But, don't all flavours lead to a new recording, making explanation (laying
one track over another) unnecessary?


On 22 April 2013 11:33, symphonick <[email protected]> wrote:

> Then you may have to explain exactly what you mean with "overdubbing",
> since it's used in almost every [pop] studio recording made since the
> advent of multi-track tape recorders.
> http://en.wikipedia.org/wiki/Overdubbing
>
>
>
> 2013/4/22 Tom Crocker <[email protected]>
>
>> I agree that which relationships to use in which cases is an issue to
>> discuss separately. But if it would help rocknrollarchivist you could add
>> 'overdub' to the list of possible name for different mixes in the usage
>> guide (since it clearly falls into this category within our definition,
>> regardless of what relationships it should have)
>>
>>
>> On 21 April 2013 15:26, LordSputnik <[email protected]> wrote:
>>
>>> symphonick wrote
>>> > About relationships & recordings: since we're missing a
>>> performance/source
>>> > level above recordings, relationships that in theory links to the
>>> source
>>> > audio will be more or less inaccurate. E.g. technically a remix
>>> > (mb-recording) usually isn't related to an old mix (=mb-recording),
>>> but to
>>> > the source audio (tracks). Close enough when we can establish an
>>> original
>>> > mix maybe, but what should you link to when there's both an "album
>>> > version"
>>> > and a "radio edit" available?
>>>
>>> I think this is probably a problem with the existing guidelines too - I
>>> expect if there's no clear original version people just won't use the
>>> relationship for those recordings.
>>>
>>> It may be possible to say "link to the originally released mix of the
>>> performance", which should always give a recording to link to. However,
>>> if
>>> the originally release mix is the remix, that could be a problem. Since
>>> this
>>> isn't directly related to redefining recordings (it's partly an existing
>>> problem), perhaps we could solve it separately?
>>>
>>>
>>>
>>> --
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>
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>
> /symphonick
>
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