Hi J-A

The subjective sense of repetition could point to static patterns.
Personally, I take the use of Zen in the title of ZMM seriously.  One
of the principles of Zen is to rid oneself of static patterns.  One
explanation of this is to always do things for the first time.
Another example is the conotation of mindfulness in Zen.

To approach the world in such a way takes some initial discipline, as
our nature is to learn by doing and remembering.  The Zen approach is
not so much as to forget what was done before, but to pay attention
and realize that everytime something is done (again), it is completely
different.  Direct participation in the present can be nothing but
new.

This is one example of how one can escape static quality and live in
the dynamic moment (Quality).  MoQ is another way to realize this.
Many subscribing to MoQ believe that such a thing is out of our
abilities - by definition.  This is not the way I see it.  I see the
precepts of MoQ as a valid way of life.  We must not mistake the words
in MoQ for what they are pointing at.  Such attachment to words is, by
definition, static quality.  As such, rigid dogmatic following of the
text is self-defeating.

Cheers,
Mark

On Thu, Mar 24, 2011 at 12:10 PM, Jan-Anders <[email protected]> wrote:
> As soon as a dynamic pattern is repeated, due to its superior quality, it
> will be transposed into a static pattern.
>
> Static pattern with lower quality, cease to operate and returns its energy
> down into the dynamic perpetual marshes.
>
> J-A
>
> [email protected] wrote 2011-03-24 20.05:
>>
>> Thats the way it seems to me, Ian.
>>
>> On Thu, Mar 24, 2011 at 1:57 AM, Ian Glendinning
>> <[email protected]>wrote:
>>
>>>> >  >
>>>
>>> >    ... as a definition of static. The difference between static and
>>> >  dynamic is that static is something (a species technically) - a
>>> >  pattern - that persists long enough to have humans  attach a name to
>>> >  its concept.
>>> >
>>> >
>>
>> Perhaps another way of looking at it is that since sq is the result of  a
>> subjective judgment, then DQ could be construed as the ultimate object?
>> So
>> instead of hard and fast lines between subject and object, we have a
>> continuum with tendencies shading toward the static and the dynamic.
>>
>> This is probably old stuff to most of you, but it never occurred to me to
>> look at it that way before.
>>
>> John
>
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