................................. To leave MP3-Commie, hyper to http://commie.oy.com/commie_leaving.html .................................
----- Forwarded message from "Paul D. Miller" <[EMAIL PROTECTED]> ----- From: "Paul D. Miller" <[EMAIL PROTECTED]> Date: Fri, 19 Jul 2002 21:09:27 -0400 To: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> Reply-To: "Paul D. Miller" <[EMAIL PROTECTED]> Subject: <nettime> Music and technology - a dialog between Phillip Glass, Dj Spooky and others... > hello everyone! This is an online discussion on music and technology > Phillip Glass set up - it's an open ended scenario between a couple > of my favorite philosophers of music and digital culture... if you > have a moment, check it out! The dialog is for the first issue of > a magazine on classical music and sound art and the first issue is > under Philip Glass' guest editorship, which kicks off the series. > Carte Blanche will be sort of a calling card for andante's online > magazine. Future editors will include choreographer Mark Morris, > composer John Adams, writer Susan Sontag and director Jonathan > Miller. Music and Technology: A Roundtable Discussion Philip Glass, Morton Subotnick, Paul D. Miller (aka DJ Spooky), John Moran, Michael Riesman http://www.andante.com/magazine/article.cfm?id=17375 also - don't forget the test issue of 21C is up NOW! Check it out! It'll be changing all the time until we get to the print version though... there's alot more on the way: www.21cmagazine.com okay, thanx, Paul Philip Glass' questions: How has digital technology affected your compositional process? Can you discuss new developments (both positive and negative) of the new technology on the dissemination of new music? Is it possible to anticipate a reaction (or moving away) from technological dependence in future generations? Could you suggest some ways which young composers and, to some extent, interested listeners can get a grasp of fundamental concepts of new music technology? Does new music technology imply a different way of listening? Admittedly, new developments in digital technology have been largely positive for the composition and recording of new music. What impact can and will this have on how composers and performers make a living? ................................. To find out, what address you were using, when joining MP3-Commie, hyper to http://commie.oy.com/whocommie.html
