Indian Comics Irregular #80

DreamWorks' new movie, "Spirit:  Stallion of the Cimarron," has a 
Native American backdrop.  Spirit is a feisty mustang of the Old West 
who is "born free" and grows up to lead the Cimarron herd.  Critic 
Kenneth Turan continues (LA Times, 5/24/02):

   What also comes with maturity are encounters with unpleasant white 
   men, intent on subjugating the West in general and Spirit in 
   particular.  They're epitomized by the Colonel (James Cromwell), 
   who serves as bondage master during Spirit's brief stay with the 
   cavalry.  If the white people cause every bit of the trouble in 
   this film, the Native Americans, living as it happens in perfect 
   harmony with the natural world, are just as schematically 
   presented as uniformly virtuous.  This is especially true of the 
   young Lakota brave Little Creek (Daniel Studi), who hooks up with 
   Spirit....

Or as Chris Kaltenbach of the Baltimore Sun puts it:

   "Spirit" is awash in wonder, from Matt Damon's narration to the 
   unwavering nobility of Little Creek and his Native American 
   brothers and sisters.  It's a vision of the West that Hollywood 
   has embraced ever since "Dances With Wolves"--a wondrous place 
   until Western Civilization came and did its dirty work.

A correspondent adds her opinion:

   Little Creek was very likable, but too good to be true.  
   Naturally, he talked to animals.  The Lakota village looked like a 
   Thomas Kinkade painting.

If you look at just the visuals, the message is clear.  A half-naked 
Indian youth contrasts with a fully-outfitted Army officer.  It's a 
classic:  the innocent noble savage vs. the corrupt civilized man.

Anything wrong with that?  Well, yes.  I've argued before that a 
positive stereotype is still a stereotype.  It creates lofty 
expectations that no real people can meet.

Painting Indians as paragons of virtue only sets them up for a fall.  
Your typical non-Indian is apt to say, "Look, they're building 
casinos.  They don't care about their land or culture.  They're in it 
for the money just like us."

As I always say, a positive stereotype is better than a negative 
stereotype, but reality is best.  For more on the subject, see 
http://www.bluecorncomics.com/noble.htm.

More on Unrealistic Images

Filmmaker Chris Eyre (Cheyenne/Arapaho) made similar points at the 
Taos Talking Pictures festival recently.  From Indian Country Today, 
4/20/02:

   "Second to religion, I think movies have been the most damaging 
   thing to Indians," said Chris Eyre.  "In 100 years of cinema there 
   aren't portrayals of Indians as people.  Indians will watch bad 
   images of Indians because they are so starved of images of 
   themselves.  It's not about looking at Hollywood studios and 
   saying 'I hope they are going to get it.'  It's about us demanding 
   it.  I'm not against non-Indians making movies about Indians.  
   It's just there's never a balance."

   Romanticized New Age portrayals, such as "Dances with Wolves," 
   also came under fire.

   "It's manufactured.  There's Indian country, and that I know.  
   Then there are Native Americans wearing dreamcatchers.  They're 
   not people I know," commented Eyre.

Native Media Month

Apparently May was media month as well as Native Heroes month.  
Besides appearing on Native America Calling, PEACE PARTY was featured 
in a Pequot Times article; on FM 96.1 radio in Vancouver, BC; and in 
an hour-long AOL chat.  For the nitty-gritty on these guest shots, go 
to http://www.bluecorncomics.com/reviews.htm.

Rob Schmidt
Blue Corn Comics

Visit and show your support for the Grass Roots Oyate
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http://petitiononline.com/Release/petition.html

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