Werner Icking wrote:
>
> > Date: Mon, 18 Sep 2000 14:21:25 +0200
> > From: Christian Mondrup <[EMAIL PROTECTED]>
>
> > Werner Icking wrote:
> [...]
> > As far as I can see with my limited guitar knowledge this solution
> > suffers, in the case of hold lines extending over line breaks, from a)
> > the ending vertical line being applied before the line break and b) the
> > string number/number of strings indications being repeated after the
> > line break.
>
> Erwischt :-)
>
> Here's the next try - but I do not understand why it doesn't matter
> whether the first two lines of the definition are commented out
> or not although \n@ii is involved and lateron is compared against
> \T@ii :-(
>
> This solves a).
>
excellent:-)
> % Now redefine C@TO to meet chord barre notation for guitar
> \makeatletter
> \def\C@TO{%
> % \ifnum \@ne=\the\o@sw
> % \n@v\@xxiii \n@ii\@xxiv \else \n@v\@xxv \n@ii\@xxvi \fi
> \ifx\T@ii\n@ii \y@v\lin@pos \else \getcurpos \fi
> \advance\y@v-\o@x \kernm\y@v \raise\o@y\hbox{%
> \raise\h@lf\Interligne\hbox\@to\y@v{%
> \lower\Internote\hbox{\octnumber}\hrulefill}%
> \ifx\T@ii\n@ii \else\vrule height\h@lf\Interligne\fi}}%
> \makeatother
>
> b) can be solved similar; but maybe the repetition of the
> meaning could be useful.
If it happens to be not useful then how can b) be solved - I can't :-(
--
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01
