist in their own right. lucent and
eternal above any transitory human participation in them. ... (Like the
forms, the gods) were essences of life, by contemplation of which any
individual -life took on meaning and substance."

"the distinct implication in many passages of the dialogues is that the
imaginative faculty, both poetic and religious, was as useful in* *the quest
for attaining knowledge of the world’s essential nature as any purely
logical, let alone empirical, approach."

The development of the calender, astrology and then astonomy, the alphabet,
mathematics, law, and politics are all intimately related to ideas about the
Creator. It has always been so- now, as in the beginning.

And when the scientists and philosophers of the 17th century saw a
fundamentally orderly and rational world, made up of indestructable,
indivisible particles, and governed by uniform, absolute laws, they were
seeing a world, "full of their God". They were seeing a world which they
believed mirrored these divine attributes. And so these characteristics of
God became archetypes through which man could understand the created world.

Man was rational because he was made in the image of a rational God. The
created world of nature must likewise obey rational laws, since thes
rational laws were thoughts in the mind of a rational God. And since God was
eternal, absolute, and indestructable, so were His thoughts-the universal
laws which governed the natural world.
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