On 21 April 2012 01:30,  <s...@sfxmachine.com> wrote:
> This method is also discussed in Crochiere & Rabiner's Multirate Digital
> Signal Processing book, but it didn't make sense to me there either - I'm
> assuming this is my problem, not theirs. Apparently this method windows
> the input with a window of size N = 4K, then intentionally time-aliases
> the signal by stacking and adding it in blocks of K samples, then takes
> the FFT of the time-aliased sequence. On the synthesis side, it takes the
> inverse FFT, periodically extends the result, applies a synthesis window
> and overlap adds. The periodic extension is the transpose of the windowing
> and aliasing in the analysis process, which fixes everything somehow...?

So Crochiere's book discusses synthesis? Unfortunately I don't have it...
In any case, simple periodic extension and windowing didn't work for
me (it produces echo/flanging as one might expect)...


> I'm afraid to try this, because it doesn't make any damn sense, and if it
> works it might make my brain explode.

When you get the courage try Richard Dobson's free VST plugins to hear
that it works ;)


> I'm curious what they're on about with this, but not quite curious enough
> to try it, since it can't possibly work unless it does.

:DD


> Maybe it yields perfect reconstruction so long as you don't listen to the 
> output.

lol :D


> Anyway, I'm hoping someone will tell me it sounds great and makes
> everything all better in the time, frequency, and efficiency domains.

Well, to thank you for the great geek-laughs the least I can do is
share that, so far, this technique does seem to make a positive
difference ;)


--
"What Huxley teaches is that in the age of advanced technology, spiritual
devastation is more likely to come from an enemy with a smiling face than
from one whose countenance exudes suspicion and hate."
Neil Postman
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