Hi all - long time lurker (since I don't own a Neotek - but have worked
on a few of them at various studios).

I have a MTR-90 mkIII.  From what I understand of the lineage, the audio
circuitry improved from the mkI to mkII (I'm fuzzy on that part, so I
could be totally wrong) - but the audio cards are interchangeable from
the II to IIIs.  The significant difference was in the
transport/handling of the machines over the years.  The IIIs also added
some features to prevent the swing arm assembly from bending, something
that happened on earlier revisions.  I've also heard the late revision
IIs can be just about as good as the IIIs.

Based on the info here:

http://www.jrfmagnetics.com/index.html?JRF_mainframe=/audioprices.html

I'd say it looks like lots Q & R were the last of the IIs, or the most
desireable IIs - as they share that new swing arm/roller assembly.  (you
can tell the lot and date of manufacture from the serial number)

I have had zero issues with my machine in probably 3 yrs (how long I've
had it). The only thing I've done is routine audio
calibration/maintenance.  Session usability wise, I find it easier to
work on than the MCIs or older studers (faster locate/punch/etc) and
pretty comparable to the fancy studers like the 820 - without all the
fancy bells and whistles. (no autocalibration, reverse record, or cool
meters) But for the meat and potatoes of session work, the III stacks up
pretty well IMO.

Haters argue the otaris lack character, but it's been a fine machine in
my mind.  I'd way rather do a session on a machine that punches well,
moves me through my session quickly and is *reliable* than a 'cool
sounding' (but 1/2 working) machine.

Only other thing somewhat of note I think is the audio cards on all the
otaris are on a single card vs having a distinct repro, record, sync
card per channel. Not really a big deal, but it might be easier to limp
through a session on a multi-card-per-channel machine is something bites
it.

Though I haven't personally run a session on either, pros and cons of
the other otari 2"s I've heard from various people over the years are:

MX-80
Pro - cheaper/smaller footprint
Con - basically the MX70 frame w/2" heads on it, and the motors can't
really handle it (you've got a Hyundai trying to be a big ford pickup or
some such analogy)  heard people say they love them, and others they'd
never do a session on them again....

MTR-100 
Was trying to be the studer 820.  fancy autocalibration, all the
advances of the mkIIIs - but then they also tried to reinvent the wheel
in some respects (again very fuzzy, but I think maybe they changed the
audio circuitry as well??).  I've heard they're great when working, but
the downside is they didn't make a ton of them so it'll be much harder
to come by spares/other studio owners you can bounce ideas off of when
it goes south.

The MTR-90 definitely has the largest 'user group' out there of the
series. 

I think the III was kind of a poor mans (or Spartan to put a positive
spin on it) 827.  

For me, the III is great.  


-----Original Message-----
From: [email protected] [mailto:[email protected]]
On Behalf Of [email protected]
Sent: Friday, March 06, 2009 5:14 PM
To: [email protected]
Cc: Jim
Subject: Re: NEOTEK: Need a few parts

Yeah...I'm still lurking.  I've been swamped the past year or so with
several high-def TV studio projects....working On The Dark Side <g>.

My experience has been that the MTR-90 Mark III's are quite reliable.  I
am unaware of any "bad rev levels" within the III's production, but that
might be the case.

I currently maintain a "Mk I" that is great when it is in a good mood,
but is very prone to problems, such as Molex connectors in the power
supply harness melting down.  I briefly worked with a MK III, but it was
just routine stuff...not repairs.

As for Stephens, I did some work on a 24 track here years ago, and it
was relatively problem-free.  But, with John now deceased, I'd be leery
of the machines, unless you can find two or more to have a parts donor.

Speaking of which, a pair of Stephens 40 tracks owned by Leon Russell
are now here in my area.  The plan is to get one running so that Leon's
old masters can be transferred.

Bri



---- Jim <[email protected]> wrote: 
> 
> Hi Terry,
> 
>   In general, the Otari MTR-90 series 3 (and no doubt some other
models) 
> were really good machines.
> 
>    (As an aside, I worked on a recording on one a few years ago; we
a/b-d 
> different tape types by recording the Otari output to a DSD machine.
While 
> there were obvious differences it actually held its own against the 
> "straight to DSD" control tracks)
> 
>    HOWEVER! Some were more or less good than others. I was at an
analog 
> tape machine seminar at the last AES in NYC. John Klett (renowned
studio 
> gear guy) had some very interesting comments on the different versions
of 
> Otari decks. It really came down to revision levels, etc. I do not
have 
> sufficient memory on board to recall all the detail, but if you (or
anyone 
> else here) is seriously considering the purchase of one I'll do my
best to 
> get these details. The wrong rev level could mean the difference
between a 
> great machine and a dog.
> 
>   BTW, IIRC John is one of the few other techs with any experience on
the 
> Stephens machines. Brian Roth (who may be another) is/was a Neotek
list member.
> 
>    Brian.............are you still out there?!
> 
> Regards, Jim
> www.analogbros.com
> 
> 
> 
> At 04:56 PM 3/5/2009, you wrote:
> >I hear you, Don........
> >
> >What is the group's opinion of an Otari 2" 24 trk???
> >
> >Terry McInturff
> >President, Terry C. McInturff Guitars, Inc.
> >919-742-2958
> >223-A North Chatham Avenue
> >Siler City, NC 27344 USA
> >
> >--- On Thu, 3/5/09, Donald Put <[email protected]> wrote:
> >From: Donald Put <[email protected]>
> >Subject: Re: NEOTEK: Need a few parts
> >To: [email protected]
> >Date: Thursday, March 5, 2009, 4:48 PM
> >
> >I guess it was longer ago than I thought.  He died in August of 
> >'07.  Here's a link to an obit:
> >
>
><http://mixonline.com/news/john-stephens-obituary-081807/>http://mixonl
ine.com/news/john-stephens-obituary-081807/
> >
> >I'd love to have a Stephens 24-track machine, but I have an MCI JH24
I'm 
> >in the process of restoring here and I don't really need another 
> >project.  Besides, the way the economy is going I'm not sure I'll
ever 
> >have the extra cash to get the MCI up and running!
> >
> >Cheers,
> >--
> >Don
> >
> >
> >On Thu, Mar 5, 2009 at 1:10 PM, Terry McInturff 
> ><<mailto:[email protected]>[email protected]> wrote:
> >Good greif, I am sad to hear of his passing. Another legend gone???
> >I am so pleased and proud to know that there are appreciators of fine
work 
> >..such as you guys.. left in this world!!!
> >Terry
> >
> >Terry McInturff
> >President, Terry C. McInturff Guitars, Inc.
> >919-742-2958
> >223-A North Chatham Avenue
> >Siler City, NC 27344 USA
> >
> >--- On Thu, 3/5/09, Donald Put 
> ><<mailto:[email protected]>[email protected]> wrote:
> >From: Donald Put <<mailto:[email protected]>[email protected]>
> >Subject: Re: NEOTEK: Need a few parts
> >To: <mailto:[email protected]>[email protected]
> >Date: Thursday, March 5, 2009, 1:47 PM
> >
> >
> >On Thu, Mar 5, 2009 at 10:40 AM, Jim 
> ><<mailto:[email protected]>[email protected]> wrote:
> >
> >
> >Hi Andy,
> >
> >  Pretty cool, a Stephens! That's a rare and outstanding machine.
Where is 
> > your studio and what kind of condition is it in? Have you used it?
> >
> >Regards, Jim
> ><http://www.analogbros.com/>www.analogbros.com
> >
> >
> >Agreed.  I'd be concerned about parts as Stephens passed away
recently and 
> >from what I've heard he was pretty much it when it came to 
> >parts/service.  If anyone knows differently, feel free to correct me
as I 
> >think it'd be a shame to lose these machines to history.
> >
> >Cheers,
> >--
> >Don
> >
> >
> >
> 
> 
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subscribers.

Vive Le Neotek!

Thanks.
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