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>From Henri Bergson, "An Introduction to Metaphysics" (1903):

   There are two profoundly different ways of knowing a thing. The first may 
be said to result in relative knowledge. He names it "analysis". By 
analyzing a thing, we are expressing it as a function of other things, by 
which we imperfectly express the object in terms of conceptual symbols, 
thereby losing the original, which is metaphysically perfect. The process of 
analysis is one which may infinitely chop up, re-relate, rotate and examine 
a thing from so many different points of view. Hence it called relative, 
dependent on prior knowledge of other things.
It is a process of "moving round the object".

  The second way of knowing a thing is analogously described as "entering 
into the object". This is done through "inserting" one's self into them with 
"effort of imagination". This kind of "intellectual sympathy" (what I would 
call "vision"), called "intuition". When one knows an object intuitively, 
one has rejected all analytic translations "in order to possess the 
original". This original is the essence of "duration". By duration, Bergson 
refers to the undeniable indivisibility of self-experience. Though our 
thoughts paint pictures of the past and future, our "dynamic" enduring 
conscious continuum only knows the present, is never static and chopped up 
into words. The knowledge reaped through intuition is simple, 'pure', in a 
sense. By contrast, relative analytic knowledge is always complex and 
multiple. "For every fact (<intuition>), there are an inifinite number of 
hypotheses (<analyses>)" - ZMM The intuitive present fact of conscious 
existence is termed by Bergson "absolute" knowledge. It is ultimately new, 
unique and inexpressible, whereas relative knowledge, that of "maya", if you 
will, is patterned and old.

   As far as I can see, Bergson views the Absolute which is apprehended 
through absolute knowledge, as metaphysically primary, and, perhaps, most 
valuable - best. He equates the absolute with "perfection" in contrast to 
the "imperfection" of analytical translations of reality.

   A thing/experience/event is simple when viewed from the inside, but 
complex when differing points of view are taken from outside. The absolute 
is the "gold coin" from which we eternally reap "small change".

Rich



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