Hi Jonathan:

You wrote:

>   Some of you may be interested in the following:
> 
> DISCOVER Vol. 22 No. 1 (January 2001)
> Machines That Think
> By Brad Lemley
> 
> The full article is at
> http://www.discover.com/jan_01/gthere.html?article=featmachines.html
> 
> Here is an extract to give you a taste
> <Quote>
> For most of their existence, computers have been little more than
> complex adding machines, tabulating data and spitting out useful but
> prosaic results. Now, employing a new kind of programming based on
> biological evolution, computers are invading what we thought was among
> the last uniquely human spheres- true, original, even artful creativity.
> "We're not used to computers creatively solving problems," says David
> Goldberg, chairman of the International Society for Genetic and
> Evolutionary Computation. "But it's happening."
> 
> The engine behind the revolution is called evolutionary computation. Its
> basic premise is that the most capable and efficient things on the
> planet came into being through evolution- not as the brainchild of an
> individual designer. After all, the human hand makes the most dexterous
> robotic claw look like nothing more than a pair of rusty pliers.
> </quote>

Thanks for the reference to the Discover article on evolutionary 
computing. Fascinating stuff. Discover magazine is my favorite entree 
into the science world. Recently there was an article about a physicist 
who argues that time, like space, is illusory. Every issue has at least 
one article of interest to lay persons. 

A couple of observations about evolutionary computation. First, 
according to the article it requires �A so-called fitness function (that) 
evaluates the progeny . . .� which might be also called a �moral 
function� as it represents a value choice. Second, the artist using the 
program to produce pictures makes his value choices based on an 
aesthetic sense, a uniquely human sense that I think is involved in 
many software design and other logical/scientific decisions. Finally, the 
article implicitly raises the hoary question about who or what designed 
the original evolutionary process. We don�t want to stumble into the 
paradox of believing we�ve designed  a computer model that shows the 
world is not designed.

The more I try to the less I can see an escape from values. Perhaps 
you feel the same universality of morality in your work (if you accept 
morality as broadly defined in the MOQ). At least I gather you haven�t 
completely rejected Pirsig�s views as several other science-oriented 
contributors have.

Best, Platt




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