On 12/01/14, Chris Sawer wrote:
> I am not a lawyer, but as far as I can tell, your piece fulfils both
> these requirements:
>
> - First published in 1915
> - Editor died in 1937 and composer somewhat earlier :-)
>
> On this basis, I think it can be accepted in Mutopia.
Thank you, Chris.
Here it goes, then. Let me know if there are any problems with the
score.
Regards,
--
Hermógenes Hebert Pereira Oliveira
\version "2.12.3"
% This is the solo voice.
celloSolo = \relative c {
\clef tenor \key g \major \time 4/4 \tempo "Adagio" 8=63
% The first part
\repeat volta 2 {
b'~^"con suono"_\markup {\dynamic mf \italic{molto espressivo} }
b16 c( d e) a,4~ a16 b( c d) | %1
g,8\< g'16( e) c4~\! c16 a'( fis d) c8 b16( d) | %2
b8(\> a16 g)\! r4 g'4~\p\downbow g16 e( fis g) | %3
a,4~ a16 cis(\< e g)\! fis4~\> fis16(\! d b a) | %4
g4~ g16 b(\< d fis)\! e4~\> e16\! cis( a g) | %5
fis( g) cis( d) d4~\< d16 e( g b)\! cis,8.( d16) | %6
}
\alternative{ { d4~\> d8\! r8 } { d4~\> d8\! r8 } } %7
% The second part
\repeat volta 2 {
\set Timing.measurePosition = #(ly:make-moment -1 2)
f4~\downbow f16 d( b a) | \crescTextCresc %7
gis4~ gis16\< a( b c) d( e) f gis b8(\! d,) | %8
c b16( a) c'4~\f c16 b( a b32 gis) a4~ | %9
a16_\markup { \italic {con molta espressione} }
g( f e) d( c) b( gis')
a([ b32 a gis) a16.(] \grace{b16[ c]} b8. a16) | %10
a4. r8 c,4~\mp c16 b( a c) | %11
b4~ b16\< g( a b) c( d) e^\markup { \italic largamente }
f g[ f32( e) f8]\! | %12
f8(\> e)\! r16( a,\p b c) \times 2/3 {fis,([\< e fis)]}
\times 2/3 {g([ fis g)]} \times 2/3 {a([ g a)]}
\times 2/3 {b([ a b)]\!} | \crescHairpin %13
\times 2/3 {c([\f b c)]\<} a'8~\!
a16\> b,( c\! a) b(_\markup { \italic {poco rit.} }
d) g e d( c) fis( g) | %14
b,8(\> a)\! r4 b~^\markup { \italic {a tempo} }\pp
b16 c( d e) | %15
a,4~ a16 b( c d) g,8 g'16( e) c4~( | %16
c16 a') fis d c8( b16 c) b(\< d b g)
\clef bass f8( e16 f)\! | \crescTextCresc %17
e4~(\< e16 fis) fis( g) g( fis) g e fis8.( g16)\! %18
}
\alternative{
{ g4~\f g16 b,( e cis)_\markup { \italic allargando } d( g) c b
\grace{\times 2/3 {g16[( a b]}} a8. g16) | %19
\set Timing.measurePosition = #(ly:make-moment -1 2)
g4~\>^\markup { \italic {a tempo} } g8 r8 }
{ g4~\f g16_\markup { \italic {molto rit.} } b,( e cis) e( g) c, b
\grace{\times 2/3 {g16[( a b]}} a8.\fermata g16) |
g1 } %20
}
}
pianorighthand = \relative c'' {
\clef treble
\key g \major
\time 4/4
\repeat volta 2 {
r8\mf <d, g b>8_.( <g b d>_.) r8 r8 <d a'>_.( <fis a d>_.) r8 | %1
r8 <d g>8_.( <c g' c>8_.) r8 r8 <fis a c>^.( <c' fis a>^.) r8 | %2
r8\> <g' d b>^.( <b, g d>^.) r8\! r8\p <e, g b>_.( <g b e>_.) r8 | %3
r8 <g a e'>_.( <e g a>_.) r8 r8 <d fis a>_.( <fis a d>_.) r8 | %4
r8 <d g>_.( <g, d' fis>_.) r8 r8 <e' a>_.( <a, e' g>_.) r8 | %5
r8 <g' a>_.( <fis a d>_. <d a' dis>_. \< <d g b>^. <g b e g>^.)
<< { c4\! } \\ { <fis, a>8( <e g>) } >> | %6
}
\alternative{
{ r8\> << {<g a>8(\! <fis d'> <c' a>)} \\ {d,4 d8} >> }
{ r8\> <a' g d>([ <d fis, d>)] r8\! } %7
}
\repeat volta 2 {
\set Timing.measurePosition = #(ly:make-moment -1 2)
r8\mf <f d a>8^.( <d a f>^.) r8 | \crescTextCresc
r8 <b f d>_.( <d b f>_.) r8\< r8 <d b f>_.( <e, d b>_.) r8\! | %8
r8\f <c' a e>_._- <a e c>4~ <a e c>8[ <e' c a>] <a, e c>4~ | %9
<a e c>8 <a' d, b>_._- <b, a f>_.[\( <d gis, d>_.]
<c a e>_.[ <b f>_.]\) << {e,4} \\ {<b a>8( <d gis,>)} >> | %10
r8\> <e c g>_.( <c e a>_.) r8\! r8\p <e a c>_.( <d c g>_.) r8 | %11
r8 <d b>_.( <g d b>_.) r8 r8\< <g c, g>_.( <a g c,> <b g d>_.)\! |%12
r8\> <c g e>_.( <e c g>_.)\! r8\p r8 <g,\< c, g>_.(
<fis c a>_. <e c b>_.\! | %13
<d c a>_. <e' a, c,>_. <d a d,>_. <c a fis>_.
<b g d>_._\markup { \italic { poco rit.} }
<g' d g,>_. <g c, g>_. <g, e g,>_.) | %14
r8\> <g d a>_.( <fis d a>_.)\! r8 \crescHairpin
r8^\markup{ \italic {a tempo} }\pp <b g d>_.( <d b g>_.) r8 | %15
r8 <a d,>_.( <d a fis>_.) r8 r8 <g, d>_.( <c g c,>_.) r8 | %16
r8 <c a fis>_.( <a' fis c>_.) r8 r8 <b, g d>_.(\< <f d b>_.) r8\! | %17
\crescTextCresc r8\< <e c g>_.( <a e a,>_.) r8 r8 <g a,>
<< { <f d>4\! } \\ { b,8( c) } >> | } %18
\alternative{
{ r8\f <g' b,>_.(_\markup { \italic alargando }
<d' g, d>_. <cis g e>_. <d g, d>_. <g, e>_.)
<< { d4 } \\ { <c g>8( fis,) } >>
\set Timing.measurePosition = #(ly:make-moment -1 2)
r8^\markup{ \italic{a tempo} } <d' b g>_.( <g d b>_.) r8 }
{ r8\f <g b,> <d' g, d>_\markup{ \italic{molto rit.} }
<cis g e> <d g, d> <g, e>
<< { d4\fermata } \\ { <c! g>8( a)\fermata } >> | %19
r8 << { <e' c>16( <d b> <c a> <d b> <e c>8 <d b>2) } \\
{ g,4.( g2) } >> } %20
}
}
pianolefthand = \relative c {
\clef bass
\key g \major
\time 4/4
\repeat volta 2 {
<g g'>4. <g g'>8_._- <fis fis'>4. <fis fis'>8_._- | %1
<e e'>4. <e e'>8_._- <d d'>4. <d d'>8_._- | %2
<g g'>4. <fis fis'>8_._- <e e'>4. <d d'>8_._- | %3
<cis cis'>4. <cis cis'>8_._- <d d'>4. <cis cis'>8_._- | %4
<b b'>4. <b b'>8_._- <cis cis'>4. <cis cis'>8_._- | %5
<d d'>4. <fis fis'>8_.( <g g'>_. <e e'>_. <a a'>_. <a, a'>_.) | %6
}
\alternative{
{ d2 }
{ <d d'>4. <c c'>8 }
} %7
\repeat volta 2 {
\set Timing.measurePosition = #(ly:make-moment -1 2)
<<
{
r8 <b'' d>8_.( <a b>_.) r8 | %8
r8 <gis b>8_.( <b d>_.) r8 r8 <gis b>_.( <gis e>_.) r8 | %9
r8 <a c> <a e> r8 r8 <c e> <a e> r8 | %10
r8 <b d a'> <a fis b>
}
\\
{
<b, b,>4. <b b,>8_._- |
<e e,>4. <f f,>8_._- <gis, gis,>4. <e e,>8 | %8
<a a,>4. <a a'>8_._- <g g'>4. <g g'>8 | %9
<f f'>4.
} >>
<f f'>8_.\( <e e'>_. <d d'>_. <e e'>_. e_.\) | %10
<< { r8 <c' e>8_.( <e a>_.) r8 } \\ { <a, a,>4. <g g'>8_._- } >>
<fis fis'>4. <d d'>8_._- | %11
<g g'>4. <f f'>8_._- <e e'>4. <g g'>8_._- | %12
<c, c'>4. <b b'>8_._- <a a'>4. <g g'>8_._- | %13
<fis fis'>4. d'8_.( <g, g'>_. <b b'>_. <e e'>_. <c c'>_.) | %14
<d d'>4. <fis fis'>8_._- <g g'>4. <g g'>8_._- | %15
<fis fis'>4. <fis fis'>8_._- <e e'>4. <e e'>8_._- | %16
<d d'>4. <d d'>8_._- <g g'>4. <g, g'>8_._- | %17
<c c'>4. <a a'>8 <d d'>4. <d d'>8 | } %18
\alternative{
{ <e e'>4. <a, a'>8( <b b'>[ <c c'>)] <d d'>_.([ d_.)]
\set Timing.measurePosition = #(ly:make-moment -1 2)
<g, g'>4. <c c'>8_._- }
{ <e e'>4. <a, a'>8 <b b'>[ <c c'>] <d d'>[ d]\fermata | %19
<g, g'>1 } %20
}
}
\book{
\header {
title = "Arioso"
composer = \markup{ \caps {Johann Sebastian Bach}}
arranger = "Arr. Sam Franko"
mutopiatitle = "Arioso"
mutopiacomposer = "BachJS"
mutopiainstrument = "cello, piano"
source = "Schirmer, 1915"
copyright = "Creative Commons Attribution 3.0"
maintainer = "Hermógenes Hebert Pereira Oliveira"
}
\bookpart{
\score{
<<
\new Staff = "Violoncello" \with {
fontSize = #-3
\override StaffSymbol #'staff-space = #(magstep -3)
}
\set Staff.instrumentName = Violoncello
\set Staff.midiInstrument = #"cello"
{
\celloSolo
}
\new PianoStaff = "Piano" {
\set PianoStaff.instrumentName = #"Piano"
<<
\new Staff {
\pianorighthand
}
\new Staff {
\pianolefthand
}
>>
}
>>
\midi{
\context{
\Voice
\remove "Dynamic_performer"
}
}
\layout{
#(layout-set-staff-size 22)
}
}
}
\bookpart{
\score{
\new Staff = Violoncello {
\set Staff.instrumentName = Violoncello
\celloSolo
}
\layout{
#(layout-set-staff-size 22)
}
}
}
}_______________________________________________
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