> From: "=?iso-8859-1?Q?Andr=E9_Van_Ryckeghem?=" <[EMAIL PROTECTED]>
> Date: Tue, 26 May 1998 09:27:31 +0200
> Problem 1
> The accids are only in effect when using the word with all the chars.
> (uncomment the 4th line and comment the 3th line to see)
I use version 88. "\relativeaccidentals" does not work for me. It's an
"Undefined control sequence". "\relativeaccid" works for me.
Is it possible that you use a TeX-format which contains some redefinitions?
In musixtex.tex only "\relativeaccid" is defined. Can you try to process your
input with plain-TeX?
> Problem 2 (using \relativeaccidentals)
> Why the 2 notes in the chor behave different when transposed?
> (the b-flat becomes a c-sharp -- the l-flat becomes a m-andreascross)
Everything is working correct. With relative accidentals ...
b-sharp in E-flat-major is b-natural
e-sharp in E-flat-major is e-natural
and with transposing and relative accidentals ...
b transposed to c; c-sharp in G-major is c-sharp
e transposed to f; f-sharp in G-major is f-double-sharp
Some more remarks:
> \input musixtex% version 83
> \hsize 90mm\vsize 270mm
> \relativeaccidentals%
This does not work with version 88
> %\relativeaccid%entals%
This works in version 88
> \bigaccid\startmuflex\startpiece\systemnumbers%
> %
> \transpose=0\generalsignature{-3}\changecontext%
Either use "\trans....{-3}" before \startpiece or use "\zchangecontext" to
have no barline at the beginning. (I know it's only a test-case).
> \Notes\zh{^b}\hl{^l}\en
I prefer "\zh{^b}\hl{'^e}" - then I know the notes :-) [*]
> %
> \transpose=1\generalsignature{1}\changecontext%
> \Notes\zh{!^b}\hl{!^l}\en
Why "!"?
> %
> \Stoppiece\eject\bye
\bye -- Werner
[*] I really prefer "b23sl zes+" or "e25s zbs-" :-)